Wesley Morris and Jenna Wortham are working it out in this weekly show about culture in the broadest sense. That means television, film, books, music — but also the culture of work, dating, the internet and how those all fit together.
This week, it’s our turn to take a look back on 2016 and share our picks for the most cultural moments that will stick with us. But before we do that, Ilena Silverman, an editor at The New York Times Magazine, joins us to talk about the people remembered in the magazine’s annual last issue of the year, “The Lives They Lived.” We also give one last listener some DIY gift advice.
This week on the show we're talking to some of our favorite people on Earth about the culture from 2016 — the movies, the music, the moments — that will stick with them. We've got Bill Simmons, CEO of the Ringer; Ezra Edelman, director of "OJ: Made in America"; and Heben Nigatu and Tracy Clayton, the hosts of BuzzFeed's "Another Round." Plus, we answer a voicemail from a very special listener.
Good news: Jenna’s back! And in the wake of this week’s Grammy nominations, she’s here to say that no matter how desperate the internet may be for a Beyoncé and Adele rivalry, it’s just not a competition. Next, New York Times tech reporter Mike Isaac helps explain what Facebook’s attempt to enter China means for the service and our lives. Finally, we help a listener solve a holiday gift dilemma.
Jenna is off road-tripping across Southern Africa, so this week Wesley reunites with Alex Pappademas, his old co-host on Grantland’s podcast “Do You Like Prince Movies?” Wesley explains why he found President Obama’s final Medal of Freedom Ceremony to be the most emotional cultural moment of the year, then he and Alex imagine the people who will be honored by President Trump. One artist they hope won't be on the list: the Weeknd, who after some debate Wesley and Alex decide is a phony.
Join our field trip to The Met Breuer, the Metropolitan Museum’s new space in New York dedicated to contemporary art, where we give you an audio tour of the painter Kerry James Marshall’s astonishing retrospective. We also have picks for movies to see this weekend. “Almost Christmas” is a film for the whole family; “The Handmaiden” is more of a solo midnight show.
To nourish your souls this week, we’re serving up some serious comfort food live from the kitchen of the New York Times food editor Sam Sifton. Sam literally wrote the book on Thanksgiving, and he walks us through how to make the perfect gravy, his tips for carving the turkey and his most important rules for the meal. And because this year’s Thanksgiving is going to be different for many families, we talk about how to navigate postelection tensions and practice radical acceptance...
To combat the stresses of an election we want to end and the onset of winter, we’re offering a whole episode dedicated to things that make us feel good. We talk to the Times film critic A.O. Scott about “Moonlight,” a movie everyone agrees is perfect. We celebrate “A Seat at the Table,” Solange’s lusciously spare new album, in which she comes into her own as an artist. And we end with a few tips from Jenna on how to survive not only the next week but maybe the rest of your life.
This week we’re talking about penises. Specifically, penises on the big screen. There are more and more of them, but the penises deemed safe enough to see tend to be white ones. We talk about the role of black penises and black sexuality in popular culture. Plus, Jenna puts Barack Obama’s digital legacy in perspective, and then our boss, Jake Silverstein, joins us to discuss the one thing we never got from the president.
This week, we devote an entire episode to our favorite (and not so favorite) shows on TV, touching on “Queen Sugar,” “Westworld,” “Insecure,” “Empire,” and more. We give out superlatives, delve into the brilliance of Donald Glover’s “Atlanta,” and attempt to answer the question: Have we reached peak black TV?