Open Source with Christopher Lydon

Open Source is the world’s longest-running podcast. Christopher Lydon circles the big ideas in culture, the arts and politics with the smartest people in the world. It’s the kind of curious, critical, high-energy conversation we’re all missing nowadays. Be part of the action: leave a voice message to be played on the air; get in touch over Facebook or Twitter; or email us – info@radioopensource.org with show ideas, advice, requests and high-quality criticism.

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Tiananmen Square and China’s 1980s


China in the 1980s can sound like a Paradise Lost—paradise crushed by tanks on Tiananmen Square 30 years ago, paradise erased by massacre and state propaganda ever since, an unmarked memory hole. Except that people remember: the freedom of Democracy Wall; longhair students steeped in Confucian classics but sampling Virginia Woolf and Nietzsche for the first time, and dancing to Bob Dylan. Cosmopolitanism was in: Mao was dead, and Time magazine made the new ginger man Deng Xiaoping its man-of-the-year. John Denver of Rocky Mountain High cheered China’s long march to modernization. Bob Hope cracked jokes and swung his golf club in an NBC special from Tiananmen Square—till, poof, everything changed.

What we know of Tiananmen Square is mostly the tanks turned against plain people 30 years ago. What’s just as compelling in restored memory is the charged air of hope and possibility in Tiananmen, and in China of the 80s, until just days before the crackdown, the end of reform. Tiananmen Square had more and bigger Speakers’ Corners than Hyde Park in London: students, workers, artists plying agendas; musicians trying tunes, rehearsing democracy, you could have supposed. It was a romantic proving ground of blooming civic virtue and community spirit, and the American audience loved it, too.  

 

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 June 7, 2019  50m