Gesamtlänge aller Episoden: 51 days 7 hours 35 minutes
Wes joins Mark, Erica, and Brian to discuss Quentin Tarantino's Once Upon a Time... In Hollywood in the context of . We consider T's strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is this a...
On Sir Francis Bacon's New Organon (1620). Bacon claims to have developed a new toolset that will open up nature to inquiry in a way that wasn't possible for ancient and modern natural philosophy. Mark, Wes, and Dylan consider how much what Bacon...
Wayne started in the late 70s, was on the first Dead or Alive Album, made his name as guitarist for The Sisters of Mercy's first full album, then led The Mission UK from 1986 through 11 albums plus two solo albums and some collaborations. We discuss...
Dave Hamilton (from Gig Gab) joins Mark, Erica, and Brian to weigh concert-going (and theater-going) against the technological alternatives. Why are tickets so pricey? Do tribute bands fulfill our needs? Should audiences ideally be on drugs?...
Continuing on Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934) with guest . We talk about the self-contradictions of power, why oppression and war are so intractable, and her positive solution (what...
Mark, Erica, and Brian take on both Margaret Atwood's 1985 novel plus the TV series, getting into the transition from page to screen, taking the work as political speech vs. art, Atwood's phenomenology and neologisms (prayvaganza!), plus the roles of...
On Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934). How do circumstances oppress and dehumanize us? Weil describes the mechanisms that keep people at war and maintain oppression even through...
Dave was the original guitarist for Yo La Tengo in the mid '80s and left to lead The Schramms for six albums plus two solo albums while being an in-demand guitarist supporting artists like Freedy Johnston, Richard Buckner, Kate Jacobs and Chris...
Are cartoons an inherently juvenile art form? A guilty pleasure when viewed by adults? Dee, whose voice can be heard in substantial portion of today's cartoons (especially animal/monster noises like Boots in the new big-screen adaptation of Dora the...
Continuing on "The Present Age" (1846), plus Hubert Dreyfus’s "Nihilism on the Information Highway: Anonymity vs. Commitment in the Present Age" (2004) with guest . Does K's critique actually apply to our present age? We address K's view of humor,...