Gesamtlänge aller Episoden: 11 days 7 hours 59 minutes
Garrett sat down with the writer/director of new release Barbarian to discuss writing consistent characters, find the story as you dig, and using horror as trojan horse for tackling tough topics in a fun way. Spoilers ahead, please go see Barbarian for yourself! Video version can be watched on Garrett's YouTube channel, link below...
Welcome to Season 2 of the Bloody Blunts Cinema Club podcast! We're switching a few things up format wise including new segments "60 Second Synopsis" & "Movie Math", but more notably introducing our permanent co-host Garrett McDowell! We're kicking off 2022 covering the Scream franchise, including the new installment 5cream (that's what I'm calling it and you can't stop me)...
Beware of THE BANGS! We got a spicy episode for you, as we continue our coverage of the Scream franchise with the third & fourth episodes. We discuss the seres' commitment to their playbook (for better or worse), the evolution of Gale & Dewey, and why Parker Posey makes everything better. Garrett also saw Scream 5 ahead of the recording, so he gives us some teases for next episode...
New year, new Scream! Bringing the month to a close, we close the book on the SCREAM franchise with the latest entry to the series. DeVaughn and Garrett had very different experiences, which leads to a surprisingly amicable discussion: see, the fandom can have varying opinions! The boys chat this particularly brutal & violent Ghostface, the treatment of The Trinity vs the New Kids, and sticking to the playbook while keeping things fresh...
Sweets to the sweet, the boys have a treat for you! New month, new theme: this February, we'll be celebrating Black Horror Cinema talking films directed and/or led by black artists. First up is one of DeVaughn's all-time favorites, Candyman (1992). The boy's discuss the film's unique aesthetic, Helen as horror's most complicated Final Girl, the flawed exploration of race/class, and decide if Candyman and Pinhead would be best friends or immortal enemies...
Sweets to the sweet, the boys have a treat for you! New month, new theme: this February, we'll be celebrating Black Horror Cinema talking films directed and/or led by black artists. First up is one of DeVaughn's all-time favorites, Candyman (1992). The boy's discuss the film's unique aesthetic, Helen as horror's most complicated Final Girl, the flawed exploration of race/class, and decide if Candyman and Pinhead would be best friends or immortal enemies...
Garrett is out sick, but that didn't stop DeVaughn and guest Sharai Bohannon (co-host of the Nightmare on Fierce Street podcast) from having an extra silly time talking blacksploitation gem Abby. We discuss the film's unfair labeling as an Exorcist rip-off, "fun" black horror films vs black trauma, and if our protagonist is actually happier possessed. Take a hit and pass that spooky shit! New episodes drop every Tuesday...
Garrett is out sick, but that didn't stop DeVaughn and guest Sharai Bohannon (co-host of the Nightmare on Fierce Street podcast) from having an extra silly time talking blacksploitation gem Abby. We discuss the film's unfair labeling as an Exorcist rip-off, "fun" black horror films vs black trauma, and if our protagonist is actually happier possessed. Take a hit and pass that spooky shit!
New episodes drop every Tuesday...
Love (and ghosts) are in the air! Continuing our coverage of Black Horror Cinema for the month, our Valentine's Day selection ended up not being ver romantic, but a goodie nonetheless. Garrett & DeVaughn discuss His House: how we could use more immigration of stories in horror, the films using various forms of fear, and what it's like when characters don't spend half the movie arguing if ghosts are real or not...
Closing out February, Garret & DeVaughn are joined by Bobby Torrez (The People Under the Scares Podcast, Bobby Likes It Spooky) for a rundown haunted house party with Snoop Dogg: we're talking Ernest Dickerson's blacksploitation ghost story Bones (2001). The boys talk about the film mixes horror sub-genres with its racial commentary, Snoop Dogg as horror villain, and a lot about skin tones...