Speaker 1: Model Katy Liis.
Speaker 2: Wake Up Way, why you guys really are Like the
Speaker 2: hip hop early morning late night Talk to your Breakfast Club.
Speaker 3: Is the most powerful popular urban radio show.
Speaker 4: Maybe like from.
Speaker 5: The Black Mothership in New York City. It's DJ MV
Speaker 5: and Charlamagne to God.
Speaker 4: It's different.
Speaker 6: You know what I'm saying, Like, y'all know what y'all
Speaker 6: talking about.
Speaker 7: Thanks to y'all be Black.
Speaker 8: I love y'all.
Speaker 5: Collectively known as Breakfast Club.
Speaker 2: So I'm always nervous when I do the Breakfast Club
Speaker 2: because sometimes you say stuff and it's just gonna get you.
Speaker 9: Everybody, what wait, this is your time to get it
Speaker 9: off your chest.
Speaker 5: She's cooling. Eight hundred and five eighty five one O
Speaker 5: five one. We want to hear from you on the
Speaker 5: Breakfast Club. Hello, who's this?
Speaker 10: This is George.
Speaker 11: How are you guys doing?
Speaker 5: Gay?
Speaker 1: Thank you?
Speaker 12: Hey.
Speaker 5: I just want to say I.
Speaker 11: Listen to you guys over every morning, go to work.
Speaker 4: I love I bet you guys like.
Speaker 11: Get my day going, my morning going. I just wanted
Speaker 11: to say that, and I want to give a shout
Speaker 11: out my boss, Harris Brooks, the Man.
Speaker 13: Okay, thank you so much.
Speaker 5: Hello, who's this I'm on to dj MV oneing.
Speaker 14: Uh, yes, hey, hey, I got a question. Man, We're
Speaker 14: gonna go ahead, uh and hire yes as your third
Speaker 14: co host.
Speaker 8: So yeah, keep back, keep them, It's okay, keep.
Speaker 5: Back to.
Speaker 14: No off to the other co hosts. But you know
Speaker 14: what I'm saying.
Speaker 4: She brings a.
Speaker 14: Different energy to the to the show, you think, so yeah,
Speaker 14: oh yeahs.
Speaker 2: I'm concerned that she can't keep up these outfits, you
Speaker 2: know what I'm saying. Like, I don't know, I'm.
Speaker 8: The only one that come up here like this.
Speaker 2: First of all, don't play with me, thank you exactly.
Speaker 2: I think you get tired of dressing up this early
Speaker 2: in the morning. I make them look in here looking good.
Speaker 2: I make them dressed.
Speaker 14: I think I think y'all need to go ahead and
Speaker 14: just go ahead and sign it and just do it
Speaker 14: if you need to do to get her there every day.
Speaker 12: Just be too busy. Like next week, just as in Detroit.
Speaker 12: Oh week, we'll see what God got planning.
Speaker 7: I am, but I'm only in Detroit because somebody else
Speaker 7: gonna be up here.
Speaker 6: So yeah, well we'll see what God got playing.
Speaker 11: Hello, who's this Shatima with a team?
Speaker 8: Okay, Chatima with a t Get it off your chest, mama.
Speaker 15: All right, I don't have anything to get off my chest,
Speaker 15: but I just.
Speaker 7: Wanted to call and wish my daughter a happy twenty
Speaker 7: first birthday.
Speaker 11: I am so proud of her.
Speaker 2: She's a senior at the University of Delaware and she's
Speaker 2: doing her stay there you go, universit Delaware. Su her
Speaker 2: for surviving Delaware.
Speaker 5: Stop it yeah, University of Delaware.
Speaker 16: She is a senior.
Speaker 14: Her name is Janaiah Hodge.
Speaker 6: Jania hope you go out there and do great things
Speaker 6: in this world.
Speaker 8: Absolutely.
Speaker 14: I can't believe I got through.
Speaker 17: This is in all these years.
Speaker 16: This is the only time I got through.
Speaker 11: So you know, it's a prayer from God for my daughter.
Speaker 12: There you go, all right, Thank y'all for taking the call.
Speaker 5: All right, Hello, who's this?
Speaker 4: You don't what's up?
Speaker 10: Its lows from shot Town, Loas.
Speaker 2: What up?
Speaker 8: Get it off your chest, y'all.
Speaker 2: I just want to thank you to both you guys,
Speaker 2: Man Selling Man and every Man.
Speaker 11: I read both y'all books.
Speaker 5: Oh, I ain't got telling me to sign my book.
Speaker 10: In Atlanta the podcast Stuff festival he had, Thank you, brother.
Speaker 4: I'm working on that.
Speaker 5: I'm working on the third one right.
Speaker 4: Now, Yo, I'm buying it.
Speaker 11: I'm buying it, y'all. Y'are both your books did me
Speaker 11: some good with my marriage.
Speaker 14: Man.
Speaker 10: Y'all y'all really changed my life with those two books
Speaker 10: at so big word up.
Speaker 12: Yeah, me and the wife just finished the second book.
Speaker 12: We were talking about raising our kids. You know, we
Speaker 12: got six kids. One is twenty two to the youngest
Speaker 12: is two. So it's real life, real family when we're
Speaker 12: just talking about, you know, the different ages and how we.
Speaker 5: Raise our kids. Brother, Well, thank you, loose. We appreciate you. Brother.
Speaker 11: Yeah, you're no problem.
Speaker 14: Man.
Speaker 4: Bliss brown and how your favorite? There you go?
Speaker 6: Well, I'm black, but same respect your color.
Speaker 4: You're Hugh.
Speaker 5: Hello, who's this?
Speaker 11: What's up?
Speaker 12: D your envy?
Speaker 11: This frank piece for your town?
Speaker 14: Or how man?
Speaker 5: What up? Frank? Get it off your chest? Brother?
Speaker 11: Man, I want to talk about the c I and
Speaker 11: man turn situation. Man, I keep people talk about that.
Speaker 11: I just want to say, man, I don't care how
Speaker 11: old I get, any of my kids ever disrespecting them
Speaker 11: trying to raise their hand. I'm gonna put them down.
Speaker 4: Right there, especially your son. Yeah.
Speaker 11: Yeah, that's that's crazy.
Speaker 14: Man.
Speaker 11: I don't even know why people have fixed the him
Speaker 11: out to say TI tripping or messing up their family
Speaker 11: are embarrassing. Come on, man, that's crazy yea.
Speaker 2: And there's probably people saying that who ain't got no kids,
Speaker 2: especially science, because reality is, you know, we've all got
Speaker 2: buck on our fathers.
Speaker 4: At one point we're.
Speaker 5: Going to test it out that, you know what I mean?
Speaker 11: Yeah, but that's just man. I don't know. People just
Speaker 11: be like to talk.
Speaker 10: Man.
Speaker 11: I don't know what's going on with this world. But
Speaker 11: I promise you any of my kids raise their hands
Speaker 11: that me or they Mama, I'm putting them down right
Speaker 11: there where they are.
Speaker 18: I didn't hear nobody talking bad about nobody.
Speaker 4: Can't nobody say to you I was wrong handed that
Speaker 4: situation in.
Speaker 11: A couple of comings, saying like he embarrassing the family,
Speaker 11: or why ain't messing with something like that. I just
Speaker 11: wanted to put that out there. These littles need to relax. Man,
Speaker 11: These streets ain't what it is.
Speaker 2: Also, you know what's in I didn't really get both
Speaker 2: with my dad, you know, physically, because my dad showed
Speaker 2: me that power early. Your dad let me know, my
Speaker 2: dad let me know. It wasn't a game earlier early.
Speaker 2: You don't even think about it, you know if.
Speaker 18: You no, I did this day. I think I had
Speaker 18: an attitude with my dad.
Speaker 12: One time he said something I had an attitude punched
Speaker 12: me dead my chest.
Speaker 8: I was the last time ever. It was crazy. Yeah,
Speaker 8: last time ever.
Speaker 12: Get it off your chest. Eight hundred five eight five
Speaker 12: one oh five one. If you need to vent, hit
Speaker 12: us up now.
Speaker 8: It's the Breakfast Club for morning.
Speaker 9: The Breakfast Club, it's a new is your time to
Speaker 9: get it off your chest?
Speaker 8: Wait, whether you're mad.
Speaker 13: Or black, time to get up and get something.
Speaker 4: Call up now. Eight hundred five eight five one o
Speaker 4: five one.
Speaker 8: We want to hear from you on the Breakfast Club.
Speaker 5: Hey Mike, what's up?
Speaker 16: But this is Uber Mike Breakfast Club for the Morning.
Speaker 5: To y'all, Uber Mike, what's up? Get it off your chest?
Speaker 4: Brother?
Speaker 16: I got I gotta do the first I wanted to say.
Speaker 16: I want to thank y'all for fourteen years of hard service.
Speaker 16: You guys haven't inspired me to start a podcast, Uber Driver.
Speaker 16: It's called and just a driver on Spotify.
Speaker 12: Got to be And if you don't, you can actually
Speaker 12: do the interview in the call with people.
Speaker 6: Yes, it would be Doe are driving around talking.
Speaker 5: To people in the cameras filming, and while he's driving around.
Speaker 2: Don't I don't want to inspire people in that way.
Speaker 2: I want to inspire you to go to therapy, you
Speaker 2: know what I'm saying. I want to inspire you to,
Speaker 2: you know, do some things, but not the point.
Speaker 16: There's a lot of stories out here, Charlotte Man, I
Speaker 16: have a we have up to forty thousand rides, so
Speaker 16: we got stuff to talk about.
Speaker 6: So it's like taxi cab confessions.
Speaker 4: I love it.
Speaker 16: It's everything's stories for what people have gone through. It's
Speaker 16: a whole bunch of things now.
Speaker 11: Yeah, literally the eyes and airs of the streets.
Speaker 6: Are you making these people sign waivers that they agree.
Speaker 16: You're interview with people. We're talking to insurance agents reports,
Speaker 16: you know, the ports and have the insurance when you're
Speaker 16: driving a whole bunch of things that people are missing,
Speaker 16: and then your ratings as a passenger. Why sometimes it
Speaker 16: takes you a long time to get a ride of
Speaker 16: all those things.
Speaker 6: Yeah, but are you making these people sign waves?
Speaker 5: Are they allowing me to I'm not interviewing people.
Speaker 16: I mean, I'm not interviewing people.
Speaker 4: I'm confused.
Speaker 2: We have the wait, you're confused, So what are you
Speaker 2: doing if you're not interviewing people?
Speaker 16: We're talking about like insurance, we're talking about what drivers
Speaker 16: go through. Do you know what driver?
Speaker 8: He's not calling an interview, he's calling a conversation.
Speaker 6: So you are you talking? Are you talking to these people?
Speaker 16: No, we're not talking to people, Charlemagne. We are talking
Speaker 16: to us like fellows, drivers.
Speaker 6: The driver, they're talking amongst each other.
Speaker 16: Okay, yes, yes, And last thing before I go, I
Speaker 16: wonder what you guys are happy holidays?
Speaker 5: Thank you sir.
Speaker 16: And then whoever you guys make you're a third person
Speaker 16: or whatever they have to pass the slander of the
Speaker 16: breakfast club.
Speaker 4: Second, that's impossible.
Speaker 10: It's not that impossible.
Speaker 2: I think anybody the breakfast club pretty easy that it's impossible.
Speaker 16: What's that noble to say?
Speaker 14: Whoever?
Speaker 5: Y'all like, what's that she's ready for that?
Speaker 4: Would you like to find out?
Speaker 19: Laura?
Speaker 8: No, I know anything.
Speaker 17: Smile I be invited to.
Speaker 8: So we had I trust you and we had a talk.
Speaker 12: We had a segment called Slander the Breakfast Club, where
Speaker 12: people can call up in Slander the Breakfast Club, would
Speaker 12: like about the Breakfast Club.
Speaker 8: They can do it.
Speaker 17: Oh, we used to do that my old jobs.
Speaker 8: So they would have to call up and be able
Speaker 8: to slander you, and you'd have to be able to
Speaker 8: take it.
Speaker 17: We used to call a hit mail. Okay, that's like
Speaker 17: a well the way you laughed about.
Speaker 4: It, that Breakfast Club body is different.
Speaker 17: I know it happens. It's in the comments.
Speaker 8: Okay, Now they're different. They're different.
Speaker 12: Get it off your chest. Eight hundred five eight five,
Speaker 12: one oh five one. If you need the vent, hit
Speaker 12: us up now. It's the Breakfast Club. Good morning, the
Speaker 12: Breakfast Club.
Speaker 5: Morning.
Speaker 8: Everybody is dj n V Cholamine the guy.
Speaker 5: We are the Breakfast Club.
Speaker 8: We got a special guest in the building.
Speaker 5: Yes, indeed, the Brother Terrors Crawt. You're welcome.
Speaker 12: How you feeling fight those down July twenty ninth.
Speaker 4: Yes, you think it's gonna be your toughest fight.
Speaker 13: I don't know.
Speaker 20: A lot of people ask me that every time I fight.
Speaker 20: I don't know until I get in the ring with them.
Speaker 5: How do you prepare for this fight?
Speaker 12: Are you prepared the same way or is there any
Speaker 12: different preparation for this one than any of the other
Speaker 12: fights that you've had?
Speaker 13: If it ain't broke, don't fix it.
Speaker 20: Just keep doing what I'm doing and everything else to
Speaker 20: play itself out.
Speaker 2: You got to make some adjustments though. This is this
Speaker 2: is Earl Spinch we talking about. This is this ain't
Speaker 2: no just this the guy that you had picked over.
Speaker 5: There picked him over.
Speaker 8: I remember, I remember.
Speaker 13: I don't.
Speaker 2: I don't forget I got you got her, not because
Speaker 2: you're not great. I just think you know sts fights.
Speaker 2: I think I think I forgot it.
Speaker 13: Definitely.
Speaker 4: You feel pressure going into this fight.
Speaker 20: Not at all, not at all. This is my moment,
Speaker 20: this is my time. That's what I've been waiting for
Speaker 20: in the world. Gonna see July twenty ninth.
Speaker 12: I always talk about you know, nowadays it feels like
Speaker 12: everybody wants to be undefeated, right, Does that put more
Speaker 12: pressure on you? Because I think Floyd kind of did
Speaker 12: it with his fifty and O. But back then, you
Speaker 12: lose a fight, it was fine. I see you in
Speaker 12: the rematch and it was okay. It wasn't cool. But
Speaker 12: now it seems like when you lose a fight now
Speaker 12: everybody's like, oh, it's washed, it's over.
Speaker 13: I don't think I never felt any pressure.
Speaker 20: I put my O on the line numerous of times
Speaker 20: with whoever they put in front of I called out
Speaker 20: the best fighters in each division that I've ever been in.
Speaker 20: Floyd have made it kind of hard for people to
Speaker 20: take a loss and keep going because so many people
Speaker 20: want to be like Floyd, and so many people was
Speaker 20: attracted to Floyd and follow Floyd's career, and they felt
Speaker 20: as if you wasn't like Floyd, then you wasn't that
Speaker 20: that guy.
Speaker 14: You know.
Speaker 20: But people lose, people come back, styles make fights, like
Speaker 20: he said, and things happen. I never thought that a
Speaker 20: loss can define a fighter in any way, shape or form.
Speaker 2: Yeah, I mean, Floyd's one of the best ever do it.
Speaker 2: But why just look at Floyd? Why people don't look
Speaker 2: at Ali? You know, Lennux Floyd, all these break have lost,
Speaker 2: Sugar Leon, like Tommy hearn They've all lost.
Speaker 20: Because times has changed and social media have took an over.
Speaker 20: So when Tommy Hearns and Ali and all those great
Speaker 20: fighters that came before us, they didn't have to deal
Speaker 20: with the politics, they didn't have to deal with social
Speaker 20: media slandering the men doing this and doing that to
Speaker 20: impress people.
Speaker 13: So it's kind of different.
Speaker 12: You feel like you don't get the respect that you
Speaker 12: deserve when it comes to a lot of these fights,
Speaker 12: like even with you know Charlamage saying he thinks Arrow's
Speaker 12: gonna beat you, Like, do you feel like ut of this?
Speaker 6: It's just boxing, It's just boxing at the end of
Speaker 6: the day.
Speaker 5: Don't back down.
Speaker 13: Now you're gonna lose, definitely, definitely.
Speaker 5: But do you feel like you don't get the respect
Speaker 5: that you deserve?
Speaker 13: Always?
Speaker 4: Always?
Speaker 5: Why is that?
Speaker 20: But how great I am? I look at all the
Speaker 20: great fighters that came before me. None of them got
Speaker 20: their respect until a they lost or they retired. Nobody
Speaker 20: gave Floyd his respect until he retired, then they realized
Speaker 20: how great he was. A lot of people didn't give
Speaker 20: Ali his respect. A lot of people didn't give Roy
Speaker 20: Jones his respect until they lost or they retired. Why
Speaker 20: the lost part, I don't know, because I guess when
Speaker 20: one as loss or took in defeat to another great fighter,
Speaker 20: they feel as if this fighter is not invincible. So
Speaker 20: they can feel as if he's on the level. Now,
Speaker 20: well we brought him down to earth. Now we can
Speaker 20: laugh at him.
Speaker 13: Now we can praise him for all the good things
Speaker 13: that he's done.
Speaker 2: Oh, I guess yea e. Earl said your record was inflated.
Speaker 2: What is that word inflated?
Speaker 20: Well, listen, he can say all those type of things,
Speaker 20: but when you look at who I fought and who
Speaker 20: he fought, and you look at what I've done to him,
Speaker 20: you know it's no comparison.
Speaker 6: Did you just I think I pronounced his name right?
Speaker 6: Did he beat you in amages.
Speaker 13: Your guinness UTAs Ugus? Yeah, he beat me and the amateurs.
Speaker 2: And then Earl stopped him in the tenth ron when
Speaker 2: they fought. So Ugus said, there's no way you can
Speaker 2: beat Earl if Earl fights you the way he fought him.
Speaker 2: So does it matter if he beat someone who defeated you.
Speaker 20: Never listen, You're talking about a fight that happened when
Speaker 20: I was eighteen years old.
Speaker 13: I was a little kid.
Speaker 5: I was a little boy.
Speaker 20: You know that same little boy is no way shape
Speaker 20: form fashion the same little boy, you know what I mean,
Speaker 20: the grown man that I am today. When I fought Ugust,
Speaker 20: I probably had like forty fights. Ugusts probably had hundreds
Speaker 20: coming from Cuba, and you know they fighting all the
Speaker 20: national I mean international tournaments, national tournaments all that. You know,
Speaker 20: So he had more experience at the time, so I
Speaker 20: wouldn't base him beat me at eighteen. On a professional fight,
Speaker 20: we don't have no headgear on, We're fighting with smaller gloves,
Speaker 20: We're fighting longer rounds, longer minutes.
Speaker 13: In the rounds.
Speaker 20: So it's a lot of things that goes into fighting
Speaker 20: an amateur fight and fighting a professional fight. So a
Speaker 20: lot of people say, oh, well, you lost to Ugis
Speaker 20: and this and that. A lot of people lost to
Speaker 20: a lot of people in the amateur and look what
Speaker 20: happened in a professional ranking. A lot of people can say, oh,
Speaker 20: with Terrence, you lost to this guy, you lost to
Speaker 20: that guy. Okay, well, all the guys that I lost
Speaker 20: to in the amateurs, compare their career and professional to
Speaker 20: my career.
Speaker 2: Real what did you learn from those losses that you
Speaker 2: were able to take in your professional career that kept
Speaker 2: you has kept undefeated.
Speaker 20: Well, a lot of things. I learned how to cope
Speaker 20: with certain styles. I learned how to capitalize on the
Speaker 20: things that I was doing wrong. So you just go
Speaker 20: back to the drawing board and fix the problem that
Speaker 20: that you had that led you to get the loss.
Speaker 20: You got to learn from it. And I felt like
Speaker 20: I learned from all my losses. I got stronger, I
Speaker 20: got wiser, I got more experience that led me to
Speaker 20: be the person that I am today in a professional ranking.
Speaker 2: Did you watch this fight, the fight between spencon Yugas,
Speaker 2: of course, and what did you think about it?
Speaker 13: It was a good fight. Errol did good, Ugus did good,
Speaker 13: and uh it.
Speaker 4: Was a good fight.
Speaker 8: Now that fight was what twenty twenty one?
Speaker 4: I thought it was last year.
Speaker 12: Now he hasn't important in over a year. So does
Speaker 12: that give you the advantage of disadvantage? What's your daughter?
Speaker 14: Now?
Speaker 20: I don't even look at that like that. You know,
Speaker 20: he came off a longer layoff prior to that, been
Speaker 20: in a car accident, and he came back and he
Speaker 20: looked as strong.
Speaker 13: He looked the good.
Speaker 20: So I'm not banking on him not being in the
Speaker 20: ring for him to come rusty or anything. He's a professional.
Speaker 20: You know how to fight, So come fighting out. He'll
Speaker 20: be ready, just like I will.
Speaker 8: All right when we come back. We got more with
Speaker 8: Terrence Crawfit.
Speaker 12: His fight with Ero Spence goes down July twenty ninth
Speaker 12: on Showtime, So don't move.
Speaker 5: It's to Breakfast Club.
Speaker 12: Good morning, the Breakfast Club and Charlomagne, the guy we
Speaker 12: all lay off this club.
Speaker 5: He's still kicking it with boxing. Terrence Crawfit.
Speaker 12: He's fighting Erro Spence July twenty ninth, on Showtime, Charlamagne.
Speaker 2: When you say you fixed fix your prime was what
Speaker 2: problems did you fix after the game bollfight?
Speaker 13: I don't know. You can't, okay, I ain't giving you
Speaker 13: too much.
Speaker 5: What about due from looked away? Do you do? You
Speaker 5: do you feel like that was a knockdown?
Speaker 9: No?
Speaker 13: I don't.
Speaker 20: I feel as if he pushed me as you as
Speaker 20: you could see, you know, as soon as the ref
Speaker 20: said fight, I stepped right to him. You know, he
Speaker 20: very strong, very strong, explosive, good fighter, technical. You know
Speaker 20: that's a fight that you could say. I wasn't listening
Speaker 20: to my my coaches in my corner, and I was
Speaker 20: more emotional in that fight because I felt as if
Speaker 20: I had something to prove. I went in there looking
Speaker 20: for the knockout. I didn't want to box. I didn't
Speaker 20: want to use my skills. I just want to, you know, fight.
Speaker 20: That's what happens when you go in there and fight
Speaker 20: the wrong fight.
Speaker 12: What's gonna stop you from doing at this time because
Speaker 12: you can't do that again, because you want, because I
Speaker 12: know you want to prove yourself.
Speaker 8: I know you want to knock knock out out.
Speaker 6: You can't.
Speaker 2: He's big, He's naturally bigger than you. He's strong, he's
Speaker 2: the big guy. He's the big bad wolf. I didn't
Speaker 2: heard it all. He's strong, he's this, he's.
Speaker 13: That, he's this that. So can he get hurt?
Speaker 20: You're a man, So what's going to stop him from
Speaker 20: banging with me?
Speaker 2: I'm not a culture in your corner, but I wouldn't ask,
Speaker 2: I wouldn't suggest you bang with him.
Speaker 5: Why. I think I think he's.
Speaker 8: Trying to say he's not as powerful.
Speaker 5: We're trying to say.
Speaker 13: What you're trying to say?
Speaker 8: What are you trying to say? Trying to say he's
Speaker 8: not as powerful?
Speaker 2: He's as strong as he what? Clearly us be clear,
Speaker 2: Arrence Prophet is amazing.
Speaker 8: We know that what he does. What you say.
Speaker 20: What I'm saying is why do you view that? And
Speaker 20: how do you know? I don't what makes you? What
Speaker 20: makes you? What makes you think that?
Speaker 6: Probably the size?
Speaker 5: Yeah, I don't know.
Speaker 2: If you can hurt him, is what I'm saying. I've
Speaker 2: seen you hurt people before. I don't know if you
Speaker 2: can hurt somebody his side. Did he get hurt his
Speaker 2: last fight?
Speaker 5: Yes?
Speaker 13: Do you think I hear harder than his last opponent, yes,
Speaker 13: case clok.
Speaker 8: But you got to get to him though, So you're
Speaker 8: saying this man can't get to him, that's.
Speaker 5: What you're saying. I'm just saying, you gotta get to him.
Speaker 5: You gotta get in there to do it.
Speaker 20: Okay, Well, getting in there is to get between the ropes, right,
Speaker 20: and we're in there right, it's gonna be a great fight.
Speaker 12: So when you speak to people like that, right, what
Speaker 12: stops you from saying you're not getting emotion?
Speaker 8: Be like, you know what, trying something.
Speaker 12: Because obviously there's a lot of people like Charlamagne that
Speaker 12: that feels.
Speaker 6: That's not that's not no, it's no, it's not act
Speaker 6: like he's an underdog.
Speaker 8: He is kind of an underdog the way you're talking.
Speaker 2: No, I think it's about I think people think it
Speaker 2: could go either way. This is this My man reads
Speaker 2: a great box and guy. He says, if you win,
Speaker 2: no problem. My boll says, you win no problem either.
Speaker 2: Debates I've been having since the fight's.
Speaker 8: Been but Charlamage. Don't feel that way.
Speaker 20: What is it?
Speaker 4: That is true? That is absolutely true, that's true.
Speaker 2: Have you thought about how you would deal with a
Speaker 2: loss in case it does happen?
Speaker 20: No, I don't. I don't think about things like that.
Speaker 20: You know, my mind is just clear.
Speaker 5: Right.
Speaker 13: Things happen. They happen, you know, but we parent for
Speaker 13: the victory. That's it. You know, all you're gonna lose, Na,
Speaker 13: we don't think what's.
Speaker 8: Wrong with you?
Speaker 19: All?
Speaker 8: Gonna ask have you prepared for a loss?
Speaker 3: Of you?
Speaker 2: What kind of That's the same question that you kind
Speaker 2: of asked, what the having the zero record?
Speaker 14: Like?
Speaker 2: You know, some people lose, some people don't. So if
Speaker 2: you do lose, have you thought about how you prepare
Speaker 2: for that?
Speaker 13: Well, we don't. We don't prepare for that.
Speaker 6: Would you ever fight Yugus again? And the pros just
Speaker 6: to do it?
Speaker 4: For?
Speaker 13: What? What will I be getting out of it? Right now?
Speaker 20: At this stage of my career, I'm looking for things
Speaker 20: that benefit. When I fought Ugus, he was undefeated, he
Speaker 20: was top contender, Olympian, he had all the accolade. After
Speaker 20: I beat him, everybody was land during them all. He
Speaker 20: green machine. He did see that he fight a guy
Speaker 20: that nobody knows. Just because you didn't know him, that
Speaker 20: don't mean that he wasn't a good fighter. Just because
Speaker 20: you don't know him, that doesn't mean that you know.
Speaker 20: He deserved to be where he was because he was
Speaker 20: my mandatory. Just like when I just fought Avenezian, he
Speaker 20: was writing number six in the division. But everybody was
Speaker 20: mad that I took that fight because things wasn't right
Speaker 20: with the Arol Spence and my negotiation.
Speaker 13: So people is mad, can't get mad. Things didn't happen
Speaker 13: for a reason.
Speaker 20: But now we hear everybody got to fight that they
Speaker 20: wanted in July twenty ninth, We're gonna go out there
Speaker 20: and put on the show.
Speaker 1: Earl.
Speaker 4: I think it was against you.
Speaker 8: He did.
Speaker 2: He did get hurt a little bit, but he still
Speaker 2: stopped him in the tenth round, So you could still
Speaker 2: hurt him, you still get stopped. I'm just saying. I'm
Speaker 2: just saying I look for I can't wait to see it.
Speaker 2: Though you're gonna be there.
Speaker 4: No, I'm not gonna be there.
Speaker 13: Come on, man, you did all that talking years ago
Speaker 13: and you ain't gonna be there.
Speaker 2: I'm gonna be watching it from home. I know how
Speaker 2: you guys from home omahaga. Now I want to watch
Speaker 2: the fighting piece, you.
Speaker 8: Know, But we appreciate you for joys. What's the last
Speaker 8: time he a civilia? And shut up right now?
Speaker 13: Nah nah, we don't do that. We don't do that.
Speaker 5: Why are you doing that?
Speaker 14: Man?
Speaker 2: Just making sure all respect for Terres. We're just talking boxing.
Speaker 2: It's just like picking up picking a sporting event. It
Speaker 2: is picking picking the winner.
Speaker 4: That's you said.
Speaker 8: You know, I'm not sure if you can bang how
Speaker 8: hardy can here that.
Speaker 2: I said, there's probably ten other people you can name.
Speaker 2: I'll pick butt over. But it's it's a different type
Speaker 2: of animal. All I'm saying, do you rise to the
Speaker 2: level of your competition? Do I Have you watched my career? Absolutely,
Speaker 2: that's your answer.
Speaker 8: Okay one time, just lose jab just shut up, all right?
Speaker 5: Is Terrence Crawford.
Speaker 12: Ladies and gentlemen, don't forget to tune in and get
Speaker 12: your paper. I view July twenty ninth, And we appreciate
Speaker 12: you for joining.
Speaker 2: Us because you think about stuff like pay per view
Speaker 2: numbers that you can't I can't.
Speaker 13: That's all of our control.
Speaker 20: Yeah, you know, you got the people that have the
Speaker 20: web site to steal the fights and stuff like that,
Speaker 20: and stuff that you can't control.
Speaker 13: You just go in there and focus on things that
Speaker 13: you can control.
Speaker 2: And I feel like that's come a thing now, like
Speaker 2: that's become a stat that people brag about.
Speaker 6: Now fighters, they're like, who cares well for your money?
Speaker 4: Your pockets? Of course?
Speaker 20: Yeah, yeah, well listen, you know, the bigger than numbers,
Speaker 20: the bigger you know, you become or that's why Floyd
Speaker 20: was money made Weather because of the numbers that he
Speaker 20: was producing.
Speaker 13: That's why everybody wanted to fight him.
Speaker 20: That's why every time he stepped foot in the ring,
Speaker 20: he demanded what he demanded because he knew what he
Speaker 20: was gonna draw. So yeah, absolutely, all.
Speaker 5: Right, Well there you have.
Speaker 8: It is Terrence Crawld for good luck on your fight.
Speaker 8: July twenty ninth. It's the Breakfast Club. Good morning, the
Speaker 8: Breakfast Club.
Speaker 5: Your mornings will never be the same.
Speaker 4: Good morning.
Speaker 8: Everybody's CDMJ MV.
Speaker 12: Charlamagne the God. We are the Breakfast Club. Now if
Speaker 12: you're just joining us, we were talking about the topic.
Speaker 12: We were talking behind the scenes. Now behind the scenes.
Speaker 12: It actually started from Charlamage Donkey yesterday.
Speaker 2: Yes because during Donkey of Today, a young man robbed
Speaker 2: a woman at gunpoint, and while he was robbing her,
Speaker 2: he made her follow him on Facebook and actually hit
Speaker 2: her up and they were going back and forth. Then
Speaker 2: he you know, wanted to go on a date with
Speaker 2: her and told her she was He's sorry he had
Speaker 2: the robb her.
Speaker 6: She's too pretty to be robbed.
Speaker 2: And I'm sitting there thinking like he's only thinking she
Speaker 2: likes him because she replied to him on Facebook.
Speaker 4: He's he's too stupid.
Speaker 2: And clearly too arrogant ton not realize he's getting lined
Speaker 2: up to get arrested. But it made me think like,
Speaker 2: why can't men, you know, why can't a woman give
Speaker 2: a man a compliment? Just look in a man's direction
Speaker 2: without the man thinking, hey man, that woman wants me.
Speaker 12: I mean, I just think that's how society is and
Speaker 12: how people see things. I feel like if a woman
Speaker 12: compliments a guy goes out of her way to say
Speaker 12: something looks nice or something looks good, or I think
Speaker 12: that is you know, I think that leaves the door
Speaker 12: for you know, maybe a conversation.
Speaker 4: You know what I think a compliment is. But a
Speaker 4: compliment like.
Speaker 5: That, why tell y'all like your shirt.
Speaker 2: If I tell y'all like your sneakers, it's because I
Speaker 2: like your shirt and I like your sneakers, like simple
Speaker 2: as that, Like it has nothing to do with anything else.
Speaker 6: And I don't know why men don't understand that.
Speaker 8: I disagree. And I think the same thing with men.
Speaker 12: I think if a man compliments a woman, it's not
Speaker 12: because he's just like, oh, that's a dope shirt. I
Speaker 12: think a lot of times it's because he wants to
Speaker 12: kind of just holler and see if the door's open.
Speaker 2: I remember that, mister married man. Remember that next time
Speaker 2: you tell a woman you like her sneakers. You know
Speaker 2: what I mean, don't you don't tell a woman you
Speaker 2: like her.
Speaker 12: I know only if I compliment somebody, somebody that we
Speaker 12: all know, don't, I don't. I'll never step by like,
Speaker 12: hey ma, you got some dope kicks on.
Speaker 8: I don't do it.
Speaker 2: No, that's not true, because like sometimes you might see
Speaker 2: a girl with a nice hair, dude like love.
Speaker 18: I love dreadlocks, you know what I mean. I'm like,
Speaker 18: y'all like your dregs now.
Speaker 12: I will say that if I do see a nice hair,
Speaker 12: and I might say, hey, who did your head because
Speaker 12: I would love my my wife would probably love my
Speaker 12: daughter's head to look like that.
Speaker 5: It's the truth.
Speaker 4: It's the truth.
Speaker 2: It's just still a compliment. There's nothing wrong with giving
Speaker 2: people compliments. Man intension, Brandon. Brandon stepped to the mic
Speaker 2: for a second. Brandon step to the mic, Brandon brand
Speaker 2: organic connection.
Speaker 8: If a woman pays you a compliment, does that open
Speaker 8: the door. And what I said was he better not
Speaker 8: pay me no compliment, because I'm gonna go for it.
Speaker 2: Brandon, How old are you, Brandon? I'm seven years Brandon,
Speaker 2: it is twenty seven years old. He don't know no
Speaker 2: better yet. Okay, he's young. He's hot, he's horny at
Speaker 2: all the time. No woman can look his way, and
Speaker 2: he thinks the woman want him. You know what I mean, Deverie.
Speaker 5: Women that be coming in this building, they're paying Brandon
Speaker 5: no attention.
Speaker 2: And he'd be like, I think I got a shot,
Speaker 2: rubbing his chest.
Speaker 5: I think I got a shot money, I think I
Speaker 5: got a shot.
Speaker 2: He really said he had a shot with Red.
Speaker 5: I got shot with Think I got a shot with
Speaker 5: your cousin. Put me down with his cousin.
Speaker 12: But now, Brandon, if you give a woman a compliment,
Speaker 12: Are you opening the door for maybe trying to holler
Speaker 12: as well?
Speaker 8: Yeah, if they're not a friend of the worker.
Speaker 12: If you see a woman in the street and you're like,
Speaker 12: nice shirt, you're not saying nice shirt because if it's
Speaker 12: a stranger.
Speaker 5: Yeah, yes, twenty's seven. He don't know no better.
Speaker 2: You can give people compliments and nothing be behind it.
Speaker 2: Taking from somebody who's a sex symbol. Bro, I've been
Speaker 2: unbelievably handsome my whole life, cat every ever since I
Speaker 2: was a little kid.
Speaker 4: Older women women.
Speaker 2: My age, Oh you're so handsome, you're so cute. Is
Speaker 2: that I can't have thought about it. It's never been
Speaker 2: anything other than anything you say.
Speaker 5: That's a goddamn line. Hello, who's this hey, geechee?
Speaker 10: Good morning, good morning, good morning?
Speaker 12: Now geechee, What do you think if a woman pays
Speaker 12: you a compliment? Is that opening the door to have
Speaker 12: a conversation?
Speaker 10: At least now we all know nowadays these women they
Speaker 10: don't want to talk to nobody but woman. The compliment
Speaker 10: with your outfit or your apperience periods opened.
Speaker 11: Up her line.
Speaker 4: Man, if y'all don't married.
Speaker 10: So yeah, yeah, he can't really even speak on this.
Speaker 5: And be out the game too. He should be. I am,
Speaker 5: I am out the game.
Speaker 2: I just think y'all sound ridiculous thinking that just because
Speaker 2: a woman says you gives you a compliment that she
Speaker 2: wants you.
Speaker 12: Say she wants you, but she's opening the door for
Speaker 12: a conversation at least a minimum.
Speaker 8: No, she's not, Yes she is.
Speaker 10: Man, you go to the club. These days, women aren't
Speaker 10: even trying to say two words to you. So if
Speaker 10: they look at a video, compliment the door coversation.
Speaker 2: You know, I'm not a mistake y'all making right now
Speaker 2: talking to but go to the women. If we're gonna
Speaker 2: go to women, go to some women, that's the women.
Speaker 2: How how are we talking about what women?
Speaker 8: But I'm ast sewing you what what guys feel like?
Speaker 5: When I know guys feel that way, but we stupid?
Speaker 5: You right, go to the women?
Speaker 8: Hello, who's this?
Speaker 5: Hey?
Speaker 8: Christy?
Speaker 5: Good Hey Christy the bus driver?
Speaker 8: Good morning, how you doing?
Speaker 16: Happy birthday?
Speaker 2: Charlomagne, Thank you, queen, Appreciate you now, Christy.
Speaker 12: If you compliment a guy, right, a compliment of guy's
Speaker 12: outfit clothes, sneakers, kicks, are you opening the door for
Speaker 12: at least the conversation.
Speaker 6: No, thank you.
Speaker 15: I'm a bunch driver and exact what people all day,
Speaker 15: and I may I'm not.
Speaker 4: Gay, true indeed.
Speaker 12: Okay, but if you compliment a guy, Let's see, you
Speaker 12: see a nice, handsome guy trying to convince you walking
Speaker 12: on the bus.
Speaker 8: You say, hey, that's a nice shirt. You don't think that? Okay,
Speaker 8: that's opening the door for at least a conversation.
Speaker 16: It might open up conversation.
Speaker 15: He might come back to Marvel and be like, oh,
Speaker 15: you was the one that said I had a nice
Speaker 15: turned one.
Speaker 16: So he's.
Speaker 12: Might say, but but you're complimenting him because you you know,
Speaker 12: you think he's handsome.
Speaker 5: Right, why are you trying to sway to jurry?
Speaker 2: I'm not gonna take this.
Speaker 5: Thank you. Christy?
Speaker 15: All right, Hello, how are you?
Speaker 8: How are you feeling this morning?
Speaker 5: Tabitha?
Speaker 15: I am Phil Bliss.
Speaker 5: All right.
Speaker 12: Now we're talking about if you compliment a man, right,
Speaker 12: does that open the door for a conversation.
Speaker 15: I don't believe.
Speaker 7: So.
Speaker 15: I'm a real estate booker and I was complimenting a
Speaker 15: builder on his work. We went and we purchased the
Speaker 15: property from the dirt, and then he built up boxy
Speaker 15: in three months. And I complimented to his wife, who
Speaker 15: is the other agent on the other side, and so
Speaker 15: the product was sold, and then I needed her again
Speaker 15: and she's like not responding to me because I complimented
Speaker 15: her husband and I said, he did such a good job,
Speaker 15: he's so awesome, he's great, and I really was meaning it,
Speaker 15: you know, in no way, just complimenting his product. And
Speaker 15: you won't call me back.
Speaker 4: I'm gonna tell you exactly what happened in that situation.
Speaker 2: That man went to his wife and said, you were
Speaker 2: flirting with him.
Speaker 5: I gee, I guarantee it, yo. Man, you that yo,
Speaker 5: she was flirting with me.
Speaker 13: Yo.
Speaker 5: All you did was compliment him on his work.
Speaker 2: But he took it as oh, she want me, and
Speaker 2: so he want to look like the man and his
Speaker 2: wife When he went to his wife and told his wife,
Speaker 2: you was flirting with him, guaranteed.
Speaker 15: Oh man, I mean that is totally not it. And
Speaker 15: I really need him for another client.
Speaker 2: You know what I'm saying. Men gotta stop leading with
Speaker 2: the ego because this is ridiculous.
Speaker 5: Hello, who's this? Ronnie from Turn eight for three was
Speaker 5: happening to my mother?
Speaker 8: Ronnie talked to a man.
Speaker 11: I don't feel like a woman. Don't you give me
Speaker 11: a compliment on my shirt or give me exactually flirting.
Speaker 11: I just feel like she's like my style how I
Speaker 11: come in. But I do feel like if I come
Speaker 11: back with a.
Speaker 16: Compliment and she kind of give me that laugh with
Speaker 16: that smirk, I can kind of get in the door
Speaker 16: man conversation.
Speaker 2: He took he took it somewhere else, like, meaning that
Speaker 2: she complimented your shirt, and then you replied back with
Speaker 2: something probably flirty.
Speaker 6: And then when she roll you know, I love.
Speaker 11: The town man.
Speaker 16: You give her that little smile.
Speaker 4: That's what I'm saying.
Speaker 5: But you replied back with something flirty.
Speaker 4: Laugh.
Speaker 5: You know that's right. When she when she replied to
Speaker 5: that energy, that's different.
Speaker 16: Just give me a compliment.
Speaker 11: I get that all the time in Chelseta, So I
Speaker 11: mean I appreciate I give it back, you know from the.
Speaker 16: Compliments.
Speaker 2: Listen, man, you know you know the most handsome men
Speaker 2: in the world exists from come from the low country.
Speaker 4: This is a fact.
Speaker 2: Cat, This is a This is a scientific fact. The
Speaker 2: most handsome men in the world are born in the
Speaker 2: eight four three.
Speaker 8: Lulu, Yes, good morning, good morning.
Speaker 15: It's filling from Miami how are you guys doing?
Speaker 5: How you feel and talk to us?
Speaker 13: So if good?
Speaker 12: If you see a cancerme young man and you like
Speaker 12: his shirt right and you say, hey, brother, that's a
Speaker 12: that's a nice shirt that you wearing. It fits well,
Speaker 12: is that opening the door for conversation, Lulu, Let's be.
Speaker 15: Honest, Yes it is. It depends on the environment. But
Speaker 15: it could be flirting, it could be breaking the eyes,
Speaker 15: being approachable.
Speaker 14: Towards the person.
Speaker 5: See thank you, Yarna.
Speaker 15: I want to say happy birthday to you a big
Speaker 15: time from Miami.
Speaker 18: And you're right, everybody from.
Speaker 2: Florida's everybody is for Florida is crazy and you crazy
Speaker 2: for thinking that every man that compliments you want to
Speaker 2: hogler at you.
Speaker 15: No, I do say that depends on the environment.
Speaker 2: But see those different caveats environment, whether you like the
Speaker 2: person we're just talking about random walking down the street, Lulu,
Speaker 2: you got on something from Lululemon.
Speaker 4: Hey, I like what you wearing? Bom. That don't mean
Speaker 4: I want to.
Speaker 16: Holler thank you.
Speaker 4: That's it simple as that.
Speaker 12: Now, if he's handsome, then you go back and double
Speaker 12: back and be like, thank you so much, and then
Speaker 12: you start talking about him. Yes, see, thank you he's
Speaker 12: not handsome, so he don't get that.
Speaker 8: He don't understand that.
Speaker 2: That's all I've been getting my whole I came out
Speaker 2: the womb handsome man.
Speaker 5: I got that look.
Speaker 6: Bro, Okay, I'm a handsome individual man.
Speaker 8: What's what's the mail of the story?
Speaker 14: Man?
Speaker 2: Morel of the story is you stupid ass men. Women
Speaker 2: don't want y'all just because they compliment your shirt. Women
Speaker 2: don't want y'all just because they tell you nice sneakers.
Speaker 2: All right, stop it, knock it off.
Speaker 5: Jesus.
Speaker 8: All right, it's the Breakfast lun Good Morning, the.
Speaker 4: Breakfast Club.
Speaker 8: Knowning everybody's TJ MV.
Speaker 12: Charlamagne, the guy. We are the Breakfast Club. He got
Speaker 12: a special guests in the building to talk.
Speaker 8: In New York. Yes, right, Tony yayo.
Speaker 3: Not had to bring it back, right, whatever you feel
Speaker 3: man had to bring it back. I'm feeling good man
Speaker 3: running around on y'all show.
Speaker 2: I feel like you got a second win, yo, Like
Speaker 2: it's been a second win, third win.
Speaker 5: Yeah.
Speaker 3: I mean, you know, I'll see the way fifty work
Speaker 3: and I'm like yo, when he always be like yo,
Speaker 3: y'all lazy, y'all lazy, And I'm just realizing, like I
Speaker 3: thought I was working when I wasn't. So during the
Speaker 3: COVID it was just like a tough time, Like I'm
Speaker 3: sitting back, wasn't no tours.
Speaker 4: I'm like, y, I gotta figure out other things to do.
Speaker 3: So I started doing the music and then I started,
Speaker 3: you know, messing with flat TV, and I just started
Speaker 3: realizing when you put your presence out there to all
Speaker 3: these younger generation, the new kids that really don't know us,
Speaker 3: they know g Unit or some people do.
Speaker 4: Remember like when I go on tour.
Speaker 3: It'd be like, yeah, my father used to play on
Speaker 3: my mom's to play check Unit, so it passed down
Speaker 3: to that generation. So I'm going to my own tours
Speaker 3: and you know, I'm just making myself valuable. Man, putting
Speaker 3: that work in fifty. Did that upset you when you
Speaker 3: heard fifty sad y'all was lazy?
Speaker 6: Nah?
Speaker 3: Not Even that motivates me because at a point sometimes
Speaker 3: you do get lazy our careers. We was kind of spoiled.
Speaker 3: Think about it. We had fifty where he was doing
Speaker 3: everything for us. So as for like when we was
Speaker 3: coming out, you have the young guns. For instance, I
Speaker 3: remember Harvan saying Jay is not gonna do what fifty
Speaker 3: does for young guns. He was saying it in front
Speaker 3: of their face. Y'all got fifty, like fifty was, you know,
Speaker 3: help us be in the videos. Second bag for that
Speaker 3: when he dropped he when he sold eleven million records,
Speaker 3: he dropped bag for mercy. You know what I'm saying.
Speaker 3: I was in jail, you know, him and m Andem
Speaker 3: was shotting me out. So I always show my love
Speaker 3: to him. I know how fifty is he You know,
Speaker 3: y'all the same sign. Y'all crazy, you know. So it's
Speaker 3: all good.
Speaker 13: You know.
Speaker 4: But it just motivated me to work because I see
Speaker 4: how he worked.
Speaker 3: Will be on tour, He'll leave tour to go on
Speaker 3: movie set, go back, go to the gym twice a day.
Speaker 4: I'm tired, you know.
Speaker 2: I mean, the free Aal movement was a movement within
Speaker 2: this helf. Like, I don't think we talk about about that,
Speaker 2: and I don't know why. Randomly, I was thinking the
Speaker 2: other day about when they shouted you out of there.
Speaker 3: I think it was the Grand It was Eminem and
Speaker 3: that's why I always shout out Eminem. You know what
Speaker 3: I'm saying, because he didn't have to do that. I
Speaker 3: was on right because allen ce seventy three too low?
Speaker 12: Now this move right here, this this hand in front
Speaker 12: of the face. Where did that move come from? Because
Speaker 12: you know, of course we've known you doing that for years.
Speaker 12: Where did that come to?
Speaker 3: That really came because I was on the run like
Speaker 3: I was at that point when we was in the club,
Speaker 3: I was running like fifty was like yo, he said
Speaker 3: to me. You know we had this judge, Judge Wong
Speaker 3: and queens everybody knowing no joke, and he was like, yo,
Speaker 3: what are you gonna do. You're gonna go to court,
Speaker 3: but go on tour. We're blowing up now. Mixtapes are crazy,
Speaker 3: just playing us everywhere. I'm like, yo, I'm running.
Speaker 2: So when you're John Cena, just I guess jacket, John
Speaker 2: Cena gives you credit.
Speaker 16: Right.
Speaker 3: John Cena said, his little brother, I believe did it,
Speaker 3: and his little brother did him to do it, and
Speaker 3: I guess he did it in the match.
Speaker 4: And it just got.
Speaker 8: Crazy when you see the Reese do or what did
Speaker 8: you think?
Speaker 4: She made it? She took it to a whole other level.
Speaker 3: She brought it back, had me trending for shelter, She
Speaker 3: had me trending for you know, the whole week.
Speaker 6: And they did it before her, right, yeah, So it.
Speaker 3: Was just like I mean, with that situation was crazy
Speaker 3: because like you said, the black girl did it and
Speaker 3: it was a problem then when beforehand it was Yeah,
Speaker 3: it was a problem. So I addressed that, you know
Speaker 3: what I mean. I talked about that too. That's crazy
Speaker 3: for that on when we playing ball in the hood,
Speaker 3: you know, it's competitive.
Speaker 4: Whatever you do when you do your call shows, you
Speaker 4: in competition.
Speaker 5: That's right.
Speaker 3: I see you go at people here. Y'all got the
Speaker 3: best call shows in the world. None of y'all can
Speaker 3: mess with me. I don't know how you get all
Speaker 3: these calls.
Speaker 8: You said it not me, But.
Speaker 4: I told fifty you might as well just leave all
Speaker 4: his cars with you.
Speaker 2: Brother.
Speaker 12: You know, Fifth calls me and he'd be like, let
Speaker 12: me get the call and I'll give him back his call.
Speaker 8: You know.
Speaker 12: I usually have his Lambo or his Rolls Royce and
Speaker 12: he driving for one day and then it sits and
Speaker 12: then he loses the key and then I got to
Speaker 12: go get it again.
Speaker 4: But meAll playing around, I.
Speaker 8: Want to go back, right, I know. Yeah, you a
Speaker 8: long time.
Speaker 12: Where do you think in your career happened where you
Speaker 12: didn't go to that next level, right? And I asked
Speaker 12: Fifty that and he said he thinks it was the
Speaker 12: picking up the wrong single.
Speaker 5: What do you what do you think it was interesting?
Speaker 4: I think it was just a lot of drama with
Speaker 4: in the Scope when I came home.
Speaker 5: You know what I mean?
Speaker 3: You had fifty he was Curtis, I'm Curtis in the
Speaker 3: Scope Jackson, you know, and Jimmy Ivian. You know, you
Speaker 3: had game flipping. I just get rid of him, you know,
Speaker 3: fifty so more reckless than the moment whatever.
Speaker 4: It was like.
Speaker 3: It was like it was like a war in our
Speaker 3: own house because you had record, you had the social decor.
Speaker 5: We had the wrong thing.
Speaker 4: Yes, I had social Doctor you don't love me? I
Speaker 4: had I Know you don't love me?
Speaker 3: And pimping right, But you gotta remember I came in
Speaker 3: the midst of the fifty in the Scope drama can
Speaker 3: he was, I'm my own boss, you know how to
Speaker 3: you know how so I think sometimes and at that
Speaker 3: point we had so many enemies. It was like we
Speaker 3: wasn't getting a feature or nothing like you wasn't like
Speaker 3: we came to a point where we never used anybody,
Speaker 3: Like it was just me Banks and fifty. You know,
Speaker 3: fifty never looked to do features with nobody, So you
Speaker 3: know how it is. It felt like everybody was against
Speaker 3: us at that point because nobody really messed with fifteen industry,
Speaker 3: like that'll mess with us.
Speaker 2: Didn't feel better now because I saw you out about
Speaker 2: the other day and like it was you and Pistol
Speaker 2: p and Uncle Murdon.
Speaker 3: Yeah, feel better, it feel It feels good to have
Speaker 3: no drama with Fat Joe because Fat Joe I was
Speaker 3: I was always a fan of Fat Joe Jell just want.
Speaker 4: To envy, you know, he was a real one. Pistol
Speaker 4: Pe he cool.
Speaker 3: So it's like you get older and a lot of
Speaker 3: stuff was just just hip hop.
Speaker 2: And I saw you say that was the realest beef
Speaker 2: g unit. Yeah, I guess you call that a compliment.
Speaker 2: That's a big compliment. I don't I don't look at
Speaker 2: the jah ruth thing.
Speaker 4: It's like real.
Speaker 6: But y'all had street beef, get the right, y'all had
Speaker 6: beef with Yeah.
Speaker 3: I look at I look at them. I look at
Speaker 3: like the preams the world. I look at those kind
Speaker 3: of guys or like the real beefs, the Jimmy Henchman
Speaker 3: strolls with like the real beefs where it got real
Speaker 3: with the street eyes. But industry wise you said terror
Speaker 3: Squad was yeah, industry wise terrorist squad.
Speaker 6: Okay, why what makes that?
Speaker 4: What makes it?
Speaker 3: Because I don't know. It's just a whole bunch of
Speaker 3: crazy Spanish dudes. Man, you know what I'm saying.
Speaker 8: What was the crazy story that you was like, we
Speaker 8: might not make it out of here.
Speaker 3: I wouldn't say we were scared, but I could say
Speaker 3: it was the Vibe Awards when we seen Shook Knight
Speaker 3: and Earth got h and they walked past the trailer.
Speaker 3: It is what it is. We in New York, but
Speaker 3: we in La. You know what I'm saying. We New
Speaker 3: York dudes, We in La. You know what I'm saying.
Speaker 3: So you see Shook Knight. You always heard about this guy,
Speaker 3: you know TV magazines, but you know I never had
Speaker 3: in the club was the first running, but this was
Speaker 3: the second. So he walks past the trailer with Earth
Speaker 3: and fifty. Just look at James Cruise. James Cruse, you know,
Speaker 3: shout to him. He was a little James Scrus is
Speaker 3: always in a situation industry guy. He got to run
Speaker 3: around with fifty bulletpoof veesses. You know, Chris Lightdy was
Speaker 3: in the trenches. It's crazy.
Speaker 4: So he just tapped James CRUs and say, Yo, go
Speaker 4: buy twenty knives.
Speaker 8: Go by twenty knops.
Speaker 3: Yeah, just go to the Hallway store. I'm like, that's
Speaker 3: what we're gonna do. Just seem you know, they.
Speaker 5: Might get crazy.
Speaker 3: It was about twenty to fifteen or something like that.
Speaker 3: So James Cruse goes to the Hallway store by twenty knives.
Speaker 3: He gives the bags fifty hand in them ount and
Speaker 3: then you know when we got there, we had beef
Speaker 3: with Fat Joe. At that point, we doctor Dre's there,
Speaker 3: so you know that's obviously a beef for shig Knight.
Speaker 4: Shig Knight got like some.
Speaker 3: Crazy looking Compton looking dudes with him, you know what
Speaker 3: I'm saying. So it just you felt the energy to
Speaker 3: where we had our chairs like this watching the show, watch.
Speaker 4: Watching the show.
Speaker 3: We had this like yo, you felt the energy like
Speaker 3: you felt something was gonna go down. And that's when
Speaker 3: you know we wasn't taking pictures back then, So I
Speaker 3: guess he has Dre for the autograph. Pops on Dre
Speaker 3: Drake falls, but he alday might even get up start
Speaker 3: popping on him.
Speaker 4: And it just got crazy.
Speaker 3: Now I started coming from everywhere, and that's when you know,
Speaker 3: one of the dudes got stabbed.
Speaker 2: So my question is if there was twenty knins, how
Speaker 2: come only Young Buck didn't stab him?
Speaker 3: No, that that dude got stabbed in the chest. Young
Speaker 3: Buck stabbed him with the funk. I don't know where
Speaker 3: that got that.
Speaker 4: I don't know where you.
Speaker 3: Just came with the fault nobody knife. No, but no,
Speaker 3: I don't know. That's why I was tripping. I know
Speaker 3: I had one. Everybody else did you know what I'm saying?
Speaker 3: But Buck, matter of fact, him and Banks was backstage.
Speaker 3: They was about to perform, and he just came with
Speaker 3: the fun as soon as they started talking that time
Speaker 3: when they started, we went back to the mansion after
Speaker 3: that happened because the kid got stabbed in the chests,
Speaker 3: he collapsed. Everything, the fuk wasn't nothing. And we got
Speaker 3: back to the mansion and it was on the news.
Speaker 3: It was like attempted murder young Buck. Young Buck was like,
Speaker 3: I ain't do that, mate, I'm gonna.
Speaker 4: Switch up with that time that's why I've been staying
Speaker 4: out the truck.
Speaker 3: Was like, I ain't do that, man, because young Buck
Speaker 3: hit him with the fuck he ain't stabbing him in
Speaker 3: the chest.
Speaker 5: He kind of ran with the story though, didn't.
Speaker 3: I mean, you know, come on, man, rappers many all right?
Speaker 12: We got more with Tony yayo when we come back.
Speaker 12: Matter of fact, let's get into a classic Yao record?
Speaker 12: Can we get into so seductive? It's the Breakfast Club,
Speaker 12: Good Morning.
Speaker 20: J n V.
Speaker 8: Charlamagne the guy.
Speaker 5: We are the Breakfast Club.
Speaker 12: Our co host p Scott is here and we're still
Speaker 12: kicking it with Tony Yao.
Speaker 14: No.
Speaker 12: For people that don't know, there was a time wh
Speaker 12: y'all were all strained, right, gu and he wasn't talking
Speaker 12: to fifty to fifty, wasn't talking to genu. What happened
Speaker 12: during that time? And then what got you back together?
Speaker 3: I'm always talking to fifty fifty just I'm used to
Speaker 3: fifties character because he's blue. He's a crazy cancer like Charlamagne,
Speaker 3: so I'm used to him. He used to be on
Speaker 3: the block, you know. I remember one day fifty Wheelians
Speaker 3: he fell off his bike and told yo. He was
Speaker 3: like yo, nobody better laugh. Everybody started laughing. Nobody been
Speaker 3: laughing at me. I'm punched out of your face. So
Speaker 3: I know him from being on the block. I know
Speaker 3: him better than anybody. Banks is a little younger. So
Speaker 3: Banks was, you know, high school. He went to August Martin.
Speaker 3: Buck is from Cashville and Game is from Kelly, La.
Speaker 3: But once money and ego get involved, you know how
Speaker 3: dudes start acting. Everybody's their own boss in the way,
Speaker 3: and sometimes it get to their head. For me, it
Speaker 3: was different. I got out of jail and I'm like,
Speaker 3: y'all living battery park. I could see it's statue of liberty,
Speaker 3: so I'm open. I'm like, wow, rakers allen to this,
Speaker 3: thanks fifth. So I always had that loyalty because I'm
Speaker 3: coming fresh out of jail, Like yo, we blew up.
Speaker 6: You also never seem to have a sense of entitlement.
Speaker 3: Ah, I don't. I'm like, I'm good. I got a
Speaker 3: couple of houses, i made some good money, I traveled
Speaker 3: the Earl. I'm like on my four fifth passport.
Speaker 4: I'm humble. You know.
Speaker 3: I ain't got as much cars as Envy, but I
Speaker 3: got a few, a few, you know. But but for me,
Speaker 3: I'm like, yo, we all make money. I don't see
Speaker 3: Fifth like, for instance, I'm gonna say it buck like
Speaker 3: Buckle go on tour. You know what I'm saying. We
Speaker 3: wasn't familiar with money, how to save money? We black
Speaker 3: dudes from from the hood, you know, like you're going
Speaker 3: to your spend two fifty, right, and then later on
Speaker 3: you have that grace period because you're in another tax bracket, right,
Speaker 3: so you'll be you got to pay that with maybe
Speaker 3: a year and a half, maybe two years later that money,
Speaker 3: and I might not be there your fifth, Can I
Speaker 3: ball to fifty? I got a tax problem? How many
Speaker 3: times you think a person gonna do that for you?
Speaker 2: That's really the one thing I think Fifty dropping the
Speaker 2: ball with you, Yeah, is why you ain't in none
Speaker 2: of these TV shows.
Speaker 5: Man. You just got that natural personality.
Speaker 3: You know what you do it? No, I want to
Speaker 3: do it. But I looked at it like this. If
Speaker 3: he put all his friends in power, it wouldn't be yeah,
Speaker 3: all right, cool, good like yeah, see watch this Fifth
Speaker 3: put me in something.
Speaker 4: Charl said it.
Speaker 5: Have you asked?
Speaker 4: No, No, I don't be pressing Fifth. He done enough
Speaker 4: for me.
Speaker 3: You know what I'm saying like I was going to fifth,
Speaker 3: y'all I need a half a million, bro, I got
Speaker 3: you quarter million?
Speaker 5: Bro?
Speaker 4: Got you?
Speaker 6: Come on, bro, I.
Speaker 3: Can't keep trusting him for half a million. Yeah, I've
Speaker 3: seen him do it for a buck two year buck.
Speaker 3: I need I need a quarter? Oh ahead, man, I
Speaker 3: got got you.
Speaker 8: What's your relationship with Banks?
Speaker 4: Banks Is my brother? I talked to him the other day.
Speaker 8: Are they ever gonna mind that?
Speaker 3: I'll stay I'll stay out because Fifth is you know,
Speaker 3: Fifth is Fifth? Fifth is crazy. I just know how
Speaker 3: to deal with him, you know what I'm saying. From
Speaker 3: South Jamaica, he's been like that, like you gotta think.
Speaker 3: On the block, twelve years old, never knew who his
Speaker 3: father was. Moms got killed. He's selling drugs with all
Speaker 3: with dudes twice his age, these dudes like eighteen nineteen,
Speaker 3: you know what I'm saying. So he came up different.
Speaker 3: I had a mother and father. You know, I was
Speaker 3: supposed to be a good kid. Actually, but you know
Speaker 3: the streets my neighborhood, there was no road models.
Speaker 4: Everybody's so drugs. That's how you got the name Yaloe.
Speaker 3: Yeah, being't on the block. My father used to Chase
Speaker 3: me off the block, Haitian parents. You know, play my parents,
Speaker 3: don't play chase me off the pot. Did you really
Speaker 3: want to rap?
Speaker 6: That was just you saw you saw working for fifty,
Speaker 6: Like you know, I'm a track.
Speaker 3: Yeah, No, I mean I was on the block, and
Speaker 3: you know I used to be in the parties with
Speaker 3: my man, Fat Shot DJ Ruffians and we used to go,
Speaker 3: you know, freaky toys from my hood. So we used
Speaker 3: to always get on the mic and play around and
Speaker 3: freestyle of my man basement.
Speaker 4: And you know, I just started rapping.
Speaker 3: But you know, I never thought fifty was gonna sell
Speaker 3: eleven million records. We'd be in the house listening to
Speaker 3: get rich of I try and dude, just like you
Speaker 3: know what I'm say, But I always seen a vision.
Speaker 3: I'm like, nah, this is five fifties the next one.
Speaker 3: You know, I'm I'm a music guy. Like I used
Speaker 3: to go to the AVM by MV tapes, Clue Tapes,
Speaker 3: Dog Time, grand Master vict.
Speaker 4: All of it because it cleans his music.
Speaker 6: And people really av tapes.
Speaker 12: Yes, okay, now people hot Wax.
Speaker 3: He know, we used to go to Hot Wax get
Speaker 3: the tapes, you know, because you gotta remember Clue and
Speaker 3: Envy went from It went from blends because we used
Speaker 3: to It used to be all about Blens, Grand Master
Speaker 3: vict Dog, Dirty Harry, and then they just went it
Speaker 3: went to playing exclusives and that was you and Clue.
Speaker 4: That's how they changed the game.
Speaker 3: Him and Clue played exclusive records like a NADS free
Speaker 3: style or this free style of that.
Speaker 4: You ever got mad at them for leaking and they
Speaker 4: of y'all records.
Speaker 3: Nah, because the bootleggers made us at that point, the
Speaker 3: DJ's made us because we was getting played everywhere we
Speaker 3: go to the bootleggers. You know, sometimes dudes w want
Speaker 3: to beat up the bootleggers and fifty be like, wow,
Speaker 3: why you're doing that.
Speaker 4: It's spread in the world. We had mixtapes everywhere you go.
Speaker 5: Nobody we know the conversation nobody has.
Speaker 2: You know, you know what Dirty Harry and all of
Speaker 2: them did, and we know what y'all did. But the
Speaker 2: artists like with you and it did and they were
Speaker 2: one of the first said did in the locks. They
Speaker 2: took the mixtape, gave to another level the way y'all
Speaker 2: started doing mixtape.
Speaker 3: Right, But we we wasn't stopping. We just we had
Speaker 3: a mixtape every week. Remember I remember when Ja Ru
Speaker 3: dissed us and we was an eminem studio and we
Speaker 3: did semi automatic gunfire and that like that like killed
Speaker 3: y'all that that tape, whole tape killing Jaru shouted Jaru
Speaker 3: killed him, still killing him and.
Speaker 8: He said, shouting down, still killing Jesus. And have you
Speaker 8: ever ran in the job?
Speaker 4: Nah?
Speaker 3: Never nah, only only when you know the situation in
Speaker 3: the studio that was that way back. And I had
Speaker 3: like a cut on my hand that was like years ago.
Speaker 3: But to me, to me, you gotta understand, we think
Speaker 3: of Queen's I was in the streets for real, like
Speaker 3: I'm gonna keep it real, like I don't know what
Speaker 3: y'all was doing. I'm not from his neighborhood. My baby
Speaker 3: mom's just from his neighborhood. Pop over there in Woodhall.
Speaker 3: As for like seeing Niles come to the block with
Speaker 3: black dress e moneybags coming through, Like my block was legendary,
Speaker 3: one three four on God Brewer.
Speaker 4: It was legendary. Where everybody was outside.
Speaker 3: I was outside, so I never they said IRV God
Speaker 3: he was a DJ, but I've never been to a
Speaker 3: party where he DJ. I know the Rockaway Twins. I
Speaker 3: know Goldfingers, I know tape Master that brings the system everywhere,
Speaker 3: brand Master, vict babyj come on, Like, I never seen
Speaker 3: IRV do a party, and I didn't been to parties
Speaker 3: on the North Side, south Side everywhere. I never really
Speaker 3: seen them outside, like I wasn't known as a figure
Speaker 3: in the neighborhood, in any neighborhood.
Speaker 12: No disrespect, but I want to ask, you know, they've
Speaker 12: been trying to beat me up here the last two
Speaker 12: three weeks. Right if fifty and Wayne did it.
Speaker 2: I can't ask him how you gonna have Tony A
Speaker 2: or that he's gonna have an objective opinion.
Speaker 4: I think I think it's gonna be good.
Speaker 3: But I mean, you know, Wayne got a catalog to
Speaker 3: and Fifth got a catalog.
Speaker 8: I see now, I will say that there's a.
Speaker 3: Lot of records that they both have, so I mean
Speaker 3: it'll be a dog fight.
Speaker 2: It'll be good. Yo, YO said that, y'all. Don't say
Speaker 2: he said catalog. I find disrespectful. And they say get rich.
Speaker 2: You'll just take out Wayne's whole.
Speaker 4: Nah, you gotta go back and say that.
Speaker 12: You said you play eight songs off just I can
Speaker 12: play eight songs of get rich and that I trying
Speaker 12: because because Wayne does have a lot of songs, I
Speaker 12: say Wayne is a bigger artist when it comes to
Speaker 12: a rapper, Wayne has been doing this since what twelve
Speaker 12: thirteen times? But when it comes to cultural Influencewayne's.
Speaker 4: Bigger than all. I don't think.
Speaker 3: I don't think nothing was bigger than G Unit fifty,
Speaker 3: Eminem and Doctor. But you got to understand the element.
Speaker 3: Everything was crazy. It was crazy like we had video
Speaker 3: games that were selling, We had clothes that was selling.
Speaker 3: Do we have cereal, Adam, do we have cereal? I
Speaker 3: think we had cereal was selling. We had everything, socks like,
Speaker 3: everything was selling. And Eminem was what at sol sixty million,
Speaker 3: fifty eleven million?
Speaker 4: It was crazy, Like I don't.
Speaker 12: Think the one thing is Wayne has the Nicki Minas,
Speaker 12: he has the Drakes, he has the young money, he
Speaker 12: has a.
Speaker 4: Huge kid from that right Drake.
Speaker 12: And when it comes to those cultural hits, I don't
Speaker 12: think there's nothing bigger than the records that you play.
Speaker 5: For fifty.
Speaker 12: Like I said, you could pick any Wayne record and
Speaker 12: I will destroy that one record with the record.
Speaker 5: Pick one record.
Speaker 4: We had the street, we had the streets.
Speaker 3: You gotta know I'm talking about I'm talking about the
Speaker 3: mixtape where every nothing was playing. But no, I understand
Speaker 3: acting like Wayne didn't have this.
Speaker 12: But I'm just saying that when it comes to that
Speaker 12: cultural influence of how a record feels, I don't think about.
Speaker 4: Kids wearing bulletpoo vests in the suburbs, man.
Speaker 5: Kids wearing the rock star jeans.
Speaker 4: And that's right, that's right.
Speaker 2: The dress, the legend where he started the dress right now, dress.
Speaker 3: But you gotta remember this. We was on Lil Wayne
Speaker 3: tour back in the days we started. He started way ahead.
Speaker 8: Of us.
Speaker 4: Started.
Speaker 2: If they had beef, people forget about that way that
Speaker 2: I'm pishing your vitamin water.
Speaker 4: So I'm like, oh, yeah, I remember that one. They cool.
Speaker 8: Now get.
Speaker 5: Holding.
Speaker 8: Everybody's the d J n V.
Speaker 5: Charlamagne the guy. We are the breakfast club. Our co
Speaker 5: host be Scott.
Speaker 8: Is here and we're still kicking it with Tony Y Charlamagne.
Speaker 2: What about that stabbing when you talk you mentioned it
Speaker 2: briefly though, and Sony, Yeah, was it a real stabbing.
Speaker 2: It was a real stabbing. I'm gonna tell you what happened.
Speaker 4: Man.
Speaker 3: We was in the studio and that was That's Sony, right, Sony.
Speaker 3: Remember they had the one across the street and they
Speaker 3: had the big building, the.
Speaker 8: Big buildings where everybody would say Michael Jackson would take all.
Speaker 4: The rooms, right right.
Speaker 3: So we walking in and at that time I think
Speaker 3: we seen why Cleft and you know, I think I
Speaker 3: think Scooter was there, was Haitian Jack, then Haitian Jack.
Speaker 3: We see them in the lobby. It's just me and fifty. Yeah,
Speaker 3: you know back yea, they was all in the lobby
Speaker 3: with Cleft. We've seen Clef and I think Prizewell was
Speaker 3: there too or whatever.
Speaker 4: So you know, we go.
Speaker 3: Upstairs, but we're not worried about Fifth. I swear have
Speaker 3: got fifth got I don't got nothing on me. Fifth
Speaker 3: got a four to fifth, No safety on them. We
Speaker 3: go upstairs. We got a session. So Clark Kent, his
Speaker 3: nephew ended up being a DJ Gizz. But Giz was
Speaker 3: not really a street dude. He was just a cool dude,
Speaker 3: you know, shout to Clark Kent. He was just like, yo, here, fifty,
Speaker 3: I got a DJ fore you Right. So we go
Speaker 3: in the studio we're supposed to record.
Speaker 4: Now. The studio is.
Speaker 3: Small, it's a small room and it's a small hallway.
Speaker 3: So in the next room is Toning Poke they working
Speaker 3: on beats, and me fifty and Gears is in the
Speaker 3: room with the enginet.
Speaker 4: Forgot what fifty was working on. I guess I'm gonna
Speaker 4: keep it real. I don't know.
Speaker 3: Before within sony, I think in my mind, I think
Speaker 3: prize Well said something like I don't know why, like
Speaker 3: he must you know what we he I think he
Speaker 3: said something keep it real. I don't think it's trust
Speaker 3: people trust me. That was the information that was you
Speaker 3: know what I mean that prize Well said something to
Speaker 3: Joa ruined him. So we in the room. You just
Speaker 3: hear boo boo boo commotion. These dudes come in like
Speaker 3: it's a movie, like yo, what's up now? But they ain't.
Speaker 3: It's no guns, nothing, it's nothing.
Speaker 4: Really.
Speaker 3: All you see is crutches and like like stuff picked
Speaker 3: up from the studio. And I guess one of them
Speaker 3: had like a kitchen knight. So it was was Earth
Speaker 3: it No, it was Earth Brother. I think it was
Speaker 3: Black Child at that point, Joah, I think somebody else.
Speaker 3: But so we started to get it on. Nobody turned
Speaker 3: off the light. While we're getting it on, the light
Speaker 3: like turned off because you know how somebody bump into
Speaker 3: the switch. So we fighting. Everything is dark. You don't
Speaker 3: know what's going on. You just hit Melee. So all
Speaker 3: you heard was get the gun. You know, loft him
Speaker 3: because the gun was in the other room. That's why
Speaker 3: I said, joh Ruin. He wouldn't even be it. He
Speaker 3: would have been gone, Like our careers would have been
Speaker 3: totally different if that gun was in that room. And
Speaker 3: I swear on my dad father, like I'm telling you
Speaker 3: the truth. The gun was in the other room. I've
Speaker 3: seen it. You know what I'm saying with my own
Speaker 3: two eyes. They come in, we get it on boom
Speaker 3: boo boom, get the gun. They run out. Fifty or
Speaker 3: speak at one of them. I don't know if it
Speaker 3: was Earth brother whoever I seen him through speaking, said
Speaker 3: get the gun. Once they hurt, get the gun. Everybody
Speaker 3: started running out. But the gun was in the other room,
Speaker 3: and that was it. Fifty had a scratch on his
Speaker 3: back right and I got stabbed in my hands and
Speaker 3: my finger was like cut right here. So look it
Speaker 3: looked crazy because it was hanging a little bit. Well
Speaker 3: look this is all I got that and that that
Speaker 3: was it.
Speaker 2: You want to think about how blessed y'all are, because
Speaker 2: think about all the violence y'all escape, because I ain't
Speaker 2: never even heard about the shooting that happened before the
Speaker 2: young man got slapped, right, Nah.
Speaker 4: But house get yeah, yeah, it's cool.
Speaker 3: But I always looked at it like this, Bro, if
Speaker 3: I slapped your kid or your kid, what are you
Speaker 3: gonna You're gonna you got the right all gloves off
Speaker 3: and it's all good.
Speaker 2: But then y'all g unit officers got shot up before
Speaker 2: y'all missed A lot of bullets, is what I'm saying.
Speaker 8: I'm a crib like. It was a lot of bullets.
Speaker 4: You know, it's crazy.
Speaker 3: And I always think God like I always seen my
Speaker 3: prayers before I left the house, because I remember one
Speaker 3: day I had a plaque and people won't even believe
Speaker 3: his story, and a bullet fell out of it and
Speaker 3: my father found it.
Speaker 4: He was staying with me at the time.
Speaker 3: The next day, my mom's crib got shot up, or
Speaker 3: could have been the same day, like when my mom's
Speaker 3: creep got shut up.
Speaker 4: So I mean, you know, God is good, bro.
Speaker 3: A bullet like your plaque, a bullet like I had
Speaker 3: a fifty cent plat and it got bullets in it
Speaker 3: and it's above my door and my father found it.
Speaker 3: He's like, if somebody shut the house up. And I'm like, nah,
Speaker 3: it fell off the plaque. And the next day, like,
Speaker 3: my mom's crib got shot up. So you get signs,
Speaker 3: you know, to be low and you gotta move right,
Speaker 3: because one thing about us is we knew how to
Speaker 3: move like, all right, cool, if it's hot, cool, I'm good.
Speaker 3: Like when my mom's crib got shot up. I went
Speaker 3: out there and was looking to do stuff and fifty
Speaker 3: called me like, yo, bro, you're outside, you got something
Speaker 3: on you. You're bugging out. Bro, Use your brain, bro,
Speaker 3: It's chess, not checkers.
Speaker 5: That's why I say.
Speaker 12: You know, it must have been like seven eight years
Speaker 12: ago to see you in fifty enjoying whathi ch'all didn't
Speaker 12: have before. But you know, I mean, because they couldn't
Speaker 12: go to the clubs and experience the records like y'all
Speaker 12: should have.
Speaker 8: Y'all couldn't go to these events and go to these things.
Speaker 4: And it wasn't because of the rappers.
Speaker 3: It was mainly because of the hip hop police, because
Speaker 3: there was times where they'd be like, no, genune and
Speaker 3: no dipset in the clubs, all the clubs in Manhattan.
Speaker 3: So hip hop police, you remember Curly Top, he's retired
Speaker 3: now hip Hop Police, they all retired. There's all new
Speaker 3: ones now for the dudes that will follow TJ and
Speaker 3: all these dudes in the city and all the young
Speaker 3: dudes now. But all them dudes are retired. But them
Speaker 3: dudes used to tell us, yo, you can't come to
Speaker 3: this club. You know much money we missed out on.
Speaker 8: Definitely good to see that, man.
Speaker 6: Yeah they could grab it on the Welcome to the culture.
Speaker 4: Thank you.
Speaker 8: What I seen you in? You screaming on math? How
Speaker 8: for what happened with with that?
Speaker 3: Nah?
Speaker 4: How feom is good?
Speaker 3: I just feel like sometimes like when you go online
Speaker 3: and just be like it just felt like clickbait, Like
Speaker 3: you asking me can I pick up the phone for
Speaker 3: banks and fifties around they both my friends. I'm a
Speaker 3: grown ass, you know, man, what are you talking about?
Speaker 3: And then you asked me about like six nine And
Speaker 3: I don't want to you know, I know dudes that
Speaker 3: got locked up over that. So I was just like, nah,
Speaker 3: I don't want to just feel like clickbait.
Speaker 5: You don't want to do music.
Speaker 4: Yeah, I just dropped the mixtape Loyal, But do you
Speaker 4: want to do it?
Speaker 2: Because I feel like your personality is so big you
Speaker 2: probably can make this money doing that now.
Speaker 4: Yeah, I mean I do like talking to people. I do.
Speaker 4: I do like I do, like what you do? You know?
Speaker 3: And what envy doing the breakfast club do? So, I
Speaker 3: mean I think now the game is changing, like these
Speaker 3: podcasts be fun, like you see podcasts, radio shows like
Speaker 3: it's going to YouTube now. People want to you know know,
Speaker 3: they want to know my personality. They want to know
Speaker 3: your personality. I'm like a sponge. I just like to
Speaker 3: I watch y'all guys all the time and just soak
Speaker 3: up game, you know what I mean? Like how you
Speaker 3: got the books and if you got the car shows. It's
Speaker 3: all a hustle for me, you know what I mean?
Speaker 3: Like I see y'all hustling. You got about three shows, man,
Speaker 3: were working three four shows. This guy got about three
Speaker 3: four shows going on call show? Who got the reality show?
Speaker 3: Got the the house show? Right the Wheal estate. So
Speaker 3: it's just I don't know, it's just like a hustle
Speaker 3: for me. I just want to hustle music podcast like
Speaker 3: Welcome to the coach. I'm gonna go crazy with the
Speaker 3: production this year. I got the Passport to the Future.
Speaker 4: I'm trying to do things for the kids this year.
Speaker 3: I got the close of course on Passport boys dot Com.
Speaker 4: What else I got.
Speaker 3: Going on Sody Theater, on the twenty six and more
Speaker 3: tours coming man. Shout the fifty, shout the banks. Yeah,
Speaker 3: I on the road, Yeah, back on the road, Fifty. No,
Speaker 3: not banks shouting uncle murder, murder murder, Yeah, shouting uncle murder. No,
Speaker 3: no disrespecting banks. But you know that you know fifty
Speaker 3: is crazy?
Speaker 4: Is that?
Speaker 3: You know that's something that banks gotta, you know, work
Speaker 3: out me. I just know fifty for a long time
Speaker 3: off the block before Banks, so I kind of know,
Speaker 3: you know, he might say something crazy and it's just you.
Speaker 4: I heard him say some crazy stuff in life.
Speaker 13: Bro.
Speaker 2: Now, we used to hit him stories with Fifty with
Speaker 2: Swing on wool Kid and Swing on Kid, play the
Speaker 2: Wrong record.
Speaker 3: I think one time was the craziest though it was
Speaker 3: were backstage. This is the craziest one though, And I
Speaker 3: hope nobody get mad about this. And Fifty said the
Speaker 3: James Cruise because he always messed with always to the
Speaker 3: day to this day. I don't know why, but he
Speaker 3: said to James Cruise Mayweather, it's the main weather. I
Speaker 3: don't know we were Mayweather mad people's back.
Speaker 4: Then he goes, yo, man that men f did it.
Speaker 3: Like in front of her woman people? Did he touch
Speaker 3: your but to your but I was like, no disrespect
Speaker 3: to them. But I was like, Yo, this dude is crazy. Crazy,
Speaker 3: So I know why everybody hate me. I understand, man,
Speaker 3: but that's my guy, bro crazy. Everybody think what he said.
Speaker 7: Yo.
Speaker 3: The whole room just stopped like man, Yo, man, man,
Speaker 3: you know what I'm saying.
Speaker 5: I'm like James Crew.
Speaker 3: He was, yeah, nah, he's a cool dude. That's my god,
Speaker 3: stupid fifth. You never know what he's gonna say.
Speaker 14: Man.
Speaker 3: So we on the road, I stay away from I
Speaker 3: give him a space. Man, I get with you later
Speaker 3: when the show time. BROF it's crazy man, Jesus.
Speaker 12: All right, Well, we appreciate you for joining us. Check
Speaker 12: out the podcast The Coach. Welcome to the Coaching Podcast.
Speaker 12: It's Tony Yo.
Speaker 3: You have made it, Mama. On the Breakfast Club. You've
Speaker 3: been up here before, yeah, but I'm by myself now.
Speaker 8: It's the Breakfast Club good morning to day.
Speaker 5: Damn, but he hogged. It's time for donkey the kay.
Speaker 4: I ain't trying to be donkey today no more.
Speaker 2: They should be embarrassed by what they already did. I'm
Speaker 2: not making new people do these days.
Speaker 8: They called donkey of the day and it really caught
Speaker 8: me off guard.
Speaker 12: Damn Charlamagne, who got the donkey out of day today?
Speaker 2: Well, donkey today for Friday, August eleventh goes to Seth Berman.
Speaker 2: Seth Bermon is thirty four years old and her hels
Speaker 2: from the Great City of Atlanta, Georgia. Seth is suffering
Speaker 2: from what psychologists call the target effect. Everybody in America's
Speaker 2: self is from the target effect. Doesn't matter what your
Speaker 2: financial status is. The reality of the situation is none
Speaker 2: of us can go into Target and get one thing.
Speaker 4: I know.
Speaker 2: I'm speaking directly to you right now. You feel seen,
Speaker 2: don't you maybe even triggered? Trust me, I understand every
Speaker 2: single emotion you are dealing with. I get and psychologists
Speaker 2: do too. It's a real thing. You're going to Target
Speaker 2: to buy one thing, maybe you know, a good Fellow
Speaker 2: T shirt. Next thing you know, you walking out with
Speaker 2: one hundred dollars worth of stuff and you have no
Speaker 2: idea how that happened.
Speaker 4: All right.
Speaker 2: Target does that to humans, so much so that clinical
Speaker 2: psychologists have released tips on how to stage your own
Speaker 2: Target interventions. Okay, Target is a trap, all right, because
Speaker 2: the story isn't the actual target you are. Do you
Speaker 2: realize that everything in Target is strategically placed there to
Speaker 2: keep you there, everything from the lighting, the bright colors.
Speaker 2: They say it brightens your effect, and you tend to
Speaker 2: have a pretty good time there.
Speaker 5: So it's conducive to buying.
Speaker 2: You know, of course you're gonna, you know, spend more
Speaker 2: in a place that you spend more time.
Speaker 4: And not to mention, it's.
Speaker 2: A Starbucks in all of them, so that adds another addiction.
Speaker 6: Okay, Starbucks heroin same thing.
Speaker 2: Target also places things in strategic places to boost cross selling.
Speaker 2: And then they have these things called lifestyle settings that
Speaker 2: help you visualize the good in your home once you
Speaker 2: see it. Once you can see it in your place,
Speaker 2: the residence. You want it in your place the residence. Okay,
Speaker 2: and I'm not even gonna get into the psychological pricing
Speaker 2: Target does. Oh, they make you think you're getting a
Speaker 2: deal just because it's a nine at the end, of
Speaker 2: the price. If it has a nine on the end
Speaker 2: of the price, it appears to be on sale.
Speaker 5: Therefore you can't pass it up.
Speaker 2: Those are just a few of the reasons the target
Speaker 2: effect is real, and that's the reason why you can
Speaker 2: never leave Target with just one thing. And seth Berman
Speaker 2: he fell victim to that. See he went to Target
Speaker 2: for one thing, but like most of us, couldn't leave
Speaker 2: with just one thing. Let's go to Fox five Atlanta
Speaker 2: for the report police this.
Speaker 19: There's also released new video of a shoplifting suspect being arrested.
Speaker 5: Take a look.
Speaker 19: This is the Target located on Caroline Street.
Speaker 4: Atlanta.
Speaker 19: Police say an officer was flagged down by a security guard.
Speaker 19: That guard told authorities that the man stole two.
Speaker 8: Televisions from the store.
Speaker 4: They say when the man was.
Speaker 19: Caught outside the store, he fought the officer until backup arrived.
Speaker 19: Both the suspect and office suffered minor injuries.
Speaker 2: Now, police say he was on drugs during all of this.
Speaker 2: But this wasn't weed, it wasn't shrooms. There wasn't Rihanna's
Speaker 2: makeup he was using. This man was under the influence
Speaker 2: of Target.
Speaker 6: Okay.
Speaker 2: The target effect is a stronger drug than all those
Speaker 2: things mentioned. That's why he went back to the scene
Speaker 2: of the crime because mentally he never left. See, if
Speaker 2: you only get one thing from target, you hear Kobe
Speaker 2: Bryant in your brain saying, this.
Speaker 13: Job's not finished.
Speaker 5: Job finished.
Speaker 13: I don't think so, that's right.
Speaker 2: The target effect is so real that when his brother
Speaker 2: got caught leaving the store with the TV, he didn't
Speaker 2: think about running away. He thought about running back into
Speaker 2: the store. Okay, that's like an animal that's been locked
Speaker 2: in the cage and instead of running off into the
Speaker 2: wild to get free, they run back into the zoo.
Speaker 2: I know y'all want to blame drugs, but trust me,
Speaker 2: this is the target effect. Okay, as I'm doing this,
Speaker 2: donkey right now, there's someone pulling up the target for
Speaker 2: one thing, and they gonna come out thirty minutes later
Speaker 2: with at least three to five items.
Speaker 13: Okay.
Speaker 2: Now, let's talk about Seth as a thief. He simply
Speaker 2: got too greedy because he did successfully steal one TV.
Speaker 2: He was free and clear, but his greed made him
Speaker 2: go back to steal another one. This is a prime
Speaker 2: example that we get to greedy. Okay, he successfully stole
Speaker 2: one TV. He was free and clear with his greed
Speaker 2: mixed with the target effect made him go back to
Speaker 2: get another sixty five inch TV.
Speaker 5: Why did he need another TV?
Speaker 2: I know football season on the way, but damn what
Speaker 2: you built in the sports box?
Speaker 5: Huh?
Speaker 2: You need to have more than one TV to have
Speaker 2: more than one game on at the same time. Maybe
Speaker 2: he wanted to play Call of Duty and watch The
Speaker 2: Breakfast Club on BT at the same time. I don't
Speaker 2: know what seth did you have to go back to
Speaker 2: the same exact target you stole from the first time.
Speaker 2: I did some research, and by research I mean Google,
Speaker 2: and it's at least eight targets in the Atlanta area.
Speaker 2: You telling me the target effect is so scrump that
Speaker 2: you couldn't even leave the target you was.
Speaker 5: At to go to another one. Huh?
Speaker 2: You stuck on stupid like a woman who's addicted to
Speaker 2: a terrible man with good penis. All right, this man
Speaker 2: ain't got no job, no ambition. He cheats on you constantly,
Speaker 2: has another baby mama he's still sleeping with, but you
Speaker 2: still end up under him every other day, letting him
Speaker 2: sweat on you.
Speaker 6: That had nothing to do with anything.
Speaker 2: I just wanted to make you feel bad, but still
Speaker 2: sleeping with that brother under modification or for short, you
Speaker 2: can just call him a bum.
Speaker 6: Please give Seth Berman the sweet sounds of the Hamiltons.
Speaker 8: Oh no, the dogge of the day, the dogee all
Speaker 8: the day.
Speaker 5: Yee.
Speaker 2: I wonder what triggered people more during that donkey of today,
Speaker 2: realizing that you know, we all have been victims of
Speaker 2: the target effect, are realizing that you are still sleeping
Speaker 2: with a terrible man with good penis?
Speaker 8: Which one for you? All right? Well, bet e t,
Speaker 8: thank you, We'll see y'all on money.
Speaker 2: Almost told people you to bum that I'm sleeping with Now,
Speaker 2: I almost told people that I might have just did
Speaker 2: now what now what?
Speaker 8: Mm hmmm say I'm not a bump.
Speaker 6: You're a beige on the modification.
Speaker 4: That's the show.
Speaker 12: It's getting awkward and strange. Okay, been awkward and strange.
Speaker 12: Welcome Roxy, all right, all right, the Breakfast Club.
Speaker 8: One everybody ad j n V charlamagnea god.
Speaker 12: Now, let's simon, we are the Breakfast Club and we
Speaker 12: got a special guest in the building.
Speaker 8: We got Loadla Brook.
Speaker 5: Welcome.
Speaker 7: Not on your own name, though, Tom is Lola book
Speaker 7: because you've been booking.
Speaker 17: Busy all year. Yeah, it's been a little crazy, but
Speaker 17: I ain't complaining.
Speaker 7: I enjoy it getting money now, I'm making money, making
Speaker 7: making money.
Speaker 8: New album that his daughter is out right now, explain.
Speaker 17: That title then his daughter.
Speaker 7: Okay, So I'm only child raised by a single parent,
Speaker 7: my mom.
Speaker 17: But I used to hang out with my father.
Speaker 1: Hearing in here pick me up from school, and everybody
Speaker 1: will always say little D.
Speaker 7: It will call me little D when they see me
Speaker 7: with my father or then his daughter or whatever fits.
Speaker 7: They would always just add him into my nickname. And
Speaker 7: I love this so much. So now I get to
Speaker 7: like relive it because my father is deceased now, so
Speaker 7: I can't get that those moments back, but I'm like
Speaker 7: creating new moments and I still feel like he's still around.
Speaker 2: So was that like the inspiration behind the song Vacant
Speaker 2: Heart as well?
Speaker 7: Vacant Heart was me just venting I felt empty? Pockets empty,
Speaker 7: heart empty. You so feel empty sometimes like you just
Speaker 7: don't know. So that gotta be an old record because
Speaker 7: your pockets is not empty.
Speaker 4: Jesus doing good.
Speaker 7: But is it an older record though? Because it sounds
Speaker 7: like it? You know it was a time before.
Speaker 17: Now, honestly, I did that right get this year.
Speaker 7: So basically this whole entire project is me just reflecting
Speaker 7: on my life as I'm coming up. So I finally
Speaker 7: felt comfortable enough to finally just talk about my true
Speaker 7: feelings and what I was going through.
Speaker 17: So Vacan Heart is pretty pretty new.
Speaker 4: Was that a tough song to record?
Speaker 8: It was?
Speaker 1: It was so fast, pa, like fifteen thirty minutes, like
Speaker 1: straight through.
Speaker 7: But that's just how you record because I've been in
Speaker 7: the studio with you. You take like five minutes and
Speaker 7: then go ly it and then you're done. And it's
Speaker 7: crazy because after I was taking long, I'm like, dad
Speaker 7: nylt here She probably.
Speaker 17: Like, ye, you not you still not finish yet? Nah, yeah,
Speaker 17: you're a beat with that.
Speaker 5: But emotionally was it tough? Though?
Speaker 17: I wasn't in the room.
Speaker 7: See, when I'm recording, I don't really be in the
Speaker 7: room with a lot of people, so I'm very much
Speaker 7: comfortable and whoever's in the room, I probably have been
Speaker 7: in a vulnerable space around.
Speaker 17: Them already cool.
Speaker 1: And then the engineer, I don't see the engineer like
Speaker 1: it's now.
Speaker 12: Let's start from the beginnings. For people that don't know
Speaker 12: lo La brook Where did you? Where did you get
Speaker 12: your your start from? Why did you start rapping? And
Speaker 12: how did you get your deal?
Speaker 7: Honestly speaking, I always say rap chose me. I didn't
Speaker 7: choose rap. It was just always did. And the people's
Speaker 7: like the citizens of New York City. It was just like, yo, look,
Speaker 7: listen you nice. I noticed a hobby for you, but
Speaker 7: you should take it serious.
Speaker 8: So what were you doing between that?
Speaker 5: Because you said it was a hobby, So what else.
Speaker 8: Were you doing?
Speaker 7: Just working a nine to five? Like I was always
Speaker 7: a nine to five girl. As soon as I turned eighteen,
Speaker 7: the first thing I did.
Speaker 17: Was go get a job.
Speaker 5: That was your first job.
Speaker 17: Little Seasons.
Speaker 5: Is so amazing, God sense human.
Speaker 7: Yeah, So I would just go to the studio just
Speaker 7: for a hobby. I started taking it serious. It's another
Speaker 7: artist from Brooklyn, his name Bleazy. He wanted to do
Speaker 7: a song with me, so I featured a song on him.
Speaker 17: I went to the studio.
Speaker 7: I ended up bumping into his team Team eighty, my
Speaker 7: mentor eighty. I met him and then just being around
Speaker 7: knowing like, oh, okay, this how music videos go. H
Speaker 7: this is how the studio process go. Like you get
Speaker 7: to like relax because when I was going to the
Speaker 7: studio two hours, that's it. It was like forty dollars
Speaker 7: an hour, I got eighty dollars.
Speaker 17: And that's it.
Speaker 7: But with Thumb, they was just so relaxed and everybody
Speaker 7: was just so creative. And I fell in love with it,
Speaker 7: and I was like, wow, so this really is my destiny.
Speaker 2: And you got such a big voice. Is that something
Speaker 2: that's natural or something you practice? Because you know you
Speaker 2: are smallest you wanted to sound.
Speaker 17: I mean when I'm mad, I talk like this.
Speaker 7: It's my mad voice. My rat voice is my mad voice.
Speaker 7: So it's still men. Yeah, I want to go back
Speaker 7: a little seasons back to your rat voice the ad
Speaker 7: lib because I feel like your ad blob is infamous.
Speaker 17: How did you come up with that?
Speaker 7: I always wanted to stamp, I always wanted to stand.
Speaker 7: I'm small, so I always want to be heard. So
Speaker 7: I was thinking to myself, like I need to find
Speaker 7: out a way to be heard without being seen or
Speaker 7: my presence is not in the room.
Speaker 1: And I sat with it for a very long time.
Speaker 1: So it started off as.
Speaker 17: Oh I do uh huh.
Speaker 7: Then when don't play with it? When I listen to
Speaker 7: the beat. It just came out. I'm like just stuttering
Speaker 7: or something and it felt good. So and then now
Speaker 7: it's h that's like my Batman call.
Speaker 2: Regardless of the voice, you still have a big personality,
Speaker 2: Like when you walk in the room, you can feel
Speaker 2: your presence.
Speaker 6: When did you first become aware of that presence?
Speaker 7: My mom been telling me that since I came out
Speaker 7: with the womb, like leave my child alone, like they
Speaker 7: act like they I would go any my mom would
Speaker 7: take me on trips and people would be so fascinated
Speaker 7: with me, and my mom would be so confused, like.
Speaker 1: Why they keep walking up.
Speaker 7: To you, like just asking random questions or just attachment,
Speaker 7: Like people will have attachment to me when I walk
Speaker 7: in the room. My presence, But I just I never
Speaker 7: thought anything of it. I just was being myself and
Speaker 7: little did I know I was a whole artist.
Speaker 5: Did you have.
Speaker 12: Relationships with a lot of the Brooklyn artists beforehand? Because
Speaker 12: when the record started to pop, I started seeing so
Speaker 12: many artists bringing you out on their sets, whether it
Speaker 12: was Kim or whoever.
Speaker 8: Maybe did you have those relationships beforehand?
Speaker 7: No music broke me into these relationships. See me, I
Speaker 7: was so more I was more focused on my craft.
Speaker 7: I went and like hang out so much. I was
Speaker 7: always in the studio, literally sleeping, waking up in the studio,
Speaker 7: So I didn't really get to mingle as much as
Speaker 7: other artists did. I was just working on my craft.
Speaker 7: So when I finally felt like I had a good
Speaker 7: body of work to put out, then I see when
Speaker 7: I was going outside and then Don't Play With It
Speaker 7: start taking off and I started building my relationship.
Speaker 12: What art that supported you the most when you first
Speaker 12: started popping, but before or right when they Don't Play
Speaker 12: With It came out.
Speaker 7: It's a mixture of a's I don't I can't even
Speaker 7: cool that. What I can say is Meat called it
Speaker 7: out from jump Like twenty seventeen, Meek was like my
Speaker 7: first cold sign ever.
Speaker 4: So just a tweet. He just tweeted, you said.
Speaker 7: Yeah, like he would comment on my stuff.
Speaker 17: He will post me, his peoples will post me as well.
Speaker 7: He will say it and his stories or just anything
Speaker 7: like that any way to be supportive within social media.
Speaker 1: Yeah, he was.
Speaker 4: Did he try to sign you to.
Speaker 8: Yeah, but she was already signed at the time.
Speaker 5: Yeah.
Speaker 7: It was like when when when the talks really came
Speaker 7: down to.
Speaker 1: It was like, it's already done. It's already done.
Speaker 8: Bro dang yeah h we got more with low Labrook.
Speaker 8: When we come back, don't move.
Speaker 12: Let's get into her single It's the Breakfast Club, Good morning.
Speaker 5: Big and Heart.
Speaker 6: And you said he was heartbroken.
Speaker 4: When your mom left for Atlanta?
Speaker 6: Yes, why didn't you go to her?
Speaker 4: Or did you?
Speaker 7: Because that was I felt like that was my moment
Speaker 7: to grow. I wanted to have some type of growth.
Speaker 7: I wanted her to trust me. I wanted her to
Speaker 7: feel safe to what do what makes her happy, because
Speaker 7: I can't.
Speaker 17: Stop my mom from this is this was one of
Speaker 17: her dreams.
Speaker 7: You know, a New York always go to get a
Speaker 7: house in Atlanta. This was part of my mom dreaming.
Speaker 7: Even if I ain't understand it. That wasn't my place
Speaker 7: to like not give her the support. So I just
Speaker 7: was like, you know what, when she left, I cried
Speaker 7: like a baby.
Speaker 5: Oh you.
Speaker 17: How how long has it been?
Speaker 1: I don't know, but this was like three years ago,
Speaker 1: three four.
Speaker 2: Years ago, ten years ago, three.
Speaker 17: Four years ago, No, it was like three four years ago.
Speaker 2: Well, as a rapper, Atlanta is like the mecca of
Speaker 2: hip hop right now. So you didn't want to, you
Speaker 2: know what, like maybe I should go to.
Speaker 17: Atlanta too, and yeah, but I'm the only child. You
Speaker 17: gotta understand.
Speaker 7: My mom treats me like she's gonna treat me like
Speaker 7: a baby forever. And I had to stand on my
Speaker 7: two feet and figure it out. So I didn't know
Speaker 7: what I was gonna do. She was telling me, like
Speaker 7: she left the uh, she left the apartment for me.
Speaker 7: It was on section eight. I ended up being on
Speaker 7: section eight, so I still couldn't even really like pay
Speaker 7: my rent. But I was telling her like I'm good,
Speaker 7: like I got an income, like I'm straight, like you
Speaker 7: could go, and she was like, okay, but it was
Speaker 7: all it was by yourself.
Speaker 4: Yeah, damn.
Speaker 17: I like that Section eight is in there somewhere somewhere
Speaker 17: in this project. You're going here sext night.
Speaker 7: It definitely is an adjustment when you leave home or
Speaker 7: when home leaves you. I think people like sleep on that,
Speaker 7: but it definitely pushes you. Like when my parents left
Speaker 7: me for college, like they moved me in and left.
Speaker 17: It didn't really resonate.
Speaker 7: Like, oh, y'all are leaving, Like I got to stay
Speaker 7: here and do everything myself. But yes, you're never too
Speaker 7: old to like have for that reality check. It's like
Speaker 7: the little things that I peat with my moms that
Speaker 7: she would she wouldn't think that I know how to cook.
Speaker 7: And I had to show her, like one things given
Speaker 7: I like cook things given meal, like no, I know
Speaker 7: how to cook. So that right there was me thinking
Speaker 7: to myself, Oh, she don't like she think I'm.
Speaker 17: Still her baby, like she don't know that.
Speaker 7: I'm grown and I could take care of myself. That
Speaker 7: was like, yo, you know what, just leave. I don't
Speaker 7: want you to, but you got to.
Speaker 4: Stand at a stool. Standing on a stool at the
Speaker 4: stool is.
Speaker 5: Yeah, you got to do the same. You know what
Speaker 5: you do?
Speaker 17: I'm told that you right now.
Speaker 5: You know how she is taller. She is taller.
Speaker 12: You know what you do with your first check when
Speaker 12: you got your first check? Because I was on Section A.
Speaker 12: What did you do when you got your first check?
Speaker 8: What did it go?
Speaker 17: My first check? I let go section.
Speaker 7: I let go Section eight and I got an apartment
Speaker 7: and I saved up. I saved my money like I
Speaker 7: didn't go splurge it or anything like that. I gave
Speaker 7: my moms a couple of dollars to of course and
Speaker 7: that was it?
Speaker 6: What was your first check off? Was a show or screaming?
Speaker 7: Or was it was like brown people bags, you know,
Speaker 7: like go hostings and stuff like that. I think, sorry
Speaker 7: to go back to don't play with it, but I
Speaker 7: just want a rough nick on the tongue. It's such
Speaker 7: an infamous line. Now, is that what you're looking for
Speaker 7: in the man?
Speaker 14: Like?
Speaker 7: What are the things that Lola is looking for? Because
Speaker 7: now you're in a new place. I know you're not
Speaker 7: having a hard time finding somebody to the same question.
Speaker 17: Right, you want a.
Speaker 5: Rough mean rough on the tongue?
Speaker 17: Do good as I can tell you?
Speaker 7: Yes, what what what?
Speaker 17: What's what your underlining and what were you circling?
Speaker 6: Okay on the tongue, like.
Speaker 8: Like with his.
Speaker 18: You want what you don't I'm gonna.
Speaker 17: Break the ice today. And I know a lot.
Speaker 7: Of people, but you're definitely right. That's that's that was
Speaker 7: the first idea of it.
Speaker 17: What was it? A lot of people don't know that, but.
Speaker 5: You work on the tongue, means on your tongue.
Speaker 7: Yeah, So I'm like, oh my god, now you confusing
Speaker 7: rough neck?
Speaker 17: You want a tongue?
Speaker 7: I always thought this whole time, he just wanted to
Speaker 7: send me automatic with a drum, ask me if I'm finished.
Speaker 17: Not that whole line was about for play.
Speaker 7: Oh yeah, an if I'm finished nine, But I just begun.
Speaker 7: I ain't giving out no noney to know, just for fun. No,
Speaker 7: you dumb, But that's a whole four play line.
Speaker 8: I just her giving yeah, but.
Speaker 7: Honestly it goes for both. But the first thought of
Speaker 7: it was yeah, but it goes for both. It's four
Speaker 7: play the whole right now, the first four bars is
Speaker 7: four play.
Speaker 17: I knew it was four play. I just I looked
Speaker 17: at it as receiving.
Speaker 4: But it's a back and forth though, No, I just.
Speaker 17: Want to rough neck. You want a tongue.
Speaker 7: He just wanted to send me or the madic would
Speaker 7: have drone asked me if I'm finished? Nah, we just
Speaker 7: were gunn giving out no nuns and just for fun
Speaker 7: on you THEMB like.
Speaker 17: We ain't here for no reason? Got it?
Speaker 7: You should have did the genius little breakdown like trying
Speaker 7: to keep it.
Speaker 17: But you know what, I tried to keep it PG
Speaker 17: you know, so yeah, well you did a good job
Speaker 17: of that. Can you tell us what are you looking for?
Speaker 14: Man?
Speaker 1: What is looking for?
Speaker 5: Is it just that.
Speaker 17: Reinsurance.
Speaker 7: I want to feel protected even if he's not around.
Speaker 7: I want a gentleman, and of course the gangster for sure,
Speaker 7: but a former gangster, a.
Speaker 6: Former a reformed gangster.
Speaker 17: Yeah yeah, yeah, understood.
Speaker 8: Them because they work hard. So salute everybody over there.
Speaker 17: Really want that?
Speaker 5: Like that just the beginning. That's beauty.
Speaker 7: That's right, Yes, it is just the beginning. I'm just
Speaker 7: grateful to be here.
Speaker 4: What are your mom saying that?
Speaker 7: My mom's just so excited, she's oh my god. I'd
Speaker 7: be like, ma, okay, it's not that serious.
Speaker 1: She's like, girls, you crazy, you is?
Speaker 7: You is a star, You're talented, And I'd be like,
Speaker 7: oh man, come on mine.
Speaker 17: But she was.
Speaker 7: She was My mom's was down from the start, Like
Speaker 7: she's the reason I resigned from my job.
Speaker 17: She's the reason I got the job. No, no, no, no.
Speaker 17: See that was my first job.
Speaker 7: But the last job that I had before I pursued
Speaker 7: this rap career was residential ad at a shelter and
Speaker 7: my mom was a supervisor. Well I'm a shelter baby,
Speaker 7: so she worked her positions in the shelter. I ended
Speaker 7: up being old old enough to work in the shelter.
Speaker 7: She got me a job there, and I remember coming
Speaker 7: from coming home from studio. I would come home from
Speaker 7: studio like six in the morning, and I had to
Speaker 7: be to work at eight. So I get in six,
Speaker 7: I get ready to get shot in dressed, no sleep,
Speaker 7: leave out seven, get there for eight.
Speaker 1: I had to take a buzz to two trains.
Speaker 7: Job was in Queen's and she would just I could
Speaker 7: tell like she felt she felt for me. She like, listen,
Speaker 7: I don't know if you feel like you want to
Speaker 7: resign from the job, you can like you got my
Speaker 7: full support. And that's all I needed to hear, because
Speaker 7: I'm like, listen, my moms don't play. She got me
Speaker 7: this job, and who am I to say I don't
Speaker 7: want it no more because I want to pursue something else.
Speaker 4: Wow.
Speaker 7: But she was the reason why I resigned. But I
Speaker 7: ain't burn that bridge. I resigned from my job.
Speaker 17: I didn't quit. I resigned.
Speaker 2: But also too, that gives you real purpose and attention, because,
Speaker 2: like you said, you was a shelter baby, so you know,
Speaker 2: you know what those kids are lacking and what they need.
Speaker 6: Now you got the resources you can go back and and.
Speaker 1: Go back and provide. Yes, that's my plan for sure.
Speaker 12: Well, Dennis's daughter is out right. Now, make sure y'all
Speaker 12: go get it. And we appreciate you for joining us.
Speaker 8: Lola, big Lola, uh uh, it's Lola Brook. It's the
Speaker 8: Breakfast Club. Good morning, It's the Breakfast Club.
Speaker 12: Want everybody at cej Envy Charlamagne to God.
Speaker 2: We are the Breakfast Club. You got a positive note? Yes,
Speaker 2: the positive note is simply this man. I said it
Speaker 2: once during Donkey of to Day. I want to repeat it.
Speaker 2: When you choose an action, you choose the consequences of
Speaker 2: that action. When you desire a consequence, you add Dan, well,
Speaker 2: better take the action that we created. Okay, we all
Speaker 2: make choices, but in the end, our choices make us.
Speaker 2: We are free to choose our paths, but we can't
Speaker 2: choose the consequences that come with them.
Speaker 8: Breakfast Club is don't finished for y'all.
Speaker 4: Done