Longform

Laurel Braitman is a science writer, the author of Animal Madness: Inside Their Minds, and the founder of Writing Medicine. Her new book is What Looks Like Bravery: An Epic Journey Through Loss to Love. “My life was becoming unmanageable, in a way. I was using success in many ways like a drug, and I’d say like an analgesic on the sorts of difficult feelings I hadn’t wanted to face truly since childhood...

Sam Fragoso is a writer, filmmaker, and the host of the podcast Talk Easy with Sam Fragoso. “We have an hour together. We may not have another. We're here for a brief moment and then, you know, we die. And I want this thing to be as good as it can be. If if it's anything less than that, I'm just not interested...

Eric Lach is a staff writer at The New Yorker, where he covers New York. His latest article is “The Mayor and the Con Man.” “Anyone can fly into Iowa and kind of play pundit and go, ‘You know, he needs to appeal to these voters and blah blah blah.’ But to understand the Tammany Hall style system, it’s really very complicated and has lots of players and roles and there’s a lot of smoke and mirrors and different sources of power that you may or may not be aware of...

Willa Paskin, a former TV critic, is the host of the podcast Decoder Ring. “I want it to feel like a trap door. When you push on a trap door, there’s like a little spring. If it’s the right idea, you start to look into it, and you’re like, Oh, it’s giving a little...

Abraham Josephine Riesman is a journalist who writes often for New York and is the author of True Believer: The Rise and Fall of Stan Lee. Her second book, Ringmaster: Vince McMahon and the Unmaking of America, will be published in March. “You’re sure that there’s a level of unreality, but you’re not sure that it’s all fake. There’s stuff there that seems either plausible or sometimes you go ‘there’s no way you could fake that...

Jonah Weiner is a contributing writer for The New York Times Magazine and co-author of the newsletter Blackbird Spyplane. “It's a version of myself. It's a hyperbolic version of myself. And I think it keeps it fun for me. It doesn't feel like a job. Ideally, it keeps it fun for readers. And I think that there actually is this function where X out of 10 people coming to it, their eyes are going to cross and they're going say, I'm out. No thanks...

Delia Cai is the senior vanities correspondent for Vanity Fair and publishes the media newsletter Deez Links. Her debut novel Central Places is out this week. “This was in like, 2011, where I think actual journalists were still trying to figure out ‘Is it gross to be a brand?’ And at least in school, they were all about it. They’re like, ‘You need a brand, you need to think about what your niche is going to be, you need to think about engaging your audience...

Peggy Orenstein is a journalist and author. Her latest book is Unraveling. “The challenge is… to not want to say, I need to know what the book is about. I need to have my chapters. I need to know what exactly I'm looking for. Because it's really scary to just go out and report and have trust that there's going to be interesting things and that if you just keep going, you're going to find them...

Jonathan Goldstein is an audio producer and the host of Heavyweight. “I wasn’t taking myself very seriously, initially. I liked working with my friends and family because I think I was a little more comfortable with them. Then in the second season people were writing in with real problems, and they were looking at me as a kind of expert. It was terrifying to meet with these people and see the look of hopefulness in their eyes. .....

Katy Vine is an executive editor for Texas Monthly. “This is a huge state. There’s so much, and it’s different everywhere you look. You just go to Houston and there’s worlds within worlds within worlds just within the one city. You go to San Antonio and you’re in a different country, and you go to Dallas, you’re in a totally different country. … It’s wild to me. It’s endlessly fascinating...