Longform

Wesley Morris is a critic at large for The New York Times, a staff writer for The New York Times Magazine, and the co-host of Still Processing. “I think that the taking of extra time to be more thoughtful and less reactive is, to the extent that I have any wisdom to impart, that is it. Just wait a second. Because someone’s going to get there before you get there anyway.” Thanks to MailChimp and Pitt Writers for sponsoring this week's episode. The Mastermind (Evan Ratliff • Random House • 2019) @Wesley_Morris Morris on Longform Morris's New York Times archive [1:55] Still Processing Podcast [3:25] Longform Podcast #95: Wesley Morris [3:30] Longform Podcast #218: Wesley Morris [6:55] In the Land of Women (Warner Brothers • John Kasdan • 2008) [9:25] Boomerang (Paramount • Reginald Hudlin • 2002 [10:45] "The Morality Wars" (New York Times • Oct 2018) [10:50] Insecure (HBO • 2016) [16:00] Crazy Rich Asians (Warner Brothers • Jon M. Chu • 2018) [30:25] "The Governor Who Partied Like It’s 1884" (New York Times • Feb 2019) [34:55] Green Book (Universal • Peter Farrelly • 2018) [37:05] Get Out (Blumhouse Productions • Jordan Peele • 2017) [37:10] Moonlight (A24 • Barry Jenkins • 2016) [42:10] Black Panther (Marvel • Ryan Coogler • 2018) [43:25] Wonder Woman (Warner Brothers • Patty Jenkins • 2017) [44:30] King Kong: Skull Island (Warner Brothers • Jordan Vogt-Roberts • 2017) [44:35] Captain Marvel (Marvel • Anna Boden • 2019 [46:00] Russian Doll (Netflix • Leslye Headland • 2019) [46:10] Catastrophe (Amazon • 2019) [46:15] Game of Thrones (Netflix • Leslye Headland • 2019) [50:55] Us (Monkeypaw Productions • Jordan Peele • 2019)

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