The Holocaust was and remains a central trauma in Israel’s national consciousness. It has found ample expressions in Israeli documentary cinema from 1945 until the present. Third-generation Holocaust survivors were born between the late 1960s and the early 1980s. They grew up in a society which acts out the trauma and since the 1990s they have related to the Holocaust in a range of cultural fields. Remaking Holocaust Memory aims to paint the first comprehensive portrait of third-generation Holocaust documentaries phenomenon. It takes a cinematic, cultural, and sociohistorical comparative approach to examine how third-generation filmmakers have responded to previous narratives and representations. Liat Steir-Livny analyzes 19 prominent films that reflect the key tendencies of third-generation Holocaust documentaries. These films are compared to 16 Holocaust documentaries by second-generation survivors. The book explores how third-generation filmmakers are both affected by and deviate from earlier Holocaust representations. They create a new layer of commemoration that coexists with the former, while constructing new thematic, moral, and aesthetic recollections of the trauma.
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