New Books in Music

Interviews with Scholars of Music about their New Books

http://newbooksnetwork.com/category/arts-letters/music/

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      Marc Hertzman, “Making Samba: A New History of Race and Music in Brazil” (Duke UP, 2013)


      In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazils quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy and nation formation. Charting more than a century of sambas development, Hertzman challenges simplistic narratives of the all too often romanticized form, focusing instead on the material conditions under which this cultural...


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         46m
       
       

      Emily Petermann, “The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction” (Camden House, 2014)


      The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnections. Readers are invited to ask what these collaborations that arise at the crossing points of various fields offer for engaging in reading and writing. Relying on an extensive overview of theoretical works that substantiate the overlapping of...


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         36m
       
       

      Kimberly A. Francis, “Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon” (Oxford UP, 2015)


      Pedagogue, composer, and conductor Nadia Boulanger was a central figure in Igor Stravinsky’s life during the middle part of his career, providing him with support, advice, and a discerning analytical and editorial voice when he was writing some of his most important compositions including the Symphony of Psalms and Persephone. Dr. Kimberly A. Francis has recently published two books related to the complicated and tangled relationship between these two people. The first, released in...


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         1h8m
       
       

      Marian Wilson Kimber, “The Elocutionists: Women, Music, and the Spoken Word” (U Illinois Press, 2017)


      Although largely forgotten today, elocution was a popular form of domestic and professional entertainment from the late nineteenth century until around World War II. Elocution is the dramatic reading of poetry, adapted plays, and other types of monologues by a solo performer. Dr. Marian Wilson Kimber’s new book, The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017) is the first study to examine elocutionists who recited spoken word accompanied by...


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       2018-03-13  51m
       
       

      Jean R. Freedman, “Peggy Seeger: A Life of Music, Love, and Politics” (U Illinois Press, 2017)


      When folklorist Jean Freedman first met Peggy Seeger in 1979, Freedman was an undergraduate on her junior year abroad in London, while her American compatriot had been living in the UK for two decades. Their encounter took place in the Singers’ Club, a folk music venue that Seeger and her husband Ewan MacColl founded in the early 1960s and to which Freedman returned their many times during her London sojourn. After returning to the States, the pair kept in touch for a while but their...


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       2018-03-08  1h4m
       
       

      Sterling Murray, “The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Rosetti” (U Rochester Press, 2014)


      Though he never enjoyed the fame of his contemporaries Mozart and Haydn, Antonio Rosetti was a successful composer whose works received a wide audience. In his book, The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Rosetti (University of Rochester Press, 2014), Sterling Murray provides readers with both an account of Rosetti’s career and a style study of his compositions. As a young man Rosetti found employment as a double bass player at the southern...


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       2018-03-05  52m
       
       

      C. Grant and H. Schippers, “Sustainable Futures for Music Cultures: An Ecological Perspective” (Oxford UP, 2016)


      Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations...


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       2018-02-19  50m
       
       

      Larry Wolff, “The Singing Turk” (Stanford UP, 2016)


      In The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon (Stanford University Press, 2016), Larry Wolff takes us into that distinctly European art form, the opera, to show us the reflection of European ideas of Ottoman Turkey in the modern period. Beginning in 1683 when Ottoman guns shook the walls of Vienna, through a long eighteenth century, and up to Napoleon’s military supremacy in the nineteenth, when Turkish...


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       2018-02-19  41m
       
       

      Clinton Walker, “Deadly Woman Blues: Black Women and Australian Music” (NewSouth Books, 2018)


      In Deadly Woman Blues: Black Women and Australian Music (NewSouth Books, 2018), Australian writer Clinton Walker presents a group biography of the black women who made Australian music. Through his graphic portraits of 100 black women who have shaped Australian music, including Indigenous music, jazz, country, gospel, soul, R&B and hip-hop, Walker explores issues about gender, race and genre in the industry.


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       2018-02-16  14m
       
       

      Douglas W. Shadle, “Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise” (Oxford UP, 2015)


      One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press, 2015) is a welcome, and much needed, addition to the field. It is the first comprehensive survey of American nineteenth-century orchestral music. Organized chronologically, each chapter also features a detailed critical analysis of a...


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       2018-02-13  59m