Gesamtlänge aller Episoden: 2 days 7 hours 21 minutes
"For many years merely to talk of angels invited scorn. Belief bespoke of craziness, even schizophrenia, and certainly denoted a pitiful lack of intellect. But after eight decades of personal observation, I fearlessly assert that angels are real. We swim like fish in spiritual waters, and like fish we know nothing of water until we’re yanked out flopping and gasping on the grass...
“To champion a cause, you have to reboot your fundamental belief in the goodness of people, and that goodness will win out. Because all of a sudden, out of nowhere, resources, people show up that you could not have imagined in a million years. There is power in beginning. The minute you decide to commit, all make and manner of support materializes out the ether that you could not have predicted. To me, that’s a marvel...
“We’ve seen Bridge Builders transform young people in countless ways, and the result is a growing community of young leaders poised to reach across, lead the way, and build our community. Bridge Builders are not just the future leaders of tomorrow; youth today want to make a real difference. We are here to support them on that journey. And now more than ever, Memphis needs more Bridge Builders.” ~BRIDGES CEO Dana Wilson
"It was really a breath of fresh air...
"We’ve been working with the consultants that helped reimagine Crosstown Concourse. We had some of the same braintrust working with us. It wasn’t too long ago that people said ‘that will never happen,’ and I hear some of the same voices saying this (the Coliseum) will never happen – I’ve heard it for eight years. Honestly, the Crosstown project was a much much heavier lift than this would be comparatively...
The introduction to StoryBoard's multi-year project to bring the basement archives and collections of Beale Street's iconic and historic A. Schwab Dry Goods & General Store to the public and the collection scanned and added to DIG Memphis, the digital archive of the Memphis Public Library...
“At Playhouse, we have the honor of producing a number of shows each season. Some are just fun and easy and ‘let’s go take a break and have fun and sing along,’ and then we’ll do shows where we need to talk about that subject matter.
“These are issues that are not new. And they won’t easily be resolved, so they’re going to be around for a while. And it’s going to be a messy thing, whether we’re talking about race or abortion rights or political leanings or journalism or anything like...
“For me, the experience was daunting, certainly in the beginning. To be the leader of a production, and have all these folk who I know are very talented and extremely skilled and have more information and have the words . . . they’re all looking at me as the leader of this production, to guide it. So that was daunting, and I was slightly intimidated. But knowing I had the support of our team and most importantly, our star, Courtney Oliver . . ...
“For me, the experience was daunting, certainly in the beginning. To be the leader of a production, and have all these folk who I know are very talented and extremely skilled and have more information and have the words . . . they’re all looking at me as the leader of this production, to guide it. So that was daunting, and I was slightly intimidated. But knowing I had the support of our team and most importantly, our star, Courtney Oliver . . ...
“For me, the experience was daunting, certainly in the beginning. To be the leader of a production, and have all these folk who I know are very talented and extremely skilled and have more information and have the words . . . they’re all looking at me as the leader of this production, to guide it. So that was daunting, and I was slightly intimidated. But knowing I had the support of our team and most importantly, our star, Courtney Oliver . . ...
"When you start really thinking about what (Rust Hall) can be... when I look at what our current exhibitions could look like here, having the space where you could actually walk around each of the objects instead of having things against the wall where you can't fully appreciate the work... that's a moment that's exciting to me. It's also our educational programming. I get so excited thinking about what we could do here. If we can do (all that we do now) ... imagine all that in this space...