Gesamtlänge aller Episoden: 7 hours 5 minutes
In this intensely divided moment, one of the few things everyone still seems to agree on is Dolly Parton—but why? That simple question leads to a deeply personal, historical, and musical rethinking of one of America’s great icons. Join us for a 9-part journey into the Dollyverse. Hosted and created by Jad Abumrad and Shima Oliaee.
We begin with a simple question: How did the queen of the boob joke become a feminist icon? Helen Morales, author of “Pilgrimage to Dollywood,” gave us a stern directive – look at the lyrics! So we dive into Dolly’s discography, starting with the early period of what Dolly calls “sad ass songs” to find remarkably prescient words of female pain, slut-shaming, domestic violence, and women being locked away in asylums by cheating husbands...
Porter Wagoner led the most successful country music television show of its time, and in 1967 he needed a new “girl singer.” He turned to a 21 year old songwriter named Dolly Parton, who’d just recorded her first hit “Dumb Blonde.” So began a nearly decade-long partnership that, behind the scenes, was as contentious as it was commercially successful...
We journey into the Dollyverse dimension: "Tennessee Mountain Home."Like all law abiding Tennesseans, Jad grew up with the song on a loop. He hadn’t planned to talk with Dolly about it, but much to his surprise, he is drawn into a Tennessee Mountain Trance. The trance opens a portal to many questions about country music, authenticity, nostalgia and belonging. And to a place called Dollywood...
In this episode, we go back up the mountain to visit Dolly’s actual Tennessee mountain home. But, can you ever go home again? Dolly tells us stories about her first trips out of the holler, and shares with us where she lives now. Back on the mountaintop, standing under the rain by the Little Pigeon River, the trip triggers memories of Jad’s first visit to his father's childhood home, and opens the gateway to dizzying stories of music and migration.
Dolly Parton and politics have always had an interesting relationship. On the one hand, she wrote 9 to 5, the anthem for working women and the theme song for a movie inspired by a new labor union. On the other hand, she refuses to answer questions about President Trump, or any question on politics period. Her nephew calls this “Dollitics”: Dolly doesn’t take a position because she knows half her fans are on the right, half are on the left...
One of Dolly’s most iconic and successful songs is “Jolene,” a song that, at first listen, is about a romantic rival trying to steal her man: a prime example of the classic “cheating song.” But some see it as flipping a popular country music trope on its head. This idea takes shape when Nadine Hubbs, a professor at the University of Michigan, writes a fourth verse to “Jolene," which makes us reimagine Dolly's songs in entirely new ways.
Music performed by: Justin Hiltner (@hiltnerj, http://justinhiltner.com) Esther Konkara (@esther_konkara) Steph Jenkins (@slhjenkins, http://www.stephaniejenkins.info) Stephanie Coleman (@stephiecoleman) Courtney Hartman (@courthartman, https://www.courtneyhartman.com) Shelley Washington (@shelleyplaysaxy, http://shelleywashington.com) Bora Yoon (@borabot, http://borayoon.com) Caroline Shaw (@caroshawmusic, https://carolineshaw...
At the University of Tennessee in Knoxville, we drop in on a history class called “Dolly Parton’s America.” (We borrowed the name for our series!) Taught by Dr. Lynn Sacco, the class is filled with college students who grew up in rural Appalachia, many of whom are the first in their families to attend college...
This episode delves into the controversy surrounding Dolly Parton’s Stampede (formerly known as “Dolly Parton’s Dixie Stampede”)—a dinner theater that presents the Civil War as a friendly competition between neighbors. In the wake of the Charlottesville Riots in 2017, the Dixie Stampede was called out by the press, and then became embroiled in the larger national conversation about Civil War monuments and the white-washing of history...