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How can unfilmables enhance the experience of your script?
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Do you want your audience feeling with or for your characters?
How can you let your characters tell us how they feel?
How can you best articulate your ideas?
Workshopping ways to fix character motivations.
What to do when a reader says “I don’t buy that he/she would do that”?
How does removing character and plot question force your audience to engage with theme?
What if there is no antagonist?
How do systems pressure your characters to change?
What changes in your story if your antagonistic forces can’t be bargained with?