Gesamtlänge aller Episoden: 5 days 8 hours 41 minutes
Are we prepared for a future where robots are the most sought after employees? Maybe not. Lawmakers will blame anything but automation for job losses and flat wages -- but sci-fi writers are up to the challenge. In her debut novel Autonomous, Annalee Newitz imagines humans taking designer drugs to try and compete with A.I. for jobs. Lee Konstantinou writes about the last worker at a pit stop for self-driving trucks...
The military shows up in a lot of sci-fi and fantasy stories but the subgenre of military SF depicts soldiers holding their own in fantastical situations without needing superheroes to save the day. Many military SF authors have served in the armed forces and bring a sense of verisimilitude to depicting their experiences, even if the stories are about futuristic high-tech or alien invasions...
Sci-fi and fantasy have always been a big part of fanfiction, but fanfiction hasn't always gotten respect in return. My former colleague at WNYC Stephanie Billman guides me through the landscape of fanfiction, debunking many of my preconceptions. We talk with Francesca Coppa, author of The Fanfiction Reader and one of the creators of the fanfic site Archive of Our Own. Britta Lundin, a writer on the CW's Riverdale, explains why writing fanfiction was a great way to train for writing TV...
The Haunted Mansion is one of the most beloved rides at the Disney theme parks, yet its development was anything but smooth. Walt Disney himself could never decide if the ride should be funny or scary, so he assigned "Imagineers" to develop both aspects. But the team fell into competing groups that argued for over a decade...
In the second of my two-part episode on musical worlds, I talk with Mega Ran and Sammus -- hip hop artists that create concept albums based on the classic video games Mega Man and Metroid. They talk about the challenge of creating an imaginary world in music from someone else's source material, and why they identify with the struggles of 8-bit characters that fight their way through the world with arm cannons...
In the first of a two part episode on imaginary worlds in music, I talk with members of Vertigo Drift, an indie band that created a cyberpunk concept album with an expanded universe of material provided by visual artists, writers and filmmakers. While the group is influenced by concept albums of the past like The Who's Tommy or Plastic Beach by Gorillaz -- their true inspiration comes from sci-fi fantasy worlds, especially tabletop role-playing games...
This week, I team up with Helen Zaltzman of The Allusionist podcast to help me figure out why one set of poorly understood pseudo-scientific terms can sink a scene, while another set of pseudo-scientific phrases can sell a sci-fi concept. We'll hear from physicist Katie Mack -- who hates technobabble -- and Jennifer Ouellette who plays matchmaker between scientists and Hollywood directors that want to sell their mumbo jumbo with real science...
This week, I'm playing one of my favorite episodes of the podcast 99% Invisible where host Roman Mars and producer Sam Greenspan look at control panels in science fiction -- the clunky, the elegant, and the just plain baffling. But those user interfaces have one thing in common: they're mostly blue...
If the previous episode was all about villains, this one looks at the other side of that equation. In 2014 I interviewed the writer Scott Snyder whose run on Batman comics is considered one of the best in long history of the Dark Knight. It was a difficult interview to pare down, and a lot of good material ended up on the proverbial cutting room floor. So this week, I'm playing a fuller version of that conversation, which has always been one of my favorites...
They've tried to take over the world. They've tried to take away our free will. They've gone after ancient artifacts with vaguely defined magical properties. But they almost always fail. The evil plan has become a meta-joke to the point where even the villains themselves can't help but comment on all the tropes. Yet we keep watching movies and TV shows to see more evil plans hatched.. Honest Trailers head writer Spencer Gilbert and Vulture...