Longform

Tessa Hulls is a writer and artist whose work has appeared in The Rumpus, The Washington Post, and The Capitol Hill Times. Her new book, a graphic memoir, is Feeding Ghosts. “This project is the thing I have spent my entire life running from. I was incredibly determined to never touch this, either personally or professionally. … It was more an eventual act of resignation than a desire.” Show notes: @tessahulls tessahulls...

Sloane Crosley is the author of I Was Told There’d Be Cake and several other books. Her new memoir is Grief Is for People. “You take a little sliver of yourself and you offer it up to be spun around in perpetuity in the public imagination. That is the sacrifice you make. And it makes everything just a little bit worse. So it's the opposite of catharsis, but it's worth it. It's worth it for what you get in return: a book.” Show notes: sloanecrosley...

Lauren Markham is the author of The Far Away Brothers: Two Young Migrants and the Making of an American Life and has written for The New York Times Magazine, The Guardian, and VQR. Her new book is A Map of Future Ruins: On Borders and Belonging...

Zoë Schiffer is the managing editor for Platformer. Her new book is Extremely Hardcore: Inside Elon Musk’s Twitter. “Being the person where it's a fireable offense to leak to you … is kind of a badge of honor.” Show notes: zoeschiffer...

Chris Ryan is the editorial director for The Ringer, where he co-hosts The Watch and The Rewatchables. “There is a point where there’s just too much stuff. I can’t read a 5,000-word feature, 10 blog posts, and listen to three podcasts, and then do it all again the next day. So that is the line you walk in digital publishing, whether it’s for editorial stuff or for podcasting...

Patricia Evangelista is a trauma journalist whose coverage of the drug war in the Philippines has appeared in Rappler, Esquire, and elsewhere. Her recent book is Some People Need Killing: A Memoir of Murder in My Country. “It is hard to describe the beat I do without saying very often it involves people who have died. And it seemed like an unfair way to frame it. It didn't quite seem right...

Susan Glasser, the former editor of Politico and Foreign Policy, writes the "Letter from Washington" column for the The New Yorker. Her most recent book, written with Peter Baker, is The Divider: Trump in the White House, 2017-2021. “There’s a great benefit to leaving Washington and then coming back, or frankly leaving anywhere and then coming back. I think you have much wider open eyes...

Rob Copeland is a finance reporter for The New York Times. His recent book is The Fund: Ray Dalio, Bridgewater Associates, and the Unraveling of a Wall Street Legend. “If I stab you, I'm going to stab you in the chest, not the back. You're going to see it coming. ... But if you're going to tell me something's wrong, you have to keep talking. I'm not going to take your word for it. I have a reason for why I believe my reporting to be true, and I'm going to present it to you as best I can...

Miles Johnson is an investigative reporter for the Financial Times. He is the author of Chasing Shadows: A True Story of Drugs, War and the Secret World of International Crime and the host of Hot Money: The New Narcos. “I’m really fascinated always by the ways in which people just have to do really boring parts of running a crime organization … I love the banalities of this stuff...

Hua Hsu is a staff writer for The New Yorker. His book Stay True won the 2023 Pulitzer Prize for memoir. “I've worked as a journalist … for quite a while. … But this [book] was the thing that was always in the back of my mind. Like, this was the thing that a lot of that was in service of. Just becoming better at describing a song or describing the look of someone's face—these were all things that I implicitly understood as skills I needed to acquire. .....