The Life & Times of Video Games

In war, no information is complete. No intelligence absolute. No view of the enemy unobstructed. There’s no such thing as perfect knowledge. It is a realm of uncertainty, where decisions are made on flawed and often outdated data — as though looking through a fog. Hence the term, the fog of war, a military phrase with origins in the musings of a 19th century Prussian general called Carl von Clausewitz...

Here's some great game design wisdom from one of the legends of the business. This interview excerpt is plucked from my set of Age of Empires history interviews that I did while putting together an oral history on the AoE series for Ars Technica a while back. Bruce Shelley has been in the industry for some 30-odd years, with credits including co-creator of Sid Meier's Civilization, Railroad Tycoon, and Age of Empires, as well as key roles in Halo Wars and F-19 Stealth Fighter, among other games...

The sound designers from Age of Empires I and II, brothers Chris and Stephen Rippy, tell the story behind the iconic "wololo" priest chant — for converting enemy units to your side — that's since become a popular meme, as I delve into its strange legacy. All sound effects in this episode come from Age of Empires or Age of Empires II, except when otherwise noted. Music is a mix of my own stuff and a few tracks from the Age of Empires soundtrack, plus snippets from Babes Wodomu's Wololo, R.E.M...

While I'm away on my honeymoon, here's my complete talk from PAX Australia 2019, on the rise and fall of legendary shareware publisher Ambrosia Software — the most underrated of the '90s indie publishing giants.

You can find accompanying slides at https://tinyurl.com/paxausambrosiatalk as well as my full script on the accompanying blog post at lifeandtimes.games. So please, enjoy, and I'll see you in a couple of weeks...

It’s strange to think of a time before jumping was a standard video game action, to be expected whenever and wherever you have control over an individual character. A time before you could hop onto enemies’ heads and not die, or swing on ropes, or move back and forth across a vast level — many times wider than the screen. But these ideas were rare, and just beginning to find their way into video game lexicon, when David Crane came along and with one single game turned them into tropes...

How a quest to put sound in a couple of games in the mid-1980s led to a revolution in computer game audio design and production. *** These are, in a sense, the sounds of a revolution in video game history, the sounds of a change so profound that it opened the door to entirely new genres...

I interview Gamegeschiedenis van Nederland 1978-2018 (Games History of the Netherlands) author Tom Lenting about his book and the history of the Dutch games industry.  This is the first in a new series of interviews I'm running alongside the main show — every month I'll talk to a different person who's exploring games history, in one way or another, to further our understanding of how this wonderful medium (and the industry that's built around it) has come to be the way it is now...

On the rise and fall of the Premier Manager series of soccer management games — a former PC gaming juggernaut that lost its way amidst a shuffle of developers and publishers — and the part it played in the broader consolidation/homogenisation of sports games (of all kinds) over the past 20 years or so. All music and sound effects in this episode were composed and performed by me, except for the bits that came from the Premier Manager games (the football commentary clips and a couple of songs)...

When the United States Senate held congressional hearings on video game violence in 1993 and '94, Sega CEO Tom Kalinske went to bat in defence of the industry — and the medium. But he faced major obstacles just getting the senators to understand that the audience for video games was much broader than teenage and pre-teen boys. In this excerpt from an interview I conducted with Tom earlier this year, he describes the experience and lays out his frustrations with the senators...

Far from a mere "Worms in 3D", Hogs of War was its own breed of madness. Hear the story of how it evolved from a concept of "Command and Conquer with pigs", what made it such a well-designed satire, and how this underrated PlayStation game saw the funny side of serious global conflict. All music and sound effects in this episode were composed and performed by me, except for the bits that I lifted out of Hogs of War...