Open Source with Christopher Lydon

A conversation on art, architecture, and design with Tamar Avishai, Peter Chermayeff, Ann Beha, and Sebastian Smee.

Bauhaus was the art school in Germany that created the look of the twentieth century. We just live in it: loving its white-box affordability, or hating its stripped, blank, glass-and-steel uniformity, the world around. It’s the IKEA look in the twenty-first century, the look of Chicago skyscrapers and now Chinese housing towers, the look of American kitchens and probably the typeface on your emails, all derived from the building school in Germany between the world wars. It was the first omni-art school that taught painting and architecture, made new-look tapestries and chairs. It was the less-is-more school that made ornament very nearly a crime. It stood, and stands, for a few big ideas still hotly contested.

Walter Gropius at Harvard

Bauhaus, meaning ‘building house,’ was the name of the most influential art school in the history of the man-made environment. It was born just a hundred years ago in Weimar, Germany’s old-time cultural capital, seat of the shaky Weimar Republic after World War I. Bauhaus, the school, lasted only fourteen years, till Hitler’s Nazis suffocated it in 1933. Yet Bauhaus, the model of design, some would say, has ruled the world for a century now.

To kick off the show, we take a trip to the Gropius House in Lincoln:

Gropius House

We also talked to Boston architect Ann Beha about her work updating Gropius’s US Embassy in Athens, Greece:

We didn’t have time for all the great Bauhaus content we collected during the show, but while you’re here, listen to an OS extra: designer, architect, imagineer Peter Chermayeff explain how he designed the map for the Boston T.

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