Gesamtlänge aller Episoden: 4 days 23 hours 50 minutes
Rob and his guest, audio engineer Flawn Williams, attempt to answer the question: Should I record in stereo?
Here's something you don't hear very often when talking about radio documentaries: magical realism. Producer David Weinberg talks about how he used magical realism in his doc "Grace of the Sea."
Transom Story Workshop student Sally Helm talks with Rob Rosenthal about learning the value of being skeptical and pushing back during interviews. Also featured in this episode, her excellent story about the 1977 Martha's Vineyard secession movement.
Reporter Frank Langfitt shares a surprising trick for sounding natural while narrating radio stories.
Put time to work for you. The power of follow-up stories.
Two excellent student stories from years ago prove that radio is the most visual medium.
The Guardian has proven that podcasts from newspapers can be ear-catching -- great sound design and narrative. Producer Francesca Panetta talks about "The Biggest Story in the World."
Want to learn how to write an essay? Study "The Memory Palace." Nate DiMeo, the host, is my guest on HowSound.
Writing into tape is a necessity. Narration needs to lead to a quote. But, what about writing out of tape? Mose Buchele of KUT-FM in Austin has an uncommon approach.
Al Letson is fully dedicated to the journalistic work he produces at State of the Re:Union and Reveal, but deep down, he's still an artist. That's why he produces Errthang, a podcast.