The Partially Examined Life is a podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a short text and chat about it with some balance between insight and flippancy. You don't have to know any philosophy, or even to have read the text we're talking about to (mostly) follow and (hopefully) enjoy the discussion. For links to the texts we discuss and other info, check out www.partiallyexaminedlife.com. We also feature episodes from other podcasts by our hosts to round out your partially examined life, including Pretty Much Pop (prettymuchpop.com, covering all media), Nakedly Examined Music (nakedlyexaminedmusic.com, deconstructing songs), Philosophy vs. Improv (philosophyimprov.com, fun with performance skills and philosophical ideas), and (sub)Text (subtextpodcast.com, looking deeply at lit and film). Learn about more network podcasts at partiallyexaminedlife.com.
http://partiallyexaminedlife.com
Episode 211: Sartre on Racism and Authenticity (Part Three)
Moving finally on to Jean-Paul Sartre's "Black Orpheus" (1948), where he introduces a book of black poetry by praising its revolutionary spirit as embodied in "negritude." Is this a legitimate consciousness-raising exercise or a weird fetishization of blackness?
Listen to parts one and two first, or get the ad-free, unbroken Citizen Edition, which will also get you access to (sub)Text#5 on Checkhov's Uncle Vanya Please support PEL!
End song: "Punch Bag" by Godley & Creme as discussed on Nakedly Examined Music #3.
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