Gesamtlänge aller Episoden: 5 days 13 minutes
If you want to re-broadcast a doc from 20 years ago but don't like a lot of the writing, the mix, and the voicing, what do you do? If you're John Biewen, you re-do it! On this episode--the old and the new version of John's "Hiroshima Remembered."
Silence is a radio no-no. But what if you want to produce a story where the central focus is silence? Some answers on this HowSound.
Podcasters are free to produce without the confines of the public radio clock. So, why go so long? Short is beautiful.
A lot of public radio stations are wringing their hands these days about podcasting. "Should we or shouldn't we," they wonder? Wyoming Public Radio's Caroline Ballard says "Yes!"
When is it okay to trespass and use secretly recorded phone calls while producing a story? Not often. But, producer Jack Rodolico remained ethical while skirting the edges of what's appropriate for his documentary "A Mountain of Discontent."
Three early pieces from The Kitchen Sisters circa 1980, stories sparked by mistakes and chance encounters. Their DIY approach is inspired.
Sean Corcoran is a reporter's reporter. Straight-forward. Unbiased. Ethical. So why did he break some of his own rules on a story about opiate addiction?
Two more classics from Rob's vault of student-produced stories including one from 2003 by NPR's Gregory Warner, long before he became the network's east Africa correspondent.
How does your brain react when you drive through an intersection? Martine Powers answers that question and explains her clever sound design in her story "Driving In Circles."
It's rare when a reporter turns the mic on themselves. Stephanie Foo's essay "The Favorite" for This American Life is an excellent example of why it should happen more often.