Conversations about all things organ playing. Dr. Vidas Pinkevicius and Dr. Ausra Motuzaite-Pinkeviciene talk about organ practice, technique, registration, performance, improvisation, harmony, music theory and other aspects which make up Total Organist.
https://www.organduo.lt
SOPP638: As you know, I am not 'original' in my writing as I recognize everything I create is derivative - a fusion of everything I have ever heard or played
This question was sent by Graham, and he comments on my recording of the practice session of his Idyll. So he writes,:
“Wonderful, Vidas! It was written in the summer of 2020 during the first lockdown of the Covid pandemic. I saw a competition advertised for a meditative piece for organ and this composition appeared nearly instantly! I do love Erik Satie's 'Gymnopedies' (I have heard you play No 2 on the organ!) and there is a strong French impressionist influence in this piece. It came together remarkably quickly from an initial improvisation to the finished composition as I was very near the deadline for submitting for the competition. As you know, I am not 'original' in my writing as I recognize everything I create is derivative - a fusion of everything I have ever heard or played. I love the music of Cole Porter and George Gershwin and Irving Berlin . . . so there is a trace of those songsters deep inside the piece as well. It sounds gorgeous on the Salisbury Willis - a sound I never expected to hear. THANK YOU!”