Speaker 1: Pushkin, and you taught me a Yiddish word. I thought
Speaker 1: you a Yiddish one. Oh yes I did. Maybe you
Speaker 1: had just learned it. I don't know, but it's the
Speaker 1: word that is the kind of the opposite directional flow
Speaker 1: of nachas. On June eighteenth, ladies and gentlemen, I will
Speaker 1: bring you season five of Revisionist History, where we lurch
Speaker 1: once again from the sublime to the ridiculous, with stops
Speaker 1: along the way for digressions of great importance like nachas,
Speaker 1: and it's opposite, so nachus being like the joy that
Speaker 1: your children give you, and this word being yas, yeah,
Speaker 1: the one that you give them. This is a season
Speaker 1: of yachas on Revisionist History, where I bring you some joy,
Speaker 1: plus a whole lot of serious things as well, like
Speaker 1: how do we remember those who have suffered? And how
Speaker 1: do you remember those who brought suffering into the world.
Speaker 1: I'd rather have somebody who is real stupid or did
Speaker 1: something and even was wrong. He did something, and I
Speaker 1: have somebody who would facelate and knew nothing. Season five
Speaker 1: has lots of things on art museums, because art museums
Speaker 1: turn out to be very strange, not to mention a
Speaker 1: little bit of Howard Hughes, Saint Vincent van Go Smug
Speaker 1: the Dragon, even Andy Warhol. He said, if everyone's not
Speaker 1: a beauty, then nobody is. That is the perfect illustration
Speaker 1: of the particular condition, wonderful condition of the order. Yes,
Speaker 1: is not beautiful, then no object is right. That is
Speaker 1: the god that's haunting. Revision is History Season five, episode
Speaker 1: one drops June eighteenth. If every episode is not beautiful,
Speaker 1: then no episode is