Jazz Bastard Podcast

To put Louis Armstrong into context, Mike leads Pat kicking and screaming through recordings by five of Louis' contemporaries. Who can redeem the period's vocalizin'? Boswell Sisters to the rescue. Henry “Red” Allen – CHRONOLOGICA L CLASSICS 1929-1933; King Oliver - KING OLIVER AND HIS ORCHESTRA 1929-1930; Oscar “Papa” Celestin/Sam Morgan – THE COMPLETE RECORDINGS; Bunny Berigan – COMPLETE BRUNSWICK, PARLOPHONE & VOCALIN BUNNY BERIGAN SESSIONS (DISC ONE)

It's a whole episode dedicated to the great Louis Armstrong's 1930's Decca tracks in all their glory and strangeness. Skeletons in the closest will boogie before all's said and done, and Mike will flex his cultural studies chops more than once. Plus a look at some of the biggest pop stars of the last decade and Bryan Ferry. Louis Armstrong: THE COMPLETE DECCA MASTER TAKES 1935-1939.

Sometimes we get review copies - sometimes we talk about them. Four youngish artists with quite recentish releases go under the microscope. Then, pop matters is all about the fab four and the very un-fab Sgt. Peppers movie.

Together at last, the boys talk a random assortment of jazz releases and then get to the nitty-gritty: what did Mike think of Hamilton and what is going on in the apartment beneath him? Juli Wood – SYNKKA METSA; Alex Sipiagin – RETURNING; The Necks – SILVERWATER; Vienna Art Orchestra – DUKE ELLINGTON’S SOUND OF LOVE.

Mike's laid up sick, so Pat whips up a "bonus" episode on Duke Ellington's suites. Did Ellington write a twenty-minute, six-movement suite just to get into Queen Elizabeth II's royal knickers? No way of knowing, but it's fun to speculate. Duke Ellington – SUCH SWEET THUNDER, QUEEN’S SUITE, FAR EAST SUITE, NEW ORLEANS SUITE.

We depart from our usual format to offer an interview with saxophone player and composer Charles McPherson. Charles discusses an early encounter with Charlie Parker, lessons from Barry Harris, a wild first night employed by Charles Mingus, what bebop means to him, and several other topics. We don't focus on particular albums, but Charles recommends, among others, TODAY'S MAN, SIKU YA BIBI, and THE JOURNEY as places to begin to get to know his playing, if you don't already.

It's a podcast first - Pat votes to ban a jazz musician from further discussion. Who's the lucky winner? Plus, if you're patient enough, Mike talks hats and gropers. Gregory Porter – MEET ME IN THE ALLEY, NAT “KING” COLE & ME; Kamasi Washington – HARMONY OF DIFFERENCE; Matt Wilson – HONEY AND SALT.

It's the podcasts' fifth anniversary so the albums discussed feature quintets. Laughs, insights, and just a few sentimental moments as the boys contemplate this milestone. Oh, and they rant about Microsoft just a little bit. Ronald Shannon Jackson – SHANNON’S HOUSE; Oliver Lake – PROPHET; Jimmy Lyons – GIVE IT UP; Kenny Cox – INTRODUCING KENNY COX AND THE CONTEMPORARY JAZZ QUINTET.

Thelonious Sphere Monk turns one-hundred this year, which is approximately the number of albums based on his music released each year. Mike and Pat discuss the master's recently unearthed sound track to Dangerous Liaisons and three fairly recently tribute albums to his deathless music. Thelonious Monk - LES LIAISONS DANGEREUSES; (Plays Monk) – PLAYS MONK; John Beasley – MONK’ESTRA VOL. 1; Dave Zoller – EVIDENCE: MUSIC OF THELONIOUS MONK.

Mike and Pat welcome special guest Eric Allen, co-author of 50 Years at the Village Vanguard – Thad Jones, Mel Lewis and the Vanguard Jazz Orchestra, and discuss the book along with early recordings by the band and a couple other seventies big bands. All three agree - ain't no way Pat's letting Maynard Ferguson into his blanket fort...