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What to do when a reader says “I don’t buy that he/she would do that”?
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Workshopping ways to fix character motivations.
How can you best articulate your ideas?
How can you let your characters tell us how they feel?
Do you want your audience feeling with or for your characters?
How can unfilmables enhance the experience of your script?
How can unfilmables help you create those cinematic moments of awe?
How do you know if your unfilmable is good... or if you’re just being a wanker?
How can you create flow and contrast in your dialogue?
How does audience knowledge affect your character’s motivations?