Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart
Speaker 1: three D Audio Blumhouse Television and Grim and Mild from
Speaker 1: Aaron Nanke. Headphones recommended, Listener discretion advised.
Speaker 2: What is it a map? It doesn't look like any
Speaker 2: map I've ever seen. I know for a fact someone
Speaker 2: uses to escape. Well kind of, we just have to
Speaker 2: crack the code. Concentric circles. Maybe the different cell blocks?
Speaker 2: Are they round? I don't know. What about these symbols?
Speaker 2: This one in the middle looks like an eye. Hmmm,
Speaker 2: we're gonna need help. What about our neighbor frip. Yeah,
Speaker 2: I wish, but he's made it clear he doesn't want
Speaker 2: to be involved. I'm sorry. I don't have more to offer.
Speaker 2: It all seems so complicated, but it can't really be right,
Speaker 2: Like if the staff used these to get around. Some
Speaker 2: of them are dumb as bricks, especially the guards. What
Speaker 2: is it? Well, it might be a suicide mission, but
Speaker 2: there is one more person I can ask, no, no, no, no,
Speaker 2: am I crimes?
Speaker 3: How do I get back?
Speaker 2: Crimes?
Speaker 3: I have to get back. I need to get back.
Speaker 2: It's me Saury.
Speaker 3: Saori, Wait, tell me which one? Which one? Are you?
Speaker 2: Same as always, God crimes. What happened to you? They
Speaker 2: just locked you up like any other prisoner.
Speaker 3: Happened to me? What happened to me? What happened to me?
Speaker 4: Every time I think I have it, lose it, and
Speaker 4: then I've lost, I've lost.
Speaker 3: I've lost it. I'll never be allowed to leave, I'll
Speaker 3: never be able to go back back.
Speaker 2: But where do you want to go? Back to crimes?
Speaker 3: Where?
Speaker 4: How can I say? How would I tell you? If
Speaker 4: I can't show you? It's just I've just lost again.
Speaker 4: The can't hold it, the kid hold it? Please please sorry.
Speaker 3: Me help me.
Speaker 2: Let's say I can. Will you do something for me?
Speaker 3: Something? Anything? Nothing?
Speaker 2: Right?
Speaker 5: Some?
Speaker 2: Any none? If I get closer, will you stay calm?
Speaker 2: If I hand you something, will you promise to give
Speaker 2: it back? You have to promise or I can't help you.
Speaker 3: Mm hmmm mm hmm.
Speaker 2: Have you ever seen anything like this before?
Speaker 3: It's that yeah, yeah.
Speaker 2: The Pendleton?
Speaker 3: Yes, yes, that sounds right.
Speaker 2: Can you tell me? Is this really a map?
Speaker 6: The map?
Speaker 3: I see I have one?
Speaker 6: Right?
Speaker 4: He put my keys, put my podcast, they took them,
Speaker 4: They took everything.
Speaker 7: Hey, hey, hey it's okay, it's okay.
Speaker 2: Just focus now. This is very important. How does it work?
Speaker 3: How does it work?
Speaker 2: The map? Do you know how it works?
Speaker 3: The map? No?
Speaker 2: No? Did you before?
Speaker 3: No?
Speaker 2: Okay, do you know who does?
Speaker 3: No one?
Speaker 7: No one knows.
Speaker 3: They did someone did along long time ago? What hell?
Speaker 3: Everybody forgot?
Speaker 2: But wait? If no one knows how it works, how
Speaker 2: do you use it?
Speaker 3: The white rooms?
Speaker 2: White rooms?
Speaker 3: There? The doors?
Speaker 2: What kind of doors?
Speaker 3: White doors?
Speaker 2: Where do they go?
Speaker 8: Well?
Speaker 6: I was supposed to where I went? But where I
Speaker 6: still land? Where I will be and never leave and
Speaker 6: never be alone, never alone. I will never be alone again.
Speaker 6: I will never be alone again, never alone. I will
Speaker 6: never be alone again.
Speaker 3: I will never be alone again.
Speaker 2: Have you ever seen one of these white rooms? White rooms?
Speaker 2: Doors glowing with light? My second day hear, I ran
Speaker 2: through one behind the cafeteria. At the time, I wasn't
Speaker 2: really sure what I was seeing, But now I wonder
Speaker 2: if that's a portal to another part of the pen
Speaker 2: or maybe out of here. I know where one is?
Speaker 2: Really where at the end of the hall?
Speaker 7: What?
Speaker 9: How do you know that I used it to get here?
Speaker 2: I always do? But why have I never seen it?
Speaker 7: I don't know.
Speaker 2: I can only ever seem to find it at night?
Speaker 2: And what you just waltz through, no problem except that
Speaker 2: it is loud inside. Okay, it's settled, then we go
Speaker 2: that way. I just have to figure out how to
Speaker 2: break out of my cell. Let's see what we have
Speaker 2: to work with your pillo. It's where I keep the
Speaker 2: extent of my earthly possessions. Besides one esoteric map that
Speaker 2: may or may not be too cryptic to use. There's
Speaker 2: this key I built in the machine shop that probably
Speaker 2: does open anything, but works wonders at scraping away mortar.
Speaker 2: One book the mirrors. It's interesting, actually I should read
Speaker 2: some of it to you. This necklace, yeah, the pen
Speaker 2: returned that to me, but it's not mine. I had
Speaker 2: one really similar, but the other half of the moon.
Speaker 9: I think it's mine.
Speaker 2: Really wow, that's uh oh well, hey, please take it back.
Speaker 2: You don't want it. I'm just keeping it in my pillowcase.
Speaker 2: You might actually get away with wearing it here let me.
Speaker 2: They also returned my juicy fruit. Do you want a piece?
Speaker 2: Maybe later? I think you are forgetting something. Well, there's
Speaker 2: just cold. I was given fifteen sixty, but as that
Speaker 2: was a product of my own deduction, I'm starting to
Speaker 2: think it's as worthless as the key. No, something else?
Speaker 10: Come here?
Speaker 2: Okay, closer, closer.
Speaker 9: One, Bobby, Oh.
Speaker 2: Right, for my haircut? For maximum security. This place can
Speaker 2: be pretty lax. Hey, you don't think we could? Could
Speaker 2: we use this to pick the lock?
Speaker 11: Yeah?
Speaker 2: No, Well, at least I'll be able to keep my
Speaker 2: hair out of my eyes. Anything else not that I
Speaker 2: can think of, looks like this is it?
Speaker 9: Oh shit?
Speaker 2: What? Well? It may be crazy, but I have one
Speaker 2: idea for the come or maybe the book.
Speaker 12: Lock up two minutes.
Speaker 7: Everyone in your cells, Hey, no problem, boss, happy to oblige.
Speaker 5: Right, Rodriguez, but quietly one loves of which you concut?
Speaker 2: It's Martinez. Eureka. Ready as I'll ever be? Which way
Speaker 2: over here around the east corner. I can't believe this
Speaker 2: has been here the whole time. You want to go first?
Speaker 2: For good luck, I'd rather follow you. Here goes nothing.
Speaker 7: Hey, I'm here.
Speaker 13: Where'd you go?
Speaker 5: This way?
Speaker 13: I can't see you?
Speaker 7: Follow my boys, it's so loud.
Speaker 2: Almost there?
Speaker 7: Now?
Speaker 2: What are you?
Speaker 9: Okay?
Speaker 7: Yeah?
Speaker 2: Why are we in the bathroom? There's so many baths.
Speaker 2: I'm never really sure where they will lead. This is
Speaker 2: a lot nicer than ours. They even have toilets. Maybe
Speaker 2: this is I don't know the executive.
Speaker 7: Wing, carpet, wallpaper.
Speaker 2: Or definitely not in sea block anymore. Which way. Yeah,
Speaker 2: I'm gonna say this map is useless. We're just gonna
Speaker 2: have to pick a direction and try it. It would
Speaker 2: help if we knew what we were looking for. Okay, here,
Speaker 2: do be damned. If we see this ax again, we'll
Speaker 2: know we've made a circle.
Speaker 9: Run hide.
Speaker 2: Sh you want to get out of the closet. Okay,
Speaker 2: there are practically a million doors here. How about this one,
Speaker 2: the kitchen, the laundry.
Speaker 7: What's that? Uh trash?
Speaker 2: A swimming pool? Feel like a dip. Maybe we can
Speaker 2: swim to safety?
Speaker 7: Uh No, not me. You can't swim.
Speaker 2: I just don't like water. Did jim? What they call
Speaker 2: the recreation area around here? Don't you recognize it?
Speaker 7: Hmmm?
Speaker 2: I don't think so. I could have sworn I saw
Speaker 2: you here once, really from a distance, but I don't
Speaker 2: think you saw me. What's that the Panoptogon tower and
Speaker 2: all seeing eye in the the eyeball on the map.
Speaker 2: If that's the tower, it's right in the middle, and
Speaker 2: maybe from the top we can see a way out.
Speaker 2: I can't see inside one way glass it's probably crawling
Speaker 2: with guards, but it might be our best chance, or
Speaker 2: our only chance.
Speaker 9: I'll go if you call.
Speaker 2: Well, no One on the first floor. That is the
Speaker 2: longest spiral staircase I've ever seen, thirteen fourteen. What are
Speaker 2: you doing counting the steps twenty fifty ninety.
Speaker 9: One to fifty?
Speaker 2: I can't believe it. They aren't watching anything. There's no
Speaker 2: one in here, and why would there be. There's nothing
Speaker 2: to see, no outside, no sky, just more and more
Speaker 2: rooms and corridors and cells. This is fucking hopeless. What
Speaker 2: does the map say?
Speaker 7: The map? You mean this fucking paper white?
Speaker 2: What do you want to do now? I feel like
Speaker 2: I fucked this all up. We almost had everything we needed.
Speaker 9: We could have made it.
Speaker 2: We should have. I should have waited till I knew more,
Speaker 2: until I had a plan, a real plan. This was
Speaker 2: slap dash, it improvised, impulsive. I took our one chance
Speaker 2: and wasted it. We are not dead yet. Come on,
Speaker 2: let's go down and look around some more. On forty nine,
Speaker 2: on forty seven, I'm sorry that was pathetic. There's really
Speaker 2: no precedent for this situation, but that's just like me
Speaker 2: to completely lose my cool at the dumbest possible moment
Speaker 2: mercurial my mother used to call me. Really, I feel
Speaker 2: like I'm getting better. If nothing else, my time here
Speaker 2: has taught me a little bit of patience. It's been
Speaker 2: a hard lesson to learn. All the best lessons are
Speaker 2: you are really remarkable. Even if this escape ends up
Speaker 2: a huge failure. I'm glad we got to do it together.
Speaker 8: Me too.
Speaker 2: I can't believe this, but I I don't even know
Speaker 2: your name. I'm cy Si, Yeah, you know, like ci
Speaker 2: Ah Right, I'm Lily Lily, like the flower Lily. That's nice.
Speaker 2: It's a nickname, really a translation. Don't tell anyone, but
Speaker 2: my real name is Sayuri. Wait what.
Speaker 8: Hey?
Speaker 3: What are you doing? You can't be in here?
Speaker 13: Shit is way get back there.
Speaker 7: This is the same hallway as before. Hurry, that's my
Speaker 7: axe on the wall. Come on faster. Wait what are
Speaker 7: these doores?
Speaker 2: Even?
Speaker 7: Say? C? Nine one one, B twelve forty seven A
Speaker 7: fifteen sixty?
Speaker 13: Wait?
Speaker 7: What the store fifteen sixty? The code locked?
Speaker 3: Shit?
Speaker 2: But what if we have to hurry? This is insane?
Speaker 7: But what if the key I made good?
Speaker 2: God of incomprehensible mercy. It's another white room.
Speaker 10: Go through.
Speaker 13: Hey, I made it.
Speaker 7: Come on, Lily, where'd you go?
Speaker 13: Are you there? Hey, Lily, help me?
Speaker 7: I'm stuck.
Speaker 10: Fuck fuck fuck?
Speaker 2: Okay, okay, maybe she found her own way. Yeah, yeah, yeah,
Speaker 2: maybe she's just on the other side. I just have
Speaker 2: to make my way through. Okay, maybe maybe over Oh no,
Speaker 2: no so maybe so maybe this ow?
Speaker 11: Ow?
Speaker 7: How does anyone now?
Speaker 2: Okay? Okay, go slowly?
Speaker 13: No?
Speaker 1: No?
Speaker 2: Where am I moment?
Speaker 1: Please?
Speaker 2: Front office?
Speaker 3: Hold?
Speaker 1: Please?
Speaker 2: How did I just one moment? Please?
Speaker 7: Front office?
Speaker 14: Are you still there?
Speaker 9: Just another moment?
Speaker 14: Please?
Speaker 2: Thank you for waiting.
Speaker 14: Now do you have an appointment?
Speaker 4: Miss?
Speaker 2: Oh? You're asking? Do you have an appointment to see him? Him?
Speaker 10: Why?
Speaker 9: The warden?
Speaker 2: Of course, the warden. I found. No one sees the warden.
Speaker 14: Not without an appointment. But he has a free minute.
Speaker 14: Now if you can be quick about it, I run office. Yes,
Speaker 14: all right, let me put you on hold. Please through
Speaker 14: the door now.
Speaker 7: Please, thank you. I'm not an office. Are you still there?
Speaker 14: Okay?
Speaker 2: Please continue.
Speaker 8: Statistical analysis of the last fiscal years suggests an overall
Speaker 8: two percent decrease in the retention of staff within the
Speaker 8: facilities and.
Speaker 10: Perstruction two percent.
Speaker 8: However, oh dear, it seems that there was an oversight
Speaker 8: in a collection of data from the outset, calling the
Speaker 8: validity of the entire survey into question.
Speaker 10: The entire survey is based.
Speaker 8: On the officer's analysis of the analysis. Will need Oh dear,
Speaker 8: you're not gonna like them. Just tell me a full
Speaker 8: review of the review process between all department heads and
Speaker 8: we both know.
Speaker 3: What that means.
Speaker 10: Wait, don't say it.
Speaker 8: You'll need to assemble a new subcommittee to investigate the incongruity.
Speaker 10: No anything, but is there really no other word?
Speaker 14: Please?
Speaker 10: I'm begging you? Oh my sorry, so sorry? Hello, please
Speaker 10: come in.
Speaker 8: First things first, we'll have to submit the applications to
Speaker 8: request the properly.
Speaker 10: My apologies. Did we have an appointment?
Speaker 3: No?
Speaker 10: I please have a seat?
Speaker 7: Uh?
Speaker 9: Where right?
Speaker 10: Please? So what is this about?
Speaker 9: Okay?
Speaker 10: I I should know, But the truth is I've been
Speaker 10: a little behind schedule since Oh well, honestly, I'm not
Speaker 10: sure there is any tax to catch up. So we
Speaker 10: don't have to do what we can while we are.
Speaker 10: But why don't we start with you? What is your
Speaker 10: resident number? My resident number? You should have been given
Speaker 10: one during your requisition before there was a full accounting
Speaker 10: of your personal effects, not to self investigate review process
Speaker 10: to verify standard percentures with requisition offers in regards to
Speaker 10: best practices. Yes, they did EXPLENDID and the number it
Speaker 10: was alpha?
Speaker 2: Something was I expected to remember that?
Speaker 10: M How about your name? We could cross reference alpha
Speaker 10: residents by name.
Speaker 7: Well, that's the thing. It's Siuri Martinez.
Speaker 10: Martinez, Martinez Martinez. Let me see, let me see. Oh,
Speaker 10: oh well that's odd.
Speaker 2: What what's odd?
Speaker 10: You said it was under alpha?
Speaker 2: I think so.
Speaker 10: Well, then we have a problem here. Oh dear, what
Speaker 10: is it? Two fives one alpha one beta, both with
Speaker 10: the resident number s AE one five six zero. You
Speaker 10: said Rodriguez or Martinez Martinez.
Speaker 2: It's always been Martinez Martinez Martius.
Speaker 10: Oh dear, I see what happened here? This can't be
Speaker 10: You both shouldn't of course signed off one Doctor Raymond?
Speaker 3: But why.
Speaker 5: Run of there?
Speaker 10: Can you get doctor Raymont on the phone?
Speaker 3: Please?
Speaker 5: But sir, every line is already on hold. We can't
Speaker 5: take another call, let alone make one.
Speaker 10: Oh bother, I do apologize. We'll have to hurry this along.
Speaker 2: Are you going to tell me what's going on?
Speaker 10: HM? In this world, miss Martinez, there are certain apparencies,
Speaker 10: oddities cases You couldn't call unnatural, because all are in
Speaker 10: some way of nature, but its most capricious tricks to form.
Speaker 10: There are too many descriptives to choose from, some societal,
Speaker 10: some spiritual, some scientific. Of them all, I prefer the
Speaker 10: term anomaly. Time and time again, history has shown that
Speaker 10: public life functions at its most harmonious with the minimum
Speaker 10: of these anomalies in its midst And that is what
Speaker 10: our facility is for. Perhaps rather assuredly during your time here,
Speaker 10: that the pen is not like other places. That is
Speaker 10: my design, as far back as anyone remembers, and indeed
Speaker 10: long before I myself held this office, the directive has
Speaker 10: been clear. To detect, to locate, to procure, to study,
Speaker 10: to rehabilitate, if possible, but above all, to separate these
Speaker 10: disruptive elements from the rest of society. Excuse me.
Speaker 2: Saying that's true, Then what does it have to do
Speaker 2: with me?
Speaker 7: Are you trying to say that I'm one of these cases?
Speaker 2: Then what makes me anomalous?
Speaker 10: Maybe you, maybe her, maybe neither of you, except for
Speaker 10: the fact that you shouldn't be here together.
Speaker 7: So it was a mistake, a grave one. Then let
Speaker 7: me go, Let us go.
Speaker 10: I wish I could you're the warden?
Speaker 13: Are you in charge?
Speaker 10: You know the last time I left this desk, Miss Martinez,
Speaker 10: me neither.
Speaker 3: I am not in charge.
Speaker 10: The system is, I am, but its implement less than
Speaker 10: an extremity, not its head, not even an armor toe,
Speaker 10: a single nerve operating amidst a chain that cannot be broken,
Speaker 10: at least evolve from the inside out. You may feel
Speaker 10: that your liberty has been stripped away. You must, but
Speaker 10: know that mine has long been dead and buried.
Speaker 5: Sir Section C is calling a ten to seventy four,
Speaker 5: possibly too two.
Speaker 10: Ten seventy fours. Oh dear, do we have the file sport?
Speaker 5: I'm looking, but there's some confusion on the name. Seems
Speaker 5: like a filing air between two primary cases.
Speaker 10: We'll need to completely change the agenda just one moment.
Speaker 5: Well, I don't think now.
Speaker 2: Is that's about me?
Speaker 1: Isn't it?
Speaker 3: Or he or both of you?
Speaker 10: They're coming, I'd say, they're on.
Speaker 2: Their way to throw me in my cell. We're solitary
Speaker 2: again or worse. And then what.
Speaker 8: M hm.
Speaker 10: You may have heard it's impossible to escape this place.
Speaker 10: Idious bye and bye. Everyone gives up, But that doesn't
Speaker 10: mean you have to.
Speaker 2: I thank you, But I don't understand. Why are you
Speaker 2: doing this?
Speaker 10: Because I know it's hopeless, But why should you believe
Speaker 10: that just because I said it?
Speaker 2: Pendleton with its million fucking doors, Oh you can't escape,
Speaker 2: but you can follow a million stories and land on
Speaker 2: your ass right in the middle of a what even
Speaker 2: is this place?
Speaker 11: Say?
Speaker 7: Really, where did you we got away?
Speaker 9: I did too.
Speaker 2: Listen, we gotta talk about something, you and me. I
Speaker 2: think I know what you're going to say, that you
Speaker 2: are and you are, but we're not not what the
Speaker 2: same like I am me and you are you? Unless
Speaker 2: I've got it backwards. Either way, It's nice to find
Speaker 2: you again. Yeah, I guess we'll circle back on that.
Speaker 2: Okay for now, maybe we still have a chance. But
Speaker 2: where are we? Is this a water treatment plant? Seems
Speaker 2: like a solid guess, feel like a swim now?
Speaker 8: Whoa?
Speaker 2: Well we can fit at least for the moment. If
Speaker 2: this gets into a wade through sewage, crawl through shit situation,
Speaker 2: I'll make it. If it gets above neck deep, you
Speaker 2: might have to leave me behind. I would never What.
Speaker 5: Was that.
Speaker 7: Side control? Go ahead, you're desalination.
Speaker 3: Now side what you are going to runs through that bipe?
Speaker 3: What if you get stuck, what about windsor tide comes
Speaker 3: even tied?
Speaker 2: You know there's only one way out of this, your
Speaker 2: choice to make it difficult tide? Yeah, what about that valve?
Speaker 12: Got them control prepared, descaling, I'll be with this.
Speaker 7: What exactly do you think that's gonna do? Why don't
Speaker 7: we find out together? Back up? That's it?
Speaker 9: What did you think would happen?
Speaker 7: Flush them out?
Speaker 3: Nut jute? Be scaling?
Speaker 7: What initiate be scaling?
Speaker 14: Shit?
Speaker 7: Now get over here and we'll make it. Step otherwise
Speaker 7: you can wait there and drown.
Speaker 2: Is this the end looks like it?
Speaker 8: You know?
Speaker 2: There is actually one thing I forgot to mention? What
Speaker 2: no time? Just pass me your necklace.
Speaker 7: Okay, now now close your eyes tight. Whatever happens, don't
Speaker 7: open them until I say so. Okay, got it closed.
Speaker 7: This is it. I'm counting to five.
Speaker 12: Perfect one house mana two manaa mana manna manap.
Speaker 7: Just get your eyes close. A scaling solution, and dude.
Speaker 2: I guess that was a bluff. You can look now.
Speaker 9: Where did they go? What was that?
Speaker 2: A gift someone gave me? Seems more like a curse
Speaker 2: that too, Come on, God, that's cold. I don't know
Speaker 2: how I'm gonna do this. You might want to take
Speaker 2: your shoes off.
Speaker 7: Is the water getting deeper or is the pipe getting smaller?
Speaker 9: Maybe both.
Speaker 7: Gneeze, waist, shoulder, neck. We're going to have to swim
Speaker 7: for it. I know. I'm not sure I can hold
Speaker 7: on to me. We'll go together. Okay, Okay, big breath.
Speaker 9: You'll be Yeah, I'm fine.
Speaker 2: Did you see it? What the lights up ahead? I
Speaker 2: didn't see any light.
Speaker 9: It's some kind of opening.
Speaker 2: I'm sure of it. Whatever happens, swim towards it.
Speaker 7: Okay, whatever happens.
Speaker 8: What do you mean?
Speaker 9: Eyes open, straight ahead.
Speaker 2: Swim as fast as you can.
Speaker 7: You got it. You're you're not.
Speaker 2: Gonna hold on.
Speaker 9: You'll be faster alone.
Speaker 15: We both will, okay, Hi ready, okay? Three?
Speaker 7: Two h.
Speaker 10: H I see.
Speaker 11: Ye see show bye, see see show bye. You see
Speaker 11: see show bye. You see fallow Save God?
Speaker 2: Show guy.
Speaker 11: You see fellow Save God, Show guy say fellow Save God.
Speaker 13: Show Lily, Lily, m hm, Lily, can you hear me?
Speaker 7: I can see it.
Speaker 2: There's the life.
Speaker 7: It's it's the outside.
Speaker 15: Oh yeah, I see guys.
Speaker 1: Thirteen Days of Halloween Pennance, starring Natalie Morales, Episode eleven
Speaker 1: Escape written by Alexander Williams and Matthew Riddle, featuring the
Speaker 1: voices of Alex Bowling, Tara Buck, Jay Jones, Raphael Corkil,
Speaker 1: Rachel Rosenbloom, Anda, and Noah Feinberg. Directed by Alexander Williams.
Speaker 1: Executive producers Aaron Manke, Noah Feinberg, Chris Dicky, Matt Frederick
Speaker 1: and Alexander Williams. Supervising producers Trevor Young and Josh Thain.
Speaker 1: Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays, and
Speaker 1: Casby Bias. Script editing by Lauren Vogelbaum, Story consultants Ben
Speaker 1: Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and
Speaker 1: Meg Mormon CSA. Production coordinator Wayna Calderon. Production assistants Jenna
Speaker 1: Johnson and Winona Lowe. Theme music by Rose Azerti with
Speaker 1: vocals by Anna Hummler, recorded at This Is Sound Design
Speaker 1: Studios in Burbank, California. Engineered by Ross ERRONEU Special thanks
Speaker 1: to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.
Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and
Speaker 1: Alexander Williams, and is a production of iHeart Podcasts, Blumhouse
Speaker 1: Television and Grim and Mild from Aaron make Learn more
Speaker 1: about the show at Grimandmild dot com. Slash thirteen days
Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.
Speaker 1: Happy Halloween,