Open Source with Christopher Lydon

The quote, from Henry David Thoreau, often goes: “In wilderness is the preservation of the world.” Turns out Thoreau had been misheard. The real line is: “In wildness is the preservation of the world.”

Our guest Jedediah Purdy, author of After Nature, says Thoreauvian wildness is exactly what our post-natural world requires. Purdy likes a new term, the anthropocene, to describe a geological age of our own making — one in which no place is untouched by human activity. And so, Purdy says, this new age needs a new program, beyond the Paris mandates, the carbon offsets, and clean-tech investments. More urgently, we need a radically different sensibility.

In other words, we should learn to listen better — cultivate a deeper, more direct way of understanding ourselves and the landscape, toward a more participatory, more global politics. As Purdy says, “We’ve got to create that circuit between inside and outside in this wrecked world that we’ve made, if we’re going to be moved to participate in its healing and its improvement and its change.”

Along with John Luther Adams, the minimalist composer who won the Pulitzer Prize for Become Ocean, and Janet Echelman, the world-renowned sculptor and urban designer, we’re re-imagining the environmental crisis in the wake of the accord in Paris. The economists had their turn. Now we’re asking: What would the artists do?

Left: scale models of Janet Echelman’s artwork at her studio in Brookline. Right: Chris with John Luther Adams outside John’s apartment in Harlem.

• Illimaq (with Glenn Kotche) (2015)

Ilimaq by John Luther Adams & Glenn Kotche

• Become Ocean (2014)
• The Light That Fills The World (2002)

Special thanks to Veronica Barron for her readings from Thoreau’s journal. Thanks also to Anne Callahan. Feature image, of Janet Echelman’s “As If It Were Already Here,” a temporary installation over the Rose Kennedy Greenway in Boston, by Michael J. Lutch.