Gesamtlänge aller Episoden: 5 days 8 hours 5 minutes
We talk with fans about how to grieve the loss of fictional worlds and make sense of unresolved storylines.
The fairy godmother can change your fate with the flick of a wand, but lately a lot of writers have been changing her as a way to re-examine fairy tales and gender roles.
Is the Millennium Falcon really designed to navigate an asteroid field? Is the bridge on The Enterprise an anachronism? I talk with scientists and engineers about which sci-fi ships could actually take us to the stars.
Is ChatGPT going to be like Samantha from Her (good), HAL from 2001 (not so good) or Skynet (very bad)? I try to separate science fact from fiction with Erik Sofge
What makes Warhammer one of the most popular tabletop games on the planet? There’s the gameplay, the miniatures and the lore. But what unites them is a satirical tone that came out of a very specific time and place.
We explore the spooky mansion of Gothic fiction to unravel the mystery of why so many contemporary writers are drawn towards this old literary tradition. Hint: it's partly Tim Burton's influence.
Why a magic trick from the Victorian era has become one of the hottest visual effects in theme parks and other live entertainment.
Bonnie Erickson explains how she came up with the designs for Miss Piggy, Statler and Waldorf, and other characters on The Muppet Show. And we talk about one of the biggest challenges in making The Muppets seem believable: their eyes.
Caring for the environment has been a consistent theme throughout Miyazaki’s films. But what exactly has he been saying for the last four decades about our relationship to the natural world?
Discworld rests on top of four giant elephants standing on a giant turtle traveling through space. But the fantasy of Discworld rests on Terry Pratchett’s views about human nature, his sharp sense of satire, and the way he expressed himself through his characters.