Gesamtlänge aller Episoden: 5 days 20 hours 27 minutes
"Now, in Russia, they got it mapped out so that everyone pulls for everyone else... that's the theory, anyway. But what I know about is Texas, an' down here... you're on your own." This week April talks to writer/director Julie Hébert (American Crime, The Good Wife, ER) about the phenomenal feature debut of the Coen Brothers, Blood Simple. April and Julie delve into the genius of the directing duo and how they pulled off making such a complete movie on their first try...
On this week's episode we have the legendary horror actress Barbara Crampton. You may know her from a number of classic horror/thrillers; Re-Animator, Body Double, From Beyond, and many others. She sits down with April to discuss last year's best french, veterinary school, cannibal film, Raw. Barbara regales April with stories from her prolific acting career, working with Brian De Palma, and eschewing the 'Scream Queen' title. She dives deep on what it takes to motivate her as an actor...
Much like Queen Latifah's character, Cleo, April is also about to SET IT OFF...with this interview! Director Tina Mabry (Mississippi Damned, Insecure, Dear White People, Queen Sugar) is on this week's episode to discuss the 1996 bank heist classic. Tina goes in depth on her history with the film and how much Queen Latifah's character meant to her growing up...
Resistance to this episode is futile. This week, April talks to writer, director, and actress Marianna Palka (Good Dick, Bitch, GLOW) about the undersung Star Trek film Star Trek Generations. Marianna covers what makes this particular Star Trek film so beautiful and how it has inspired her to be a better person. She also talks about her filmmaking process and how there is no reason to be unkind and frustrated on a film set...
On this week's episode, April talks to producer, writer, and actress Lotti Pharriss Knowles about the 1978 supernatural horror, The Legacy. They discuss the hot chemistry of the leads Katharine Ross and Sam Elliott, their favorite death scenes, and, of course, cats! Plus Lotti talks about the making of her film Chastity Bites, the casting process, and her desire to produce a remake of The Legacy...
Just in time for record freezing temperatures, this week April talks to Pitch Perfect 3 director Trish Sie about Bong Joon-ho's frozen feature, Snowpiercer. They discuss the amazing performance of Tilda Swinton as the authoritative Mason, the commanding directorial style of Bong Joon-ho, and the train car on the Snowpiercer they'd most like to spend time in...
On this week's episode April sits down with The Love Witch director, Anna Biller, to discuss the 1952 noir thriller, Sudden Fear. Anna confesses her love for old movies and in particular the work of Joan Crawford. The two of them dissect the masterful screenplay, written by famed female screenwriter, Lenore Coffee. Plus, Anna details what it was like collaborating with Samantha Robinson on The Love Witch...
On this week's episode April talks to Stranger Things and Narcos writer Jessie Nickson-Lopez about the controversial film, Rosemary's Baby. The two dive right into the complicated relationship both of them have with the film, and what makes the movie so effective. Jessie discusses how she is inspired by Roman Polanski's work, while simultaneously hating him as a person. She also shares her writing process and what it's like in the writers room...
Things get steamy as April talks to actress and director Sophia Takal about the somewhat problematic Brian De Palma erotic thriller, Body Double. The two discuss how the film influenced Sophia's own work and her debut film, Always Shine. Sophia recalls her time as an actress, and the objectification that came with the audition process. They also analyze the violence against women's bodies in the film and the sexuality of Melanie Griffith's character, Holly Body...
Things get spooky as April talks to director Anne Hamilton about the 2001 gothic horror film, The Others. They discuss Nicole Kidman's casting in the film, the director Alejandro Amenábar's rejection of Catholicism, and how films like these just don't exist anymore. Plus, Anne discusses what she would have done differently had she directed The Others, and what is was like working on her own gothic film, American Fable. Anne Hamilton's American Fable is available on Netflix now...