Speaker 1: Welcome to another episode of Against the Chronicles podcast, where
Speaker 1: gainst the Rep Lives, it's your boy Big Steel along
Speaker 1: with the notorious Hill. There it is man. We just
Speaker 1: came back on the long trip to Miami, man kicking
Speaker 1: with the homies nowhere and dj ef Hen.
Speaker 2: Yeah, it was a it. It was a pretty cool little,
Speaker 2: uh setup, and I think the interview was you know,
Speaker 2: it was on point, Yeah for sure.
Speaker 1: So y'all tuning, y'all, make sure y'all tuning into that,
Speaker 1: cause it's coming up that Miami. You know what, dough dog,
Speaker 1: I was ready to get back to the motherfucking crib though.
Speaker 2: I'm like that anywhere I travel too. You know, this
Speaker 2: ain't like back in the days.
Speaker 1: Man.
Speaker 2: Back in the days, you was you yearned to get
Speaker 2: out the city, you know, and go see some different shit.
Speaker 2: But uh, right about now, you know, you got so
Speaker 2: much shit going on at the home front, and you know,
Speaker 2: whether you got a wife or girl, and you got
Speaker 2: kids and you know, shit to take care of. So
Speaker 2: you know, it's kind of hard.
Speaker 1: Saying the motherfucker getting old though, No, you just got
Speaker 1: it's a lot of shit that you gotta take care of. It.
Speaker 2: It ain't like niggas got handlers and accountants and all
Speaker 2: that shit. You know, so, and it ain't like being
Speaker 2: at home. Shit, it's just like you gonna be the
Speaker 2: fuck at home. Yeah, yeah, you're sleeping on your own shit.
Speaker 2: But it was cool though, man, It's a blessing. Man
Speaker 2: and brother showed us a real good time. I neat shit, nigga,
Speaker 2: do once you do the shit, nigga, I'm ready to
Speaker 2: get out, Nigga. If I can get a flight out that night,
Speaker 2: you get me.
Speaker 1: Yeah.
Speaker 2: They lucky that motherfucking airlines don't run twenty four seven and.
Speaker 1: Shit, you want to go do the shit? Be like, nigga,
Speaker 1: what can we get at? What time? Is it?
Speaker 2: Twelve one? We done, nigga? Let's see we let's see
Speaker 2: if we can get on that three o'clock.
Speaker 1: You're gonna get something eating just he history the head
Speaker 1: trades to the airport. You know what, though, man, Times
Speaker 1: have changed the whole lot, man. And one of the
Speaker 1: biggest changes I'm seeing, man, is I don't know how
Speaker 1: I do know how I feel about this J Cole
Speaker 1: and Kendrick shit, man, you know Kendrick through the first
Speaker 1: shot and me knowing a little homie all that was
Speaker 1: was just a little slap in the back of the head.
Speaker 1: That wasn't his full throttle.
Speaker 2: What you what you say? What you say that what
Speaker 2: you consider that a form of just dissing or beefing?
Speaker 2: I don't think there is there two Is there two differences?
Speaker 2: What you say there's a difference between dissing and beefing?
Speaker 1: Yeah? That to me, man, that's just this and that's
Speaker 1: hip hop shit right there, dog, It ain't no beef.
Speaker 1: You know, them brothers ain't got no problem the world
Speaker 1: they see each other. It's not on the level of
Speaker 1: the pocket big shit. It's not nothing like that. This
Speaker 1: is friendly competition. I'm the number one nigga. I'm about
Speaker 1: to show what y'all motherfuckers go had to wrap.
Speaker 2: Yeah, it's it's not on the level of to me,
Speaker 2: when Lynch Mob was going against you know, above the
Speaker 2: law and them getting into confrontations or whatever already liked
Speaker 2: or my my, my situation with quick you know uh.
Speaker 1: X, people actually got hurt and that you know when
Speaker 1: that ship was said. So this is rap shit, dog,
Speaker 1: That's why I didn't see the need for on the policy.
Speaker 2: How how warranted is is and how healthy is dissing
Speaker 2: and beefing in the hip hop.
Speaker 1: Man, I think as long as that ship stay on record, Dog,
Speaker 1: To be honest, it's just like that's what hip hop
Speaker 1: was formed on. Man. You used to have what's the
Speaker 1: homie cool Mold D and what's the other old school
Speaker 1: cat man? You know you had that ship. You had
Speaker 1: Cool Mode versus El Cool, Jay l L versus ic T.
Speaker 1: Nobody died Dog. It was just a bunch of bravado
Speaker 1: friendly fucking competition. I'm the best. It's almost the same thing.
Speaker 1: You know, Even though hip hop is not a physical sport,
Speaker 1: it's a mental sport. Right. If you're a wide receiver,
Speaker 1: you talking shit to the number one dB on the team.
Speaker 1: If you're the number one dB on the team, you
Speaker 1: wanna guard the option, you wanna scar, you wanna guards
Speaker 1: your opponent's number one receiver? Am I right? Exactly? You
Speaker 1: know what I'm saying. So you just I think the
Speaker 1: Homiekendrick just threw a rock out there, like Nigga, I'm
Speaker 1: that nigga who wants some of him and Drake being
Speaker 1: low keep going back and forth over years. I'm gonna
Speaker 1: tell you this, man, I heard Drake got a record already, Dog,
Speaker 1: but he not ready for that. Boy, Kendrick Lamar is
Speaker 1: not meet meal. Is Is it healthy for hip hop?
Speaker 1: Hell yeah, it's healthy for hip hop? Hip hop getting
Speaker 1: a little man, I'm gonna tell you right now, and
Speaker 1: this is not no, not to the to the ladies,
Speaker 1: but it's a bunch of bras putting off the best
Speaker 1: records writing out Dog.
Speaker 2: Is that because they're putting out the best records? Or
Speaker 2: is it because their fan base has become stronger with
Speaker 2: the with the with with what the females are pushing
Speaker 2: You get.
Speaker 1: Me, man, I gotta say this, dog, what you what?
Speaker 1: You what?
Speaker 2: You say that it's bona fide, true good hip hop?
Speaker 2: Or is it because of the women that are at
Speaker 2: the forefront of of of the hip hop that is
Speaker 2: being pushed or are coming with the same agenda? You know,
Speaker 2: I say that the fucking nigga make you pay nigga.
Speaker 2: Uh my pussy, this, my pussy that.
Speaker 1: Get a bag. I got this, I got.
Speaker 2: That as opposed to you know, the Queen Latifa's Yo
Speaker 2: Yo's money loves the Lady of Rap.
Speaker 1: It was just a whole nother era. Man. You gotta
Speaker 1: remember we was in a different ERAa. We was in
Speaker 1: the so called conscious era, even gainst the rap was
Speaker 1: conscious rap to an extent. You feel what I'm saying.
Speaker 1: You know, you know it had a it had a
Speaker 1: background to it. You feel what I'm saying. I think
Speaker 1: now though, we in the generation of let's get a bag,
Speaker 1: let's get high, let's go get to the money, right,
Speaker 1: That's what they're doing. So that's what they communicating to
Speaker 1: their peers, right. I think when I'm listening to like,
Speaker 1: you know, you got the sexy rails, but you also
Speaker 1: got the glow Realers, right, you feel what I'm saying that, Yeah,
Speaker 1: the low record, that shit go right there. And she
Speaker 1: on there talking her ship.
Speaker 2: She mean I I get props to the females who
Speaker 2: you can't put it passive. If if a.
Speaker 1: Broad is sexy and she fine, and that's just what
Speaker 1: it is. That's just what it is.
Speaker 2: She if she pushes that, you know, she could want,
Speaker 2: like you said, she could be on the glow Realer ship.
Speaker 2: And just the fact that you know, I'm aware of
Speaker 2: sexy outfit or my hair gonna be this or be that,
Speaker 2: and it pushes that that i'mbiyance of being a sexy mother.
Speaker 1: Yeah, And I think you gotta have a balance. I
Speaker 1: think you know you got the sexy red she do
Speaker 1: her thing, the kids like her. She do her stuff.
Speaker 1: You got Glowrilla, and you also got a lot of
Speaker 1: other bras out that they can spit. I shouldn't call
Speaker 1: them bras, my bad. You have a lot of other
Speaker 1: young ladies out there. They can spit, right. But going
Speaker 1: back to this hip hop, hip hop at this core,
Speaker 1: man is competitive. You are never gonna be if you
Speaker 1: if you expect to have a respected hip hop career,
Speaker 1: it's gonna be defined on what your beefs was. Did
Speaker 1: you run and tuck your tail and see? It's one
Speaker 1: thing to lose on a record? Dog?
Speaker 2: But is that is that hip hop banter of this scene?
Speaker 2: Or is that beef? That's not beef Dog, that's just
Speaker 2: this one. I don't think that's beef. I don't think
Speaker 2: Dot Nimbus running got the homies lined up and waiting
Speaker 2: for one of these cats laying. I don't think it's
Speaker 2: nothing like that. I think it's just hip hop. I
Speaker 2: think it's friendly competition. And I'm gonna tell you like this,
Speaker 2: I don't understand. I don't understand the whole premise you
Speaker 2: getting slapped in the back of the head. Let's say,
Speaker 2: somebody's spit a spitball at you, right, which that's what
Speaker 2: it was for.
Speaker 1: Kid, That was a little spitball. Trust me, he didn't
Speaker 1: go in on them niggas yet he spit a spitball
Speaker 1: at him. He turned around and spit one back at him.
Speaker 1: Didn't messed around and say I'm sorry when they got
Speaker 1: in the hallway. You feel what I'm saying. I don't.
Speaker 2: I'm not gonna keep stressing on the fact that my
Speaker 2: nigga said, you know, because again, it ain't beef. So
Speaker 2: why is motherfucker's tripping off of my bad? You know,
Speaker 2: I shouldn't have did it. I mean, shit, I don't.
Speaker 2: I'm not.
Speaker 1: I don't regret.
Speaker 2: I mean, I'm not gonna apologize for even the beef
Speaker 2: that I had in my situation what like. But like
Speaker 2: I said, I don't think it was good for the
Speaker 2: city and hip hop because other situations that happened behind it.
Speaker 1: Yeah, let me ask you this, I'm money you lose
Speaker 1: during that whole conflict. I don't.
Speaker 2: I don't, who knows, I've never calculated. But like I said,
Speaker 2: my goal was never to be my My goal was
Speaker 2: never to be separated as far as h and the
Speaker 2: artists is concerned. Now, you know, when we was first
Speaker 2: coming up and CEMW even before you know, the situation
Speaker 2: were quick we had, you know, little niggas was dissing
Speaker 2: each other other, little rap groups and shit like that.
Speaker 2: It wasn't to the point of where we was ready
Speaker 2: to go ride on a nigga and shit like that.
Speaker 1: Understand what makes you and see you in quick situation
Speaker 1: was a little different, bro than this one right here,
Speaker 1: because you was a cryp, you a crip and he's
Speaker 1: a blood and y'all from the same city. It's not
Speaker 1: even like y'all in the city that's over. It's not
Speaker 1: like Quick was from guardena somewhere. Use that That's what
Speaker 1: I said. That's why it's in the same city. That
Speaker 1: that makes y'all se situating a lot more volatile.
Speaker 2: But I said that, you know, I think and like
Speaker 2: I said, you got a lot of that shit to
Speaker 2: you know, you got a lot of that going on
Speaker 2: with the youth today. Niggas want to you know, validate
Speaker 2: their you know, identities and who they are. And as
Speaker 2: far as you know, I'm from over here, and so
Speaker 2: a lot of ways to express that because like I said,
Speaker 2: now you're gonna have niggas all over the world, you know,
Speaker 2: looking at where you from and whatever and get.
Speaker 1: The bug of that.
Speaker 2: But a lot of that comes from just a neighborhood shit.
Speaker 2: And that goes back to when the crypts and the
Speaker 2: bloods first started. You know, naturally, you supposed to beef
Speaker 2: for the blood. You supposed to beef for the crypt
Speaker 2: That's that's the nature behind the situation.
Speaker 1: Especially when you're in the same city. Because I guarantee
Speaker 1: you probably knew a whole bunch of the same bros
Speaker 1: that you knew. You feel what I'm saying, and vice versa.
Speaker 1: You feel what I'm saying. You probably knew a whole
Speaker 1: bunch of women that he may have been acquainted would
Speaker 1: have known. So now you got that element involved, and
Speaker 1: you just you got that, You got the bitches, you
Speaker 1: got the neighborhood, and you got.
Speaker 2: The It sits right, especially with a nigga showing his
Speaker 2: loyalty to the neighborhood. Is everything's all of course, Naturally,
Speaker 2: if I'm being dissed by a blood or I'm being
Speaker 2: dished by a crip. Your motherfucking mentality is neighborhood first, right.
Speaker 1: For sure, especially out here. And that's pretty you feel
Speaker 1: what I'm saying, But that's what That's what mo.
Speaker 2: It's hard to get away from that because a lot
Speaker 2: of dudes, even nowadays with the youngsters, you see it.
Speaker 2: Like I said, you go on YouTube and you see
Speaker 2: a lot of the young homies. You know, nigga, I'm
Speaker 2: from here, I'm from there, nigga is it's vocalized, you know,
Speaker 2: in the records nowadays. Like I was saying, shit, I
Speaker 2: never said we was crips. That was just automatic shit.
Speaker 2: When we started to CMW. We didn't yell, you know,
Speaker 2: I'm from Tragnw and I'm from here and I'm from there.
Speaker 2: We didn't do that because we was already doing that
Speaker 2: shit before, so we already had that on our backs.
Speaker 1: Yeah, this generation though, dog, But.
Speaker 2: My thing wasn't to get into it to be how
Speaker 2: they said gangster rapper. Yeah, I was just spending reality.
Speaker 2: They decided to call it gangster rap because we was
Speaker 2: cripping in blood. A majority of the MC's coming out
Speaker 2: of the West Coast were either from a section or
Speaker 2: affiliated to a section. You give me, so that we
Speaker 2: got that slapped on it. But I never got into it.
Speaker 2: I got in it to be a hip hop motherfucker.
Speaker 2: I liked hip hopping, rapping and shit like that. So
Speaker 2: that's what it was about. The fact that we was gangbanging.
Speaker 2: That was separate from it, but people took that role
Speaker 2: in and then the stories we was telling was always
Speaker 2: associated with the neighborhoods and what was going on in
Speaker 2: the city. And then so naturally, you know what I'm saying,
Speaker 2: you got blood rappers, you got cryp rappers. It's automatic
Speaker 2: to beef. It ain't even like you said, it's not
Speaker 2: even dissing. It's going straight to beefing because because you
Speaker 2: niggas is crips and you niggas is blood and it's
Speaker 2: always gonna.
Speaker 1: Be the homies. It's never the two rappers. Really, it's
Speaker 1: the motherfuckers that surrounding everybody. It's the motherfuckers they run
Speaker 1: around with you on every day. The may the man
Speaker 1: came up with you, it's the homies that came up
Speaker 1: with him. They really out there pushing the line one
Speaker 1: because you gotta remember, they don't really have no talent,
Speaker 1: so they weighed strip back It's like, yeah, nigga, this
Speaker 1: hood on hood This ain't no rap on rap shit.
Speaker 1: This hood on hood.
Speaker 2: Shit, especially if it's niggas claiming your neighborhood or niggas
Speaker 2: you cool with with other you know, neighborhoods that's associated
Speaker 2: with y'alls shit. Uh, niggas gonna feel like nigga, you
Speaker 2: might well be this and me.
Speaker 1: Do you feel me? And just think about it. See,
Speaker 1: we didn't have the internet back then to hype shit
Speaker 1: up right now you got the internet component. Like I
Speaker 1: was talking to you about the King Vaughn shit when
Speaker 1: he got killed. That was two cruise to lot. Yeah
Speaker 1: you feel what I'm saying that somebody wind up dead
Speaker 1: dog and then they making records, then they making records
Speaker 1: about the shit and everything else. Man, it just like
Speaker 1: it can get in.
Speaker 2: I'm looking and then I look at situations like that,
Speaker 2: like a lot of our beef stem because you know,
Speaker 2: niggas was in the same city and like I said,
Speaker 2: when you got game shit involvement.
Speaker 1: But like.
Speaker 2: I never, I never, I've never had an issue with
Speaker 2: any any situation outside of where I was from.
Speaker 1: You get me. I never had beefs with niggas from
Speaker 1: other states. That's usually because you know what dog Me
Speaker 1: and you talked about that how you could be revered
Speaker 1: outside of your city, right, but inside your city, motherfuckers
Speaker 1: refused to acknowledge you almost or it's almost like you
Speaker 1: did something wrong with them. They take it so personal.
Speaker 2: I mean, some dudes, I guess it would have to
Speaker 2: be you know, niggas who, like I was trying to say,
Speaker 2: with the respect shit, it's just some niggas who just
Speaker 2: respect you because of what you do and what you
Speaker 2: did for you know, hip hop, and you know, and
Speaker 2: they were from different neighborhoods and whatever, but just for
Speaker 2: the fact that you always represented, you know, a nigga
Speaker 2: factor in the hood niggas and you always spoke on
Speaker 2: those those those situations and niggas who came from the hood,
Speaker 2: they'll give you that respect, you know what I'm saying.
Speaker 2: But it's unfortunate, like you know, they come with the
Speaker 2: territory of when you decide to start gang banging or
Speaker 2: being from the neighborhood.
Speaker 1: Yeah, like I said, with all them situations, they it's
Speaker 1: always the outside component. It's just like now you have
Speaker 1: people who are allegedly out of old Boys camp. You know,
Speaker 1: out of the kids J Cole's camp, they talking shit
Speaker 1: on the internet of this on on site. You know
Speaker 1: they doing this. And you know who's to say how
Speaker 1: deeply involved with them with J Cole they are. It's
Speaker 1: always the outside shit. And you gotta remember we're still
Speaker 1: dealing with human beings. No matter how much of a
Speaker 1: superstar somebody is. They not immune the catching that bug
Speaker 1: and want to retaliator, not looking soft. You feel what
Speaker 1: I'm saying. Shit can kind of get out of hand sometimes,
Speaker 1: Like to me, this ain't even that type of thing, man.
Speaker 1: And I think if it started off being one of
Speaker 1: them situations in hip hop to where you gotta take
Speaker 1: the competitive element out of it, out of it because
Speaker 1: somebody could possibly lose their life, I think that's what's
Speaker 1: gonna hurt the game. Though it shouldn't be like that,
Speaker 1: in my opinion. How do a lot of beef start?
Speaker 2: I do a lot of distance start, dude? Is it
Speaker 2: because niggas get offended behind shit?
Speaker 1: Or you know how he niggas to get the motherfucker mad?
Speaker 2: Niggas feel like just I mean, but I say that
Speaker 2: about niggas on your home on your home turf. It's
Speaker 2: just niggas who generally don't don't don't like you. It
Speaker 2: ain't because you got into it with they hood, or
Speaker 2: you fucked one of they bitches, or you know, y'all
Speaker 2: did a move together and a nigga told on you.
Speaker 2: Now it's just nigga who just I don't like that
Speaker 2: motherfucker Like man, I don't know why.
Speaker 1: Let's keep it real. Most rappers have tremendous egos from
Speaker 1: the beginning, right. If you ever notice, bro, it's hard
Speaker 1: to you know how they talk about everybody want to
Speaker 1: see certain collaborations happen. Some collaborations will never happen because
Speaker 1: of people's egos. You feel what I mean? You gotta
Speaker 1: had a first verse of my producer gotta do or
Speaker 1: I want this split them, the publishing, it's all kinds
Speaker 1: of stuff because everybody always going to try to make
Speaker 1: themselves feel more important than the next man. Right, everybody
Speaker 1: want to be the man? Dog, did I think I
Speaker 1: was better than every nigga who was doing the basically
Speaker 1: the same shit I was doing? Never that.
Speaker 2: It's good to have confidence in yourself done when it
Speaker 2: comes to you making your music and whatever. That's great,
Speaker 2: But uh, some niggas take that confidence like you said,
Speaker 2: uh to the wrong to the wrong place exactly. Niggas
Speaker 2: might take your confidence as as a sign of of
Speaker 2: of threats or he's threatened by your confidence in yourself,
Speaker 2: so I want to knock this nigga down, or you know,
Speaker 2: that's when all this nigga ain't real come in or
Speaker 2: who this bitch thing she is or you know, and
Speaker 2: it just it's all off of niggas feeling you know,
Speaker 2: threatened by yo yo yo come up and your confidence.
Speaker 2: It ain't nothing wrong with that. You got you You're
Speaker 2: supposed to be confident in yourself, of.
Speaker 1: Course, but it's a lot of people that don't like
Speaker 1: to share that spotlight, right, and when you got.
Speaker 2: That dark and it could be niggas who it could
Speaker 2: be niggas who ain't even trying to.
Speaker 1: Rap have that attitude. And it could be the slightest
Speaker 1: little thing, right, it could be the slightest little thing
Speaker 1: like let's say, let's say both fucking because I don't
Speaker 1: know where this shit woul Drake and Kendrick come from. Right,
Speaker 1: it could have been as slight as a motherfucker stepping
Speaker 1: on somebody's shoe, was not saying excuse me right, and
Speaker 1: next thing, you know, a motherfucker got an attitude or
Speaker 1: a motherfucker being played being little niggad, you know what
Speaker 1: I'm saying, Getting that feeling like he tried to play
Speaker 1: me out out there, you feel what I'm saying. So
Speaker 1: you never know where this shit really come from the
Speaker 1: beginning with man, I think on some rap shit, I
Speaker 1: don't Drake is a bad motherfucker dog. Like I'm not
Speaker 1: going to ever sit up here and say Drake is
Speaker 1: weak or whack. But when it comes to that rap
Speaker 1: shit dog, it's a little different than just who got
Speaker 1: the best song writing ability on some shit dog. It's
Speaker 1: about who really go go for the juggler with them bars?
Speaker 1: You feel what I'm saying, Who really go garner the
Speaker 1: attention from the masters to say, oh, now, yeah, his
Speaker 1: shit was.
Speaker 2: Just superior to his and so, and then what happens
Speaker 2: there or like does it get to the status of
Speaker 2: or now if we see somebody, if we see something
Speaker 2: in the club or you know, but you know, they
Speaker 2: on different. They there on that high level, so they
Speaker 2: may have never even cross paths.
Speaker 1: That's what I'm saying. It's never gonna beat them to
Speaker 1: cross past but if this ship is fill out on
Speaker 1: the street, it's gonna be all the surrounding and supporting cast.
Speaker 1: Like you know, it's nigga's up to out here. The
Speaker 1: love Dot. You feel what I'm saying, Right, A whole
Speaker 1: lot of people that just really love that dude. You
Speaker 1: feel what I'm saying, Like, I'm sure it's motherfuckers they
Speaker 1: love Drake.
Speaker 2: Too, right, But I don't think it's unless them two
Speaker 2: had a h a real like. I don't think somebody
Speaker 2: would just like fuck that. We gonna we just we
Speaker 2: just some outsiders and we're gonna go try.
Speaker 1: To do some shit. I don't think their beef is
Speaker 1: that there. They wouldn't be like that because that would
Speaker 1: be bad for hip hop because they like Yeah, because
Speaker 1: contrary to what niggas may think about Dot dog Dot
Speaker 1: is really from Compton. He's you feel what I'm saying.
Speaker 1: He thinks not propect way the game, life and stuff
Speaker 1: like that. But ain't nobody gonna let nobody put a
Speaker 1: hand on that.
Speaker 2: Yeah, But I don't know why would it even go
Speaker 2: to this. It's not gonna eat It's not That's what
Speaker 2: I'm shit is on the rap disk level, I'm I'm
Speaker 2: I feel I'm superior. I don't know if it's to
Speaker 2: get to the point of you know, because it ain't
Speaker 2: like I'm gonna be hanging in the club when y'all
Speaker 2: come to the club and shit like that, Like I'm
Speaker 2: a fucking.
Speaker 1: Like I said, It ain't never the artist or really
Speaker 1: their im media circle. This is all the external shit.
Speaker 1: You know how you always got through niggas who connected
Speaker 1: to somebody through some old far out shit. I get that.
Speaker 1: And the artists don't even know who the fuck they is,
Speaker 1: but they able to come. They may know a nigga
Speaker 1: security you know what I'm saying, so they feel like
Speaker 1: they team such and such as corny as hell, But
Speaker 1: that's where most of the bullshit come from, bro niggas
Speaker 1: who ain't got shit to do with nothing.
Speaker 2: Yeah, but a lot of that shit come from niggas
Speaker 2: who claim in neighborhoods and who fit they not on
Speaker 2: that type of shit. Like I'm I'm I'm dissing on
Speaker 2: some I'm super I'm more superior. I'm not dissing on
Speaker 2: the fact that nigga my hood is better than yours.
Speaker 2: That's where other niggas, some niggas come from that like, nigga,
Speaker 2: my hood is this and the hood is this, and
Speaker 2: we're gonna ride on you niggas because y'all claiming a
Speaker 2: different hood. They're beef doesn't They're They're dissing doesn't start
Speaker 2: from that. They dissing starts from music. Because I'm the
Speaker 2: more superior motherfucker in music.
Speaker 1: I feel.
Speaker 2: Niggas who get into those situations like you talking are
Speaker 2: the side niggas who like you know, you know what
Speaker 2: happens always like we've all had it. Like any nigga
Speaker 2: who was rapping and who came from a neighborhood, you
Speaker 2: got an entourage of neighborhood niggas, not no security, not
Speaker 2: no these they strictly neighborhood niggas. Now, if they go
Speaker 2: out one night and it's so happened to be the
Speaker 2: nigga that we beefing with is performing at a club
Speaker 2: or at a party, that's gonna take off because it's
Speaker 2: beyond the rap shit. It's on some hood shit. Really,
Speaker 2: it's really on some hood shit. Because when you cross
Speaker 2: the boundary, that's what I say, If you cross the
Speaker 2: boundaries of talking about niggas spots or what niggas represent,
Speaker 2: then it becomes more than distance.
Speaker 1: See, I don't know if it ever go there with him,
Speaker 1: and I don't think so.
Speaker 2: Now.
Speaker 1: The thing with a nigga like Drake, he plays so dirty, right,
Speaker 1: he plays real dirty. But he remember that show Leave
Speaker 1: It to Beever. I know a lot of niggas that
Speaker 1: listening show. Ain't that Oh? But you remember that Eddie
Speaker 1: Hasker motherfucker that always played the nice role around motherfuckers.
Speaker 1: That really was a dvous ass nigga. That's Drake, you
Speaker 1: feel what I'm saying. He's like a Disney character, but
Speaker 1: he really evil as fuck, right. He gonna find out
Speaker 1: information on a niggas broad if he can. He gonna
Speaker 1: find out information if you had a mama who filed
Speaker 1: for bankruptcy or used to say a pussy thirty years ago.
Speaker 1: He's the type of nigga that's gonna go investigate that
Speaker 1: shit already. And you know this nigga probably got an
Speaker 1: army your niggas that's writing this shit for him, right,
Speaker 1: And so he's over there piecing up some shit to
Speaker 1: where Kendrick is the nigga that's gonna get his notebook
Speaker 1: and go back to that shit and go be in
Speaker 1: there actually writing some bars for your ass and getting ready.
Speaker 1: I don't know. I don't think Drake can fuck with
Speaker 1: dot on no type of rap level.
Speaker 2: I mean, hopefully it doesn't take a nigga want nigget
Speaker 2: intentionally personal because you can't win a rap this.
Speaker 1: That's what he would do, though, dog like niggas like
Speaker 1: That's why Drake couldn't fuck with the push your Tea
Speaker 1: nigga and push your tee because push your Tea is
Speaker 1: way more grindy than him. He gonna go dig up
Speaker 1: some shit, nigga. I'm gonna talk about your kids. You
Speaker 1: ain't fucking with dick you had with the Porno Tramp.
Speaker 1: I'm gonna talk about this. I'ma go in on your ass.
Speaker 1: You feel what I mean, and he gonna be sold.
Speaker 2: Do you feel that's when it goes from dissing to beefing?
Speaker 2: It could because I'm gonna tell you, because they go
Speaker 2: for your if you like. He didn't mention anything or
Speaker 2: family shit or whatever. No, I'm rapping. I'm dropping lines
Speaker 2: about what I think about your rap shit, what I
Speaker 2: think about how your rap is going and your career
Speaker 2: as far as the music you make. I didn't go
Speaker 2: say nothing about no kids or mama and none of that.
Speaker 2: So why would you feel like, oh, well, now I'm
Speaker 2: finna go and talk about your mama and y'all used
Speaker 2: to be on Section eight and shit like that, because
Speaker 2: go down, tell you now you right now you're ready
Speaker 2: to go into the beef element and it's okay.
Speaker 1: Like to know what though, Dog, I don't know if
Speaker 1: I don't think see DoD is such a real EMC right,
Speaker 1: I don't think he's gonna go there with that shit.
Speaker 1: It's gonna always stay on the rap shit. While I'm
Speaker 1: saying so, why would you know? Because for you to
Speaker 1: be the other motherfucker on the other end of the
Speaker 1: rope and for a nigga to tug you off just
Speaker 1: some strictly dope lines and motherfucking phrases and what metaphors?
Speaker 1: Now you want to take it personal? Drake has always
Speaker 1: been known to do personal shit, like, Dog, I don't
Speaker 1: heard about this man fucking other niggas brawls all kind
Speaker 1: of shit. You feel what I'm saying, he's that type
Speaker 1: of motherfucker. Dog did it go find your egg? That's
Speaker 1: your bitch is weak? Then exactly, Drake, bitches, we told
Speaker 1: she gonna go fucking nigga that you that nigga all
Speaker 1: three of Satan Dog, that nigga Drake is the devil Dog.
Speaker 1: Now it's all fair and love and war. If you
Speaker 1: want to go to war with me then and shit,
Speaker 1: all bets is off. But I be feeling like if
Speaker 1: you want to cross into that person or motherfucking side,
Speaker 1: I mean, because we can rap against each other all day,
Speaker 1: That's what I'm here for. That's why I consider myself
Speaker 1: to be an MC, you know what I'm saying. That's
Speaker 1: why I'm here and hip hop because nigga, we can
Speaker 1: go colorful line for line all day. But when you
Speaker 1: want to cross over to the personal, you want to start,
Speaker 1: you know, talk about mamas and kids and let's go back.
Speaker 1: Let's go back to this right, and it's old as fuck.
Speaker 1: But when Drake had this shit going on with meet Meal,
Speaker 1: he said something about I took your bics on tour
Speaker 1: and she made more money than us, something like that.
Speaker 1: I don't forget, I don't remember the line orbate him,
Speaker 1: but he said some real slick shit in regards to
Speaker 1: that niggas who somebody who was a broad at that time, right,
Speaker 1: like pretty much like nigga, I took you broad on
Speaker 1: the world tour.
Speaker 2: You know what I'm saying, I don't, I don't, I don't, can't.
Speaker 2: I don't get into that shit. Still, I don't be
Speaker 2: unders because like I said, niggas want to get personal
Speaker 2: on the we might as well just fight.
Speaker 1: Then you feel so, you feel so you want them
Speaker 1: type of niggas. If a nigga came with a real
Speaker 1: personal record director that shoot, you go scrap with.
Speaker 2: That nigga, because I'm like, what's all the nigga, I
Speaker 2: don't got time to be doing no motherfucking motherfucking in
Speaker 2: depth personal nigga. Your mama used to do this and that.
Speaker 2: Because you're trying to win a rap battle, nigga, that's
Speaker 2: what these niggas might will get these hands up.
Speaker 1: That's what these niggas is willing to take it though. Dog.
Speaker 1: And again, I don't know what the gripe your's dog,
Speaker 1: I assume, and I guarantee you fucking with somebody like
Speaker 1: Drake He's thoughts. He strikes me as the type of
Speaker 1: nigga that kick somebody off the tour for nothing, for
Speaker 1: not opening the door for him or some ship like that.
Speaker 1: You feel what I'm saying, Mmm, I don't know the man, man,
Speaker 1: but he just you don't like You don't like Drake,
Speaker 1: do you, Man? I'm just pro Kendrick. Just you don't
Speaker 1: like Drake. I hear that. You know what you feeling.
Speaker 1: You don't like Drake. I actually think Drake make phenomenal
Speaker 1: motherfucker music. But I also think he's a devious nigga.
Speaker 1: But it ain't. But it ain't that the name of
Speaker 1: the game. As far as strategist I might meet him,
Speaker 1: he might have the nicest motherfucking the world. I'm just
Speaker 1: saying when it comes to this rap beef ship, he
Speaker 1: seemed like he nice and harmless, but I think he's
Speaker 1: gonna go all in and a and he's a competitive motherfucker.
Speaker 1: I don't have a personal opinion because it's not music
Speaker 1: I listen to. So when it ain't even ship I
Speaker 1: don't listen to, I don't. I have no opinion about it.
Speaker 1: You know, if you want to battle and be clever
Speaker 1: with it and slick, you know, you you gotta praise
Speaker 1: motherfuckers who can be who has the input to th nigga?
Speaker 1: Let me go hide me a private invest That's the thing.
Speaker 1: And to me, it's all about competition. Like I said,
Speaker 1: I Drake got some records. I like, I think Drake
Speaker 1: is a great songwriter, you know, for the shit he
Speaker 1: do write on or whatever, because I heard he got
Speaker 1: a team of writers and even with that, that's his program,
Speaker 1: he still gotta deliver on that shit. You feel what
Speaker 1: I'm saying. But I guarantee you he got some cats
Speaker 1: over there constructing a record specifically for him to go
Speaker 1: at Kendry. That motherfucker is like Ivan Drago. Remember how
Speaker 1: you had Rocky, Yeah, remember the Rocky movie that nigga
Speaker 1: Kate out as the nigga that's Rocky. He going back
Speaker 1: to the to the behind the meat market and Compton
Speaker 1: and beating the rib the big bags of ribs and
Speaker 1: shit and running up motherfucking Rose Frans Boulevard and shit,
Speaker 1: he gonna take it back to the essence on your ass.
Speaker 1: Drake is that nigga that got the photographers around and
Speaker 1: shit like that. A million niggas in the room writing raps.
Speaker 1: Professor is ready.
Speaker 2: I mean like, I'm I'm always for you know, representing
Speaker 2: Compton and whoever's for the city. Are you? Are you
Speaker 2: like nigga? I want some shit to go down with it.
Speaker 2: Hell Man, this is the motherfucking hip hop dog. Hell yeah,
Speaker 2: I love to see that shit the Battle of Clash
Speaker 2: of the Titans. Yep, that's gonna be good for the colchure.
Speaker 2: You know how much in the time where they say
Speaker 2: hip hop record sales is down, Dog, we need to
Speaker 2: bring some excitement back to the colture.
Speaker 1: Dog. This what this? He is right here? This is
Speaker 1: rap shit. That's why I fucked me up. When Ja
Speaker 1: Cole or I'm sorry, I don't want to have nothing
Speaker 1: to do with this. This is out my character. Nigga.
Speaker 1: You didn't do nothing wrong. You wrote a you wrote
Speaker 1: a very mediocre for a minute song or however long
Speaker 1: it was. You didn't do nothing wrong with no need
Speaker 1: to apologize. I don't even know if the apology is valid.
Speaker 1: I just think his record didn't get the response he wanted,
Speaker 1: so he said fuck it. I'm gonna go say I'm sorry.
Speaker 1: If anything, you should be sorry for putting out that
Speaker 1: mediocre as shit in the midst of this the biggest
Speaker 1: confrontation in the last few years of hip hop. I
Speaker 1: think this shit healthy for the motherfucking sport. Dog can't
Speaker 1: have no one nigga just running around dominating who who
Speaker 1: was dominating? Though? You know what, man, I'm taking j
Speaker 1: Cole out the question. He donna say it. He's sorry already.
Speaker 1: He not even in the motherfucker discussion no more. I
Speaker 1: think it's gonna come down. What do you want to
Speaker 1: see happen?
Speaker 2: Do you?
Speaker 1: What do you?
Speaker 2: Because, like I said, it's like that ship that be
Speaker 2: on TV when animals go wrong or when so and
Speaker 2: so like something could like you just said, it could
Speaker 2: be some side niggas who feel like I want to
Speaker 2: step up and do some shit. I'm down for Kendrick,
Speaker 2: I'm down for Drake. Are you feeling like you advocating
Speaker 2: that ship?
Speaker 1: No, I'm not see I ain't saying nothing about nobody
Speaker 1: casting each other bodily harm.
Speaker 2: No, but you said, you said it could be some
Speaker 2: nigga and it ain't gotta beat him too.
Speaker 1: But for the fact.
Speaker 2: That it is, you know, it's it's great for hip hop.
Speaker 2: But just like they said, when when hip hop goes wrong.
Speaker 1: You can't control the motherfucker's on the right.
Speaker 3: You can't.
Speaker 1: You can't control them. So whatever happened with the side
Speaker 1: niggas and all that show, now, I really hope that
Speaker 1: shit don't happen when you want to just keep it
Speaker 1: on the hip hop I would love to keep it
Speaker 1: on the hip hop level. You know what ideally want
Speaker 1: to see it happen. I want to see Drake drop
Speaker 1: a record. Then I want to see Kendrick drop a record.
Speaker 1: Like I'm gonna tell you, you couldn't tell me when
Speaker 1: that ship with Hole and Nas was going down. You
Speaker 1: wasn't paying attention as a nigga. That's an MC. You always.
Speaker 2: Respect the nature of the hunt and definitely when it's
Speaker 2: coming from too lyrical mother fu.
Speaker 1: Hell yeah, I thought that amazing when motherfucker, I'm gonna
Speaker 1: tell you what I said.
Speaker 2: My my situation was different because it wasn't just all
Speaker 2: my nigga gonna make a go this song, eight gonna
Speaker 2: make a song, he gonna make a song. WOOTI wom
Speaker 2: It got to the fact that nigga we ready to
Speaker 2: do some killing.
Speaker 1: See y'all, shit was different, dog, I'm talking about like
Speaker 1: Jay and Nis. I think the Drake and Kendom shit that.
Speaker 2: Level could the Jay and Nos shit because somebody got
Speaker 2: hurt behind that.
Speaker 1: Who got hurt? Me?
Speaker 2: And saying who could it have been Could it have
Speaker 2: turned into a.
Speaker 1: Situation, Yeah, it could have definitely. Man, I'm gonna tell
Speaker 1: you something. When he came out with the condoms in
Speaker 1: the back seat, I'm talking about leaving condoms on the
Speaker 1: baby seat and all that shit. Man, that nigga could
Speaker 1: have snapped the one I'm gonna beat the shit out
Speaker 1: of his gabra. You know, like you don't have this
Speaker 1: nigga in the back of mark. You feel what I'm saying.
Speaker 1: It could have got ugly in that aspect, dog, right,
Speaker 1: because it got real personal, right?
Speaker 2: Or could it have gotten to the point that nigga,
Speaker 2: y'all from over there and we from over here.
Speaker 1: Yeah, I'm pretty sure, Dog, I'm pretty sure any situation
Speaker 1: when you're dealing with the hip hop everybody from somewhere, right,
Speaker 1: no matter how fuck with the rappers gangstere is, it's
Speaker 1: all about the power of his un to rage the neighborhood.
Speaker 1: He from, right, So it's always gonna be the possibility
Speaker 1: of some niggas from the hood stepping out of line
Speaker 1: and just doing some shit that's terrible. You feel what
Speaker 1: I'm saying. It ain't got nothing to do with the records,
Speaker 1: because this shit should all be about. And what I'm
Speaker 1: when you talk about hip hop battles, right, you gotta
Speaker 1: be prepared for anything. A nigga might dig up something
Speaker 1: from your past to some inflammatory that it could fuck
Speaker 1: you up, right, Like, look at this shit that happened
Speaker 1: to Rick Ross and Fifty when the shit when they
Speaker 1: was beef and right, he pulled out that this nigga
Speaker 1: used to work at it as a motherfucking security guard
Speaker 1: of the prison. You feel what I'm saying as a
Speaker 1: motherfucking you know, officer of the law. That shit could
Speaker 1: have been really disastrous for Rose's career. But Rose handled
Speaker 1: that shit like a boss because he always kept on
Speaker 1: record while Fifty wanted to go to the Shenanigans and
Speaker 1: all that shit that nigga Ross said, noah, nigga, come
Speaker 1: back in here. You get this work with these bars,
Speaker 1: fuck all the jokes and all the outside shit. So
Speaker 1: what I was the motherfucker that had a job. It's
Speaker 1: not like the nigga was. It's not like, you know,
Speaker 1: to the general public, they go always paint the picture
Speaker 1: that yeah he was a law enforcement officer. No he wasn't.
Speaker 1: This nigga had a thirty thousand dollars a year job
Speaker 1: watching the motherfucking the prisoners, keeping them niggas in line.
Speaker 1: You feel what I'm saying. So it's like he kept
Speaker 1: it on the records and he came with that when
Speaker 1: he came with mafia music or whatever that shit. That
Speaker 1: shit was hard as a motherfucker. He kept the attention
Speaker 1: on the records. I think as long as niggas, I
Speaker 1: think all that little sideline was that about?
Speaker 2: Like you said, he no, I don't they knew he
Speaker 2: was a correctional officer. But does that does that give him?
Speaker 1: Uh?
Speaker 2: Does that? Does that give him the past? Because he
Speaker 2: was a corrections off everybody? That was the That was
Speaker 2: the situation because you know how people look at when
Speaker 2: niggas say they're from the streets and then you find out,
Speaker 2: so what were you a banger?
Speaker 1: Were you a dope DEALI had a job, man. You
Speaker 1: know how many niggas I noticed, real crips that work
Speaker 1: as long shoremen and all kinds of shit, got jobs
Speaker 1: and pharmacies, all kind of shit. And these niggas is
Speaker 1: full fledged with it. They got jobs. You know this
Speaker 1: eight game on exactly play the best salary.
Speaker 2: How many niggas though you know who were hard crips
Speaker 2: from in Loan Beach and whatever, and they was going
Speaker 2: to the police a situation. Too many niggas, God damn right,
Speaker 2: niggas would have been cable niggas, gas men, long, short men.
Speaker 2: You don't know too many niggas who came from that
Speaker 2: element saying that they.
Speaker 1: Wasn't about that, No, because I knew a lot of niggas.
Speaker 1: Now I knew a few niggas who was hood affiliates,
Speaker 1: right there was like you know, the niggas say cuz
Speaker 1: every other words, they you know, niggas cripp whatever they
Speaker 1: wants to while, but they weren't really full fledged bangers
Speaker 1: that went on the work in law enforcement. Right. I
Speaker 1: know a few niggas like that, but they wasn't real.
Speaker 1: They wasn't real balls out nigga ragging and pocket hanging crips.
Speaker 1: You feel what I'm saying. These niggas went to college.
Speaker 1: They but they from the neighborhood though definitely they from
Speaker 1: the neighborhood and shit, and they claim that neighborhood. But
Speaker 1: they and I call them people members. They're gang members.
Speaker 1: They not the niggas that's gonna come jump in the
Speaker 1: car when it's time to put in some work, right,
Speaker 1: You feel what I'm saying, and they not really giving
Speaker 1: fuck giving the fuck that that nigga over at the enemy,
Speaker 1: They're not about to do all that because they got
Speaker 1: other shit going on in life. You feel what I'm saying, definitely.
Speaker 1: So it's so it's definitely a difference though, which is
Speaker 1: like how you could say most rap niggas are. It's
Speaker 1: a lot of rap niggas that's from the hood that
Speaker 1: ain't necessarily wasn't necessarily just the most dangerous motherfuckers on
Speaker 1: the planet. You know, do you think.
Speaker 2: As we gone, do you think because it's a lot
Speaker 2: of niggas nowadays, you know, who feel like it's a
Speaker 2: faster way to fame and a faster way to uh
Speaker 2: get noticed. It's just my automatic distion niggas.
Speaker 1: Man, I'm gonna tell you, I really think. I think
Speaker 1: that's how it's always been. Man conversation Ruler Nation. If
Speaker 1: you can get a motherfucker to talk about you, dog,
Speaker 1: even if it's in a negative aspect, all the negative
Speaker 1: aspects of you, it can shit, it's gonna bring you
Speaker 1: more attention, you know. The fraid. You know, the addicts
Speaker 1: ain't no such thing as bad publicity. Mm hmm. You
Speaker 1: feel what I'm saying. That's why a lot of motherfuckers
Speaker 1: is really to the point they don't give a fuck
Speaker 1: about what somebody think about them personally as long as
Speaker 1: their lights stay shined on their ass. You know what
Speaker 1: I mean? You feel me.
Speaker 2: Like I said, it's just it's just any difference because
Speaker 2: like I said, niggas having uh, you know, friendly battles,
Speaker 2: you know, to prove they you know, the seniority of
Speaker 2: them feeling themselves. Like I said, I thought, you know,
Speaker 2: Ll Cool J and Kumo D. That was the ship
Speaker 2: was the shit fucking you know that generated excitement.
Speaker 1: Bro. Honestly, I don't like you know why I don't
Speaker 1: like the personal shit because we was here for the
Speaker 1: big and pok ship. You feel what I'm saying that
Speaker 1: ship was. That ship wasn't cool though, it really wasn't
Speaker 1: cool because to me, that got beyond the competition thing.
Speaker 1: It's like, okay, you trying to really just got this man,
Speaker 1: the motherfucker's manhood. Now, you know what I'm saying.
Speaker 2: I think after you know, seeing you know Ll Cool
Speaker 2: J and koom O D or or you know KRS
Speaker 2: and the mc shan shit, you know, and that was
Speaker 2: what I think once our generation because like I said,
Speaker 2: we was niggas from we was we came out of
Speaker 2: gang banging element, you get me. It wasn't like we
Speaker 2: was rapping and then we started to go, oh fuck that,
Speaker 2: we gonna We're gonna just be hood niggas. Now you know,
Speaker 2: we are already some rapping niggas wearing King Gos and whatever whatever,
Speaker 2: because that was the that was what rap hip hop
Speaker 2: was King goos and Adidas suits and you know whatever.
Speaker 2: H But I think when we came in because we
Speaker 2: were products of that real hard gang banging element.
Speaker 1: So you really had goons on your squad.
Speaker 2: Yeah, it was niggas, you know. We I didn't I
Speaker 2: didn't do security or nothing like that because like I said,
Speaker 2: I was still hanging in the neighborhood.
Speaker 1: And see that's the that's the dangerous level though, bro,
Speaker 1: where this shit go to the outside entourage is because
Speaker 1: you always got a different levels of homies. Right, you
Speaker 1: got the homies that's cool, but they really not go
Speaker 1: go out and kick up no unnecessary dust if they
Speaker 1: don't have to, but they will fight. Right then you
Speaker 1: got theigga's who really the goon niggas who's looking for
Speaker 1: a nigga to do something, but they go take it
Speaker 1: from zero to one hundred. You feel what I'm saying.
Speaker 1: They ain't just gonna beat the motherfucker up. They might
Speaker 1: shoot a motherfucker or give the motherfucker a buck fifty
Speaker 1: behind the stage. You feel what I'm saying. Some shit
Speaker 1: that's gonna get a nigga in diet it. You feel
Speaker 1: what I'm saying and result of somebody really getting hurt.
Speaker 1: Like I'm trying to think of the dudes name this
Speaker 1: because I guess Drake got goons. I'm trying to think
Speaker 1: of the one cat's name to be making little threats
Speaker 1: here and there on a from oh Vo, some cat
Speaker 1: from over Yo talk about y'all know what I do
Speaker 1: once I get activated. I hope they don't try to
Speaker 1: go there because that's a lose. I'm gonna tell you something, man,
Speaker 1: And I was telling somebody this man, shit on the
Speaker 1: West Coast get real dangerous. Shit in New York can
Speaker 1: get real dangerous. Shit in Chicago can get real dangerous.
Speaker 1: Shit in Memphis can get real dangerous. So it ain't
Speaker 1: even cool to play because it's goons everywhere. You feel
Speaker 1: what I'm saying, and it's always gonna be that dude
Speaker 1: that's willing to crash out behind some shit. You feel
Speaker 1: what I mean?
Speaker 2: Unto rogers and money make certain niggas feel real superhero
Speaker 2: ish instead of humbling you know, your beginnings and and
Speaker 2: whatever you you know, because everybody had to start from somewhere. Again,
Speaker 2: money and status gives niggas superheroism.
Speaker 1: Uh So.
Speaker 2: That attitude is not always cool, especially when you're dealing
Speaker 2: with motherfuckers who are in the higher status than you are.
Speaker 2: It could really, it could really. Uh that's how always
Speaker 2: the signed nigga end up dead or getting shot or whatever.
Speaker 2: Sometimes humbleness works being a loud, more fast nigga.
Speaker 1: Can you know?
Speaker 2: It can get you in a lot of It can
Speaker 2: put you in a bad situation, especially if you're dealing
Speaker 2: with other niggas who is just miles as loud as
Speaker 2: yours and they just as vocal about the situation too.
Speaker 1: So exactly like like look at this shit man with
Speaker 1: like the like for example, with the King Von and
Speaker 1: Quandorondo shit right, it was somebody got a Quander Rondo's
Speaker 1: camp that that made that crack off, you feel what
Speaker 1: I'm saying, And you know, records get made and all
Speaker 1: that shit, So shit can get ugly. And I guarantee
Speaker 1: you if these little niggas that stopped and sit back
Speaker 1: and think, half the time these motherfuckers fall out us
Speaker 1: over some shit that's this fucking small.
Speaker 2: Yeah, but that ain't that's not the mentality of the
Speaker 2: the young, the young adults, the BG, so to speak,
Speaker 2: the baby gangsters. They are the live wires. They are
Speaker 2: the ones that you know, make it crack off and
Speaker 2: put in the work. And you know, you ain't got
Speaker 2: too many og niggas still rolling around, you know, doing
Speaker 2: you know dirt, especially when you've been around in thirty
Speaker 2: forty years, you kind of on the kickback, peaceful mode,
Speaker 2: especially if you've done done a long time in prison
Speaker 2: or just seeing a lot of shit that's done happen
Speaker 2: throughout your motherfucking years of walking the motherfucking block.
Speaker 1: So it's always the youngsters.
Speaker 2: And just like I say, even me at eighteen nineteen twenty,
Speaker 2: even with rapping, it still was everything.
Speaker 1: You know what I'm saying to.
Speaker 2: You know, still be associated you get me exactly. I
Speaker 2: ain't chack stepping and went to the world of hip
Speaker 2: hoop to where I'm living in Beverly Hills, and I
Speaker 2: only associate with the white collar and the rich and
Speaker 2: all that type of shit. Nigga that just made me
Speaker 2: want to go to the hood more.
Speaker 1: See see look at this. This is what I mean
Speaker 1: by the outside niggas, Right, it's some cat o Vo
Speaker 1: Chubb's taunts Kendrick. You know, O Vo Chubb responds to
Speaker 1: this Drake Goon, Baca threatens Kendrick Lamar Drake's dad, and
Speaker 1: Ovo Stepper Baca go off on Kendrick in future. So
Speaker 1: everybody talking except for Drake. These niggas, Drake's goon, Drake's
Speaker 1: this dimnest niggas that want attention. See, Drake got all
Speaker 1: the attention he need in the world. All he gonna
Speaker 1: do is drop a motherfucking record right and do what
Speaker 1: he gonna do. Right. But if it's some stepping at
Speaker 1: the cur it's not gonna be him doing it. You
Speaker 1: feel what I'm saying. It's not gonna ever be the rapper.
Speaker 1: But you got the niggas that's willing to crash out
Speaker 1: on some shit and they just send the shots. Do
Speaker 1: you think look, shit, Kendrick ain't nothing. I don't think
Speaker 1: dot is five ten. You feel what I'm saying. Do
Speaker 1: you think you actually gonna be able to get to
Speaker 1: him though? Now?
Speaker 2: But that's not even that's not what that even is for.
Speaker 2: That's for I'm gonna let myself be known that.
Speaker 1: I'm I'm with that.
Speaker 2: You know, that's a nigga just wanted to take his
Speaker 2: solo recognition.
Speaker 1: Like you said, they ain't gonna fuck around and get
Speaker 1: hurt sending thrifts to motherfuckers.
Speaker 2: You ain't gonna never run into motherfuckers. It's it's, it's,
Speaker 2: it's it's. It's just like right now, a motherfucker can
Speaker 2: sit up and go nigga, nigga, I nissed nigga and
Speaker 2: see you.
Speaker 1: Know, but that that's you just you just made my
Speaker 1: point though, right, He ain't gotta never run the kto right,
Speaker 1: but you know who he may run into one of
Speaker 1: these little niggas around her that love that man nigga
Speaker 1: with that nigga over Yo Chubbs that was talking all
Speaker 1: that shit. Cuz hold on and you never know, but
Speaker 1: it happened that quick dog.
Speaker 2: But it ain't gonna never be by itself nowhere solo.
Speaker 2: They running a pack, you can't do You can't do
Speaker 2: that with niggas that running packs. They not finna go
Speaker 2: nowhere where any of Kendrick's people finna be you think
Speaker 2: they finish. Drake is on motherfucking private motherfucking airplanes and
Speaker 2: yachts and shit, and only go to motherfucking places where
Speaker 2: the average nigga can't even look in.
Speaker 1: You get me.
Speaker 2: So, all those threats and that that ship it be
Speaker 2: for the it's for your personal gratification. I'm gonna let
Speaker 2: niggas know, Yeah, my my name is O V O
Speaker 2: whatever and I'm with the shits. You get me so, nigga, Okay,
Speaker 2: but it ain't like Kendrick. Finna go okay, let's meet
Speaker 2: up at the park or let's meet up saying it
Speaker 2: ain't always the entourages. Man, I'm gonna say what the
Speaker 2: fuck I want to say, and that's what it's gonna be, because,
Speaker 2: like I said, I'm a man and I'm not scared
Speaker 2: of anyone.
Speaker 1: Let me ask you this. My whole lifestyle is nigga,
Speaker 1: I'm more, let me go.
Speaker 2: I'm I'm not even where you niggas is even thinking
Speaker 2: about surface.
Speaker 1: Ask you this though, but remember the nigga like you had,
Speaker 1: Tim Dogg that did the probably goofy Ship with the
Speaker 1: Fuck Compton record, right, do you? There's no chance that
Speaker 1: he would have ever actually been in the city of Compton, Like, like,
Speaker 1: nobody from Compton was go ever see that nigga unless we.
Speaker 2: Saw ain't a a like one of the Jack the
Speaker 2: Rapper conventions see him in Compton. No, but that's what
Speaker 2: I'm saying. Nobody is ever gonna really get to this nigga.
Speaker 2: And when you do get to him, is it ever
Speaker 2: gonna be worth to actually do something to him? Behind
Speaker 2: him making that goofy Ass record? At that time, rap
Speaker 2: was fresh and new, and I think at that time
Speaker 2: it was still on the even though he was fucking
Speaker 2: Compton and making fun and easy.
Speaker 1: And then hold on that hold on this old one second,
Speaker 1: I'm gonna take this car. Will was cracking with you, man.
Speaker 1: Should we over here recording against the chronicles? Now, Like
Speaker 1: you said, Man, that's a celebrity phone call right there.
Speaker 1: I gotta answer that answer that phone call real quick. Yeah, Yeah,
Speaker 1: that's what's up? Yeah, mans Hey? Will? I know I
Speaker 1: know it's late though, but let me ask you a question, man,
Speaker 1: Me and eight is there having a debate right about rap?
Speaker 1: You know rap? At this I was you know, I
Speaker 1: was telling a wrapping this primal essence. You're gonna have
Speaker 1: to endure some competition, right, It's all about everybody trying
Speaker 1: to get to the number one spot. Do you think
Speaker 1: it's possible? But still has that brand of hip hop
Speaker 1: today man, where everybody take everything so personal.
Speaker 3: Shit, it seemed like everybody taking everything personal right now,
Speaker 3: that's where everybody getting killed.
Speaker 1: So so you think if a motherfucker, a new rapper
Speaker 1: come out with a record and he dissing the motherfucker, right,
Speaker 1: he dissing Drake, he dissing whoever. You think that shit.
Speaker 3: Can depending on who he did, he can get away
Speaker 3: with it and never have to think about nothing.
Speaker 1: But if he if he played that trio game, he.
Speaker 3: Could get hisself put in a box like like.
Speaker 1: Drake, Drake. If you notice Kendrick.
Speaker 3: And j Cole, they're not them dudes and Drake, they're
Speaker 3: not dising kill us, Definite, they dising catch that's on
Speaker 3: their level. Commercial type catch who got way more to loser,
Speaker 3: who are way smarter than the average drill rapper. That
Speaker 3: that's around himself with a whole bunch of killers and gangsters.
Speaker 3: You know them dudes ain't no real killers and gases.
Speaker 3: I mean, come on, man, Jake Cole apologized after two days,
Speaker 3: and you got it and you just just you just
Speaker 3: went upside Kendrick head and then you could have finished him,
Speaker 3: you know, and he apologized.
Speaker 1: That's what I say. I thought that she was weak
Speaker 1: than the motherfucker dog.
Speaker 3: Ain't no where I would apologize. I would have stood
Speaker 3: on that, like, let me hey man, let me get out,
Speaker 3: let me get everything, because first.
Speaker 1: Of all, Kendrick threw the first punch.
Speaker 3: Man, I ain't no where I'm apologizing for socking who
Speaker 3: swung on me first.
Speaker 1: That's what I'm saying.
Speaker 3: I don't care if I don't care if I hit
Speaker 3: him in the head and kidding you pop out of
Speaker 3: his ass. I ain't gonna fucking apologize. He brought that,
Speaker 3: he brought that on his self.
Speaker 1: That's my school see, that's my school of thought, will
Speaker 1: and that's what I was. You know, me and A
Speaker 1: was here having this conversation. I told him, I said,
Speaker 1: this ain't that type of conflict to where somebody could
Speaker 1: possibly die. And I could see if you went on
Speaker 1: there and said something about the man's kids, saying something
Speaker 1: about his mama and this and that, and say, you
Speaker 1: know what I took to so far? Nigga, you responded
Speaker 1: back to somebody's smacking you in the back of your
Speaker 1: head and he swung on them. I'm not gonna poll
Speaker 1: I'm the one that was that was wrong. I didn't.
Speaker 1: I didn't go out starting ship. I was wrong. I
Speaker 1: got a dark through with me and I was minding
Speaker 1: my own business. Now I'm gonna tell you I think
Speaker 1: this ship and see what I was telling him. I said,
Speaker 1: it never beat those guys that go at each other.
Speaker 1: There's too much money to lose. It'll be one of
Speaker 1: these so called affiliates that go out and do something stupid.
Speaker 1: And that's never like you ain't gonna never be able
Speaker 1: to get the kindred. You ain't gonna never be able
Speaker 1: to get the drake. So I ain't none of that
Speaker 1: gonna happen. Damn that ain't even the.
Speaker 3: Biggest part of the biggest part of it is they
Speaker 3: don't want to get to each other. It ain't it
Speaker 3: ain't even that serious. Man, They don't want to get
Speaker 3: each other like it ain't that serious them dudes.
Speaker 1: Them dudes, it's just like.
Speaker 3: The they I ain't gonna say, just like because Pop
Speaker 3: was a little different.
Speaker 1: You know, he ain't give a fuck. He just was
Speaker 1: he was he was. He was a.
Speaker 3: Big understood He didn't want to get the pope, you
Speaker 3: know what I'm saying. Like, you know, Pop was a juggernaut.
Speaker 3: But damn, dudes, they ain't trying to really get to
Speaker 3: each other like that. And and rightfully so they shouldn't
Speaker 3: be trying to get to each other like that.
Speaker 1: Man, sh ain't man, it's it's bigger ship. They got
Speaker 1: bigger fish to fry. Man.
Speaker 3: Them dudes got legacies to fulfill and and families and
Speaker 3: and and major major responsibilities and ship.
Speaker 1: And they can't be.
Speaker 3: Getting caught up in the regular old street niggas ships.
Speaker 3: They need to be sitting back playing that minitary cards
Speaker 3: being dignitaries.
Speaker 1: Don't get touched in this.
Speaker 3: Dignitaries get all the way out of them, out of pocket.
Speaker 1: And break the cold.
Speaker 3: Other than that, dignitaries, man, dignitaries go to all the funerals.
Speaker 1: Hell yeah, well will shit, man, I appreciate you calling
Speaker 1: me and dog, you gonna be out here. I'm gonna
Speaker 1: get with you dogs. I want to sit down with
Speaker 1: you in person, but I'm gonna get with you, that's
Speaker 1: all for sure. Boy. Well, what's hiding the family? What's up? Eight?
Speaker 1: All day? People?
Speaker 3: Man?
Speaker 1: Man, hold up all day? Head? Yeah yeah, hey, Will,
Speaker 1: let me ask you this. I'm gonna ask both of
Speaker 1: you all this for you and eight right here. So
Speaker 1: if a motherfucker came out with a record, let's say
Speaker 1: he was from the Third War, back when you was
Speaker 1: in your prime, when you prime, Will he digging and
Speaker 1: the ghetto boys and doing your thing, and he come
Speaker 1: up with this record, he talking cashit ty. When I
Speaker 1: see Will, I'm gonna smack his say, look at yeah,
Speaker 1: just on your ass right and you stay happen to
Speaker 1: see that dudel whooped his Ass'm a touching, I'm a touching.
Speaker 1: He's gonna smell my cologne.
Speaker 2: I mean, yeah, back then, ship, especially now especially now.
Speaker 1: Yeah. Yeah, well I because if.
Speaker 3: He let me tell you something, bro, that's why I
Speaker 3: don't be fucking with nobody, because.
Speaker 1: I already know how I am.
Speaker 3: So if I don't fuck with nobody, the chances are
Speaker 3: most people, at least most won'ta fuck with me, I
Speaker 3: won't have as many incidents if somebody fucking with me.
Speaker 3: Eventually somebody gonna say my name and fuck with me.
Speaker 1: I ain't fucking with nobody.
Speaker 3: But you know how things are today.
Speaker 1: I see him in traffic. Yeah, man, I don't think that.
Speaker 1: Just to close it up, I don't think it's gonna
Speaker 1: get that heavy. And if anything do happening to be
Speaker 1: the outside forces. The external people don't have shit to
Speaker 1: do with nothing really.
Speaker 2: And unfortunately that's a lot of you know, especially when
Speaker 2: you niggas who are affiliated or homies or whatever, they
Speaker 2: feel a personal like they feel a personal connection to
Speaker 2: the nigga and so yeah, nigga giving them money. You know,
Speaker 2: it could be anything, nigga. You know, I'm sure Drake
Speaker 2: is Is is covering his niggas back. And you know,
Speaker 2: the nigga done been do plenty of motherfucking situations and
Speaker 2: they didn't have plenty of fun and went to plenty
Speaker 2: of different countries. And you know, so niggas feel that
Speaker 2: that loyalty. You get me. Niggas feel that loyalty to
Speaker 2: a nigga, So you know he gonna they gonna voice
Speaker 2: their opinion, you know, and plus he feel like I
Speaker 2: got the right to like a nigga.
Speaker 1: Ain't this in you? Let me ask you. Let me
Speaker 1: ask you a question about this, about how we reacted stuff.
Speaker 1: Would you still drop duck Sick if Quick would have
Speaker 1: came back the next day?
Speaker 2: In the pologies, Sick was never a song about Quick.
Speaker 2: So just to clear that the air. I don't know
Speaker 2: why people think that Duck Sick was ever a DJ
Speaker 2: Quick disc. Duck Sick was dissing some other niggas out
Speaker 2: of lynn Wood, who was a little rap crew at
Speaker 2: the time. That's what I said. I didn't even know
Speaker 2: Quick at that time.
Speaker 1: You know what the crazy party was though the niggas
Speaker 1: out of Lynnwood couldn't even get their own disc record.
Speaker 1: The niggas always thought it was about Quick.
Speaker 2: Because that was in the that was in the circuit
Speaker 2: of you know, niggas was you know, getting getting off
Speaker 2: and a lot of niggas was on independent little record labels,
Speaker 2: and you know, so we were up and coming CMW.
Speaker 2: We had a little twelve inch out and we had
Speaker 2: a little bullshit dish from another little rap crew and
Speaker 2: but everybody, I guess, because everybody just it was a
Speaker 2: disc record and if you listen to it, it sounded
Speaker 2: like you dissing somebody.
Speaker 1: So you know what's crazy. If them cats would have
Speaker 1: knew that it was Demi Shaw was this they they've
Speaker 1: probably been happy. Oh we got them the respect.
Speaker 2: I don't know if we actually called their names, y'all,
Speaker 2: but you know, we talked about the situation. But back
Speaker 2: then we were just on the friendly disc tip. We
Speaker 2: wasn't looking at it like, oh, we gonna finna run
Speaker 2: through these niggas neighborhood and see where they're from and
Speaker 2: all that. Like I said, even though we was hood niggas, man,
Speaker 2: I still took in the hip hop element and of
Speaker 2: all that, and it was just a dish record, you
Speaker 2: give me. I didn't think anything was gonna come behind it. Now,
Speaker 2: if niggas wanted to take it to some street shit,
Speaker 2: on some hood shit, it would have went there. But
Speaker 2: to me, it was just friendly hip hop in banter.
Speaker 2: A lot of niggas was dissing each other back in
Speaker 2: the early rap days.
Speaker 1: Yeah, real man, Now you know what the crazy part about. Now,
Speaker 1: Like I said, these artists ain't gonna never face each other.
Speaker 1: They never go come in contact with each other. Even
Speaker 1: with the even with the Tupac and Biggie shit, them
Speaker 1: niggas never actually crossed paths with each other.
Speaker 2: As long as as our little shit went on, we
Speaker 2: didn't cross pass but maybe once you get me. It
Speaker 2: wasn't like, oh, well we know these niggas. You know
Speaker 2: finna be performing tonight, so we finished. We didn't do
Speaker 2: that shit. We was like, ain't nothing coming over here
Speaker 2: to the neighborhood bothering us and our motherfucking careers at
Speaker 2: that time was in to where promoters wouldn't they would
Speaker 2: never book us, you give me. It wasn't like a
Speaker 2: promoter would call and be like, hey, I got DJ
Speaker 2: Quick on the bill. AMC yate what you I never?
Speaker 2: I never. We never got booked on the show together.
Speaker 2: That was later on down the line because of motherfuckers
Speaker 2: knew that's a sensitive situation.
Speaker 1: Promoters had common sense.
Speaker 2: They weren't too especially if it was a promoter from
Speaker 2: the West Coast or anybody who knew the era of
Speaker 2: game banging. Hell no, motherfuckers like that get their whole
Speaker 2: motherfucking club tour up man. Yeah, so we about to
Speaker 2: go in and check out of here.
Speaker 1: Dog. We have been up here for a minute man,
Speaker 1: that's a dope ass T shirt dog.
Speaker 2: Oh yeah, this is my h It was my people overseas,
Speaker 2: but uh, we are going through some business right now
Speaker 2: and I'm about to start supplying that I need money
Speaker 2: and the God lines over here.
Speaker 1: So that's what we got cracked. Everybody always asked about
Speaker 1: them T shirts.
Speaker 2: Dogs, the gold oil and diamonds, that's what that's for.
Speaker 2: So you know, you see it and say God, but
Speaker 2: it's it's gold oil and diamonds.
Speaker 1: And then we got the I need money. You know.
Speaker 2: We're gonna have them in short sets, jogger sets, sweats, hoodies,
Speaker 2: shit for the females. Whatever color, pink, orange, purple. We
Speaker 2: got this design and we got another design, so we're
Speaker 2: trying to go with some ship. Once we get a cracking,
Speaker 2: you're gonna be able to find that at Official eight
Speaker 2: just like all the other shit Official eight Clothing dot Com.
Speaker 1: That's dope, man, And we go have our online forum
Speaker 1: app and all the other good ship be up in
Speaker 1: about another week gainst the Chronicles dot that for sure.
Speaker 1: I'm gonna have it to where we can go live
Speaker 1: from there, man, and we could do content exclusive for
Speaker 1: our sites. You know what I'm saying they can't be
Speaker 1: you know that they can't be you know where where
Speaker 1: maybe they'll be able to get a little glimpse of
Speaker 1: that Willie de conversation a little bit, you know, just
Speaker 1: a little bit, you know, a little taste of it. Man.
Speaker 1: But we go check out of here, man, and we'll
Speaker 1: see y'all next week. Jeh