Gesamtlänge aller Episoden: 4 days
Dr. Corey Waller on on and or Craig Mazin on and John August on , and by Matthew Chilelli () This episode was originally produced by . Scriptnotes is...
John and Craig investigate their anxiety and ask, why is the future so hard to predict right now? They discuss everything from what’s going at OpenAi, the upcoming elections, a new service that uses AI to generate script coverage, and muse about how...
John welcomes Jesse David Fox (Comedy Book, Good One) and Greg Iwinski (Last Week Tonight, The Late Show with Stephen Colbert) to “explain the joke” and discuss how comedy works. They explore everything from harnessing your comedic voice, building...
by Christopher Nolan by Larry Buchanan, Josh Katz, Rumsey Taylor and Eve Washington for the New York Times or Craig Mazin on and John August on , and by Nico Mansy ()...
After 118 days on strike, SAG-AFTRA has a tentative deal with the AMPTP. John and Drew look through the details of the agreement to see what gains the actors union was able to make on streaming, self-tapes, performance capture, AI protections, and...
John and Craig host an in-depth look at the 1987 classic, The Princess Bride, recorded live at the WGA Theatre in 2019. They discuss how the “abridged” structure brings us only the best parts of the story and what this means for the characters and...
Mad scientists John and Craig dissect monsters and how they function in the stories we tell. How do monsters differ from the average villain? What makes them tick? And how do you make them fascinating? We also discuss how narratives are applied to...
John and Craig welcome Neil Gaiman (The Sandman, Good Omens) to discuss the serialized storytelling of comics and screenwriting. Using Neil’s script for issue 24 of The Sandman, they look at how comics are written, communicating with other artists,...
John and Craig talk about the importance of visualization for screenwriters, and the fact that some very successful writers can’t do it. They share what’s going on inside their brains as they write, their processes for imagining a scene, and what...
It’s official – the WGA has ratified its contract with the AMPTP. John and Drew look at how the votes were distributed, what happens next, and what to keep in mind as SAG-AFTRA moves forward in their negotiations. Links: John...