Gesamtlänge aller Episoden: 6 days 3 hours 5 minutes
Retaining our previous form as WHH, we venture into "The Valley of the Gods" by Lech Majewski, respected Polish director and video artist the boys have absolutely no priors with. And so, as if from the void, comes this strange art film that Pat and Jake found pleasantly surprising, Matt not so much. Josh plays John Ecas, a frustrated copywriter and would-be novelist freshly cuckolded by his wife's hang gliding instructor and in the midst of an existential meltdown...
We're doing another cheeky switch-em-up and putting on our other hat as We Heart Hartnett to cover Josh's latest: Most Wanted (2020), a journalism thriller with twin timelines, based on a true story (with some dramatization ;-)) directed by Daniel Roby...
And now…a time travel episode. In October 2019, Kendra James joined the boys to discuss a film starring Keanu and Sandra Bullock and a time traveling mailbox. The episode was scheduled to drop in April 2020, and so a lot of time was spent trying to predict what would be happening in the future. Some predictions were correct! Most were totally wrong! It’s a loopy episode and boy oh boy it is weird to listen to it now! Time travel!
The boys are back and discussing Keanu's latest, "Bill and Ted Face The Music." Look, we're a little rusty and it maybe took us a bit to get to the film, but we DO get there. Jake and Matt annoy Patrick their opinions and...should nicecore even be a description of something? Either way, all agree this was a nice movie and the bonhomie of Bill and Ted lives on, even in their progeny.
Ok folks, we've reached it. The big one. The crucial juncture. The Matrix (1999)! What to really say about this film? We live in a simulation created by machines in order to keep us blind to our captivity and usefulness merely as an energy supply for said machines. As a metaphor, consistently apropos. And if you haven't seen this film and are listening to this podcast you are a statistical outlier...
Big episode, big movie, big acting! Scott Thomas returns to join us for "The Devil's Advocate" (1997). Keanu plays hotshot Florida criminal defense attorney Kevin Lomax, who ain't never lost a case. His bona fides (as well as a preternatural ability to choose a jury) get him an offer at a prestigious firm in NYC. There, Kevin and his young wife (Charlize Theron) are given a lavish parkside Manhattan apartment and go up a great many tax brackets. But could this have been......
"The Last Time I Committed Suicide" (1997) by Stephen Kay. This one's about Neal Cassady (played by Thomas Jane), muse of the beat writers, amphetamine popping driver of The Merry Pranksters, during maybe the most boring part of his life, rendered duller still by being treated so reverently. A young Neal is listless and dissatisfied in small-town Colorado, working at a tire factory and trying to suss out life's mysteries...
Coming to you from an undisclosed bunker, bug out bags stocked, armed and ready. The show must go on! Content dispatch episode 29 "Feeling Minnesota" (1996) by director Steve Baigelman. It certainly feels like the product of a young mind; all the preoccupation with sex and criminality is there, violence as punctuation mark. What this film DOES have is a stacked cast who --most of them--manage to squeeze some drama and pathos from this script...
We break our deafening silence with "Chain Reaction" (1996) by Andrew Davis. Eddie Kasalivich (Keanu) is an idealistic young scientist who finds a source of unlimited hydrogen energy by playing music to water or something. Unfortunately Eddie and his team are secretly funded by the deep state and it's chosen representative, the coldly pragmatic Paul Shannon (Morgan Freeman), who wants this revolutionary tech for himself and those he works for...
It's Josh round 2 with Inherit The Viper, notable for being the first movie of his we've seen in the theaters since the naughty aughties. Our boy plays Kip Conley, one of 3 remaining members of the Conley clan, with some reservations about inheriting his criminal father's "business" as a local dealer in painkillers to a ravaged post-industrial town. It's a competent little thriller about the opioid crisis with a sometimes hack script and an unclear point of view...