Gesamtlänge aller Episoden: 4 days 21 hours 44 minutes
This is the very last episode of the show ever. And on it we tackle the big, BIG question: how do you change the world?
Why does it always feel like we’re on the verge of something — great or terrible? And how do we resist the pull, the lull, and the stress of the void?
Welcome to the end of Flash Forward. This is the first episode in our three-part show finale! How do you have hope for the future?
Today we wrap up out Vanguard Estates series with the ultimate question: where do you want to grow old? The answer is probably not in a nursing home. And yet, millions of people live in places whose general crappiness is a punchline in sitcoms and cartoon
In this series, we’re taking a look at some of the real science, policy, economics, law and ethics that inspired the events of Vanguard Estates. Today we’re digging into the economics of senior care — both for the families and individuals who need care, a
In this series, we’re taking a look at some of the real science, policy, economics, law and ethics that inspired the events of Vanguard Estates. Today: can robots really help the aging? What are the pros and cons of these devices, and how do you evaluate
In this series, we’re taking a look at some of the real science, policy, economics, law and ethics that inspired the events of Vanguard Estates. Today: what even is dementia, and why can’t we cure it? Guests: Dr. Malú Gámez Tansey — professor of neuro
In this series, we’re taking a look at some of the real science, policy, economics, law and ethics that inspired the events of Vanguard Estates. Today: what it’s really like living with dementia, and caring for someone who has it? Remember, listen to Wel
Hi friends, it’s Rose and I’m back with a new series from Flash Forward. It’s called Welcome to Vanguard Estates, and it’s in your feeds … now! The gist is simple, but I wanted to offer up this little explanation in case you’re like “what the heck why are
The End. Vanguard Estates is a production of Flash Forward. The story was written by me, Rose Eveleth; edited by Ace Tilton Radcliffe and Georgia Wyatt; and produced by Ozzy Llinas Goodman. The sound design is by Mischa Stanton and music is by Ilan Blanc