Can't Get Enough of Keanu

It’s the final episode of We Heart Hartnett (for now), so that means it’s time for Big P and the Brothers T to finally answer the most important questions: what are Josh’s best and worst movies? What sort of films do we want to see him in? What did we learn from this whole weird experience. And…does Jake know what sort of music the Max Rebo Band plays?

It’s the penultimate episode of We Heart Hartnett! This week, Patrick, Jake and Matt, having watched all of Josh’s feature films, dig deeper, discussing his short films, TV appearances, and even his TV commercials. It’s the final level of obsessive Hartnett analysis, taking this podcast further than probably anyone wanted.

After months filled with twists and turns, ups and downs, this week the podcast finally reaches the end of Josh Hartnett’s filmography…or at least his most recent movie. Patrick, Jake, and Matt hit the slopes to discuss the snowboarding survival drama 6 BELOW, and with it enter new territory: the recent phenomenon of the faith-based film. They explore this, as well as topics like whether the show Entourage was ever good, the return of Penny Dreadful, and the recent film FUN MOM DINNER.

After weeks and months of frustration and disappointment, Patrick, Jake and Matt FINALLY arrive at the movie they’ve been waiting almost a year for. It’s time for OH LUCY! the best film Josh has made in a long, long time. Beyond an in-depth discussion of the film, they also find time to discuss the Merovingian from the Matrix sequels, a potential Riddick decalog, hot takes on binge watching, the band Everclear, PLUS a drinking game for this podcast!

This week, Josh travels back to World War I in what might be the lowest-grossing movie of his career: The Ottoman Lieutenant. But other than this boring movie, we cover such important topics as: which host is the Gollum of the group, the MTV Movie Awards Matrix Reloaded parody, the exact definitions of holocaust and genocide. Plus: more about our pitch for Patriot Pictures.

Matt is back! And just in time to talk about the modern western crime drama WILD HORSES, written directed by Robert Duvall. The movie is bad and boring, so a lot of time is spent discussing other topics, such as: nu-metal, the VOD film market, and our pitch for a low-budget action drama film called Delivery.

If you’ve never listened to this show before, do not start with this episode. This week, Matt is out of town, so Jake and Patrick take a break from their Josh Journey to reflect on the past year of the show. Somehow past guest Chris Decerbo convinced them to allow him back to share his 8 pages of typed feedback on every episode of the show so far. This episode might be a disaster, but at least it has a long story about Patrick’s dad winning lacrosse world championships and.

This week Andy Webb, the biggest Penny Dreadful fan we know, joins us to close out our coverage of the show. Does it stick the landing? Does our boy Josh continue to wolf out? These questions are answered among the many tangents such as our pitch for Matt’s cameo on the show Billions, our ideas for multiple Penny Dreadful spinoffs, and Patrick’s angry rant about the Bailey School Kids.

Penny Dreadful continues! This week Patrick (who is audibly sick) and the Brothers Torpey continue their quest through everyone’s favorite gothic horror drama in which Josh Hartnett plays a werewolf. It’s an eventful season, featuring witches, throat ripping, necrophelia, and some cozy sweaters. Plus: Patrick reads mean tweets about himself, we discuss why Josh isn’t in the new Halloween movie, and the Torpeys pitch their commercial for Mountain Dew: Code Red.

After several years making obscure indie movies few people have seen, Josh Hartnett returns to the mainstream. But this time…he’s on the small screen. This week we kick off our 3-episode run covering the prestige Showtime gothic horror series, Penny Dreadful. In this episode we spend a lot of time debating the evolution of “prestige TV,” as well as discussing Batman Day, the film Slugs, and the 2003 film The League of Extraordinary Gentlemen.