What makes a song a smash? Talent? Luck? Timing? All that—and more. Chris Molanphy, pop-chart analyst and author of Slate’s “Why Is This Song No. 1?” series, tells tales from a half-century of chart history. Through storytelling, trivia and song snippets, Chris dissects how that song you love—or hate—dominated the airwaves, made its way to the top of the charts and shaped your memories forever.
https://slate.com/podcasts/hit-parade
Gesamtlänge aller Episoden: 6 days 52 minutes
Lenny on Mars Edition Part 1
What do Lenny Kravitz, a hitmaker primarily in the ’90s and ’00s, and Bruno Mars, a 2010s–20s hitmaker, have in common? It turns out, a lot: Each man has a wide-ranging ethnic and musical background, with early exposure to unusual sides of showbiz. Each has scored hits in a variety of styles. They are admirers of each other’s work and have even performed live together...
Yes We Can Can Edition Part 2
Today, the Pointer Sisters are mostly remembered for their flurry of ’80s hits, especially the “Excited” one about losing control and liking it. But their musical history is far more varied: jazz standards? Civil rights–era funk? Country music? Yacht rock? The Pointers applied their impeccable sibling harmonies to all of it. Billboard ranks the Pointer Sisters behind only the Supremes, TLC, and Destiny’s Child among hitmaking girl groups...
Yes We Can Can Edition Part 1
Today, the Pointer Sisters are mostly remembered for their flurry of ’80s hits, especially the “Excited” one about losing control and liking it. But their musical history is far more varied: jazz standards? Civil rights–era funk? Country music? Yacht rock? The Pointers applied their impeccable sibling harmonies to all of it. Billboard ranks the Pointer Sisters behind only the Supremes, TLC and Destiny’s Child among hitmaking girl groups...
Champagne Supernova Edition Part 2
In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged ’70s art-punk as ’90s pop. But with rare exception, these hits didn’t translate in America...
Champagne Supernova Edition Part 1
In the ’90s, U.K. rock was by Britons, for Britons. The music of the U.K. indie, Madchester and shoegaze scenes fused together into a new wave of guitar bands with punk energy, laddish lyrics and danceable grooves. They called it Britpop. In the motherland, Britpop set the charts alight: Blur faced off against Oasis. Pulp poked fun at the class system. Suede sold androgyny, and Elastica repackaged ’70s art-punk as ’90s pop. But with rare exception, these hits didn’t translate in America...
The British Are Charting Edition Part 2
Before 1964, British bands couldn’t get anywhere on the U.S. charts. Then suddenly, after a certain Fab Four broke, they were everywhere. By 1965, they had locked down our Top 10. In 1981, a new generation of U.K. acts armed with synthesizers were largely shut out of the Hot 100 once again. But then a new video channel called MTV changed the game—helped by some very pretty men in dapper suits. By 1983, half of the U.S. Top 40 had a British accent...
The British Are Charting Edition Part 1
Before 1964, British bands couldn’t get anywhere on the U.S. charts. Then suddenly, after a certain Fab Four broke, they were everywhere. By 1965, they had locked down our Top 10. In 1981, a new generation of U.K. acts armed with synthesizers were largely shut out of the Hot 100 once again. But then a new video channel called MTV changed the game—helped by some very pretty men in dapper suits. By 1983, half of the U.S. Top 40 had a British accent...
Raise Your Glass Edition Part 2
Alecia Moore was so fearless, they put an exclamation point in her name. Pink—a.k.a. P!nk—was full of bravado from the moment she broke at the turn of the millennium, singing a frothy style of teen pop&B. She was promoted as ethnically ambiguous and sold to white and Black audiences as a sassy Total Request Live starlet. She even joined an all-star remake of “Lady Marmalade...
Raise Your Glass Edition Part 1
Alecia Moore was so fearless, they put an exclamation point in her name. Pink—a.k.a. P!nk—was full of bravado from the moment she broke at the turn of the millennium, singing a frothy style of teen pop&B. She was promoted as ethnically ambiguous and sold to white and Black audiences as a sassy Total Request Live starlet. She even joined an all-star remake of “Lady Marmalade...
A Little Love and Some Tenderness Edition Part 2
One of the most improbable blockbuster successes of the ’90s was Hootie and the Blowfish: a South Carolina bar band fronted by a Black lead singer that played jangly alt-pop. That singer, Darius Rucker, built a career that’s one of a kind. Rucker’s tastes growing up were eclectic, as were the influences on his young bandmates. Their Cracked Rear View album took a year to catch on, but then it dominated the charts...