This show focuses on the technical production of audio podcasts. Chris Curran chats with podcasters about their audio equipment, software and workflow to help you learn how to produce better sounding podcasts. You’ll also learn solutions to common audio issues as well as plenty of tips and tricks. By listening to this show you will gain a TON of knowledge and skills that will make a HUGE difference in your sound quality _and_ save you time! Subscribe/Follow today and start listening! Your host Chris Curran has a background in podcast production (Forbes, Dun & Bradstreet, J&J, etc) as well as music production (Sarah McLachlan, Jeff Buckley, Foreigner, etc). When he entered podcasting in 2012, he noticed that most podcasters (and producers) do not have a good understanding of fundamental audio engineering concepts, which sabotages the quality of their sound from the very beginning. This show, as well as Podcast Engineering School, helps podcasters and producers reach professional levels of podcast audio production.
https://podcastengineeringschool.com/category/show/
episode 162: Chris's Goody Bag
I overview recent Daily Goody's (from Oct. 25 - Nov. 6). Here's the link to view all those blog posts. And don't forget that you can sign up to receive the Daily Goody in your email every day or once per week. Sign up here.
Notes on my production for this episode:
Recording: I used a Heil PR30 microphone and my mouth was about 1-2" from the foam windscreen. The mic was plugged directly into a Sound Devices MixPre-6 and recorded using Audio Hijack.
Post-Production: First I had to de-plosive the raw recording because it had huge plosives on it due to my close proximity, even though I had a windscreen on the mic. Then for mixing I mostly used the Celestial plugin from Acustica (which is Free until February 14, 2020) as well as a bit of Fabfilter Pro-G gate and Vocal Rider from Waves.
My thoughts on the final sound of my voice: Please note I limited myself to the Celestial plugin in this episode (except for the couple others listed above) so I could try it out in full. I like the Celestial plugin a lot but I would have liked to do more precise EQ'ing on my voice, and I would have liked to use its compressor a bit more gently and in conjunction with an additional compressor plugin. Also, the tone of my voice through the PR30 is not the best I've ever heard.
Announcement: The start date for the next PES will be January 14, 2020
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