Gesamtlänge aller Episoden: 2 days 13 hours 13 minutes
Prize-winning poet and playwright Caroline Bird reminds us that “we’re all poets when we’re asleep. Writing is trying to find a way to dream while we’re awake”.
Patti Smith Group guitarist and author Lenny Kaye reminds us that “Bob Dylan is still experimenting, seeing who he might be, putting on the weirdest shows ever, upending barriers”.
Film director/screenwriter Justin Trefgarne talks about Dylan, but also about fathers, sons, archetypes and coincidence.
Singer/Songwriter/Actor John Doe tells terrific tales: hanging with Dennis Quaid and Winona Ryder in Memphis, gigging with Nick Lowe in London and hearing his voice come out of Christian Bale’s mouth in Todd Haynes’s Dylan biopic I’m Not There.
Belfast’s Steven Cockcroft (co-host of leading Beatles podcast Nothing Is Real) offers unexpected takes on The Boys and Bob: “Roll On John isn’t about an individual, it’s about the sanctification of Lennon” and “The Travelling Wilburys was a calculated mo
Our special culinary episode with critic Eric Asimov includes the story of long-time Dylan bass player Tony Garnier’s delicious Christmas gumbo and Dylan’s wine-making venture, Planet Waves (“the wine has aged better than the album”). A fan since hearing
Singer, songwriter and saxophonist Curtis Stigers tells us true stories with a cast of characters including Van Morrison, Eric Clapton and Bob Dylan. A fan from way back (“Bob is the perfect creation. He’s an art form in himself”), his jazzy cover version
Comic actor Thom Tuck discovered Bob Dylan when, growing up in Bangladesh, he caught the promo for Subterranean Homesick Blues on MTV Rewind. His family eventually returned to Leeds, where his outsider status was made even worse/better by his obsession wi
Fellow podcaster Laura Tenschert’s Definitely Dylan contains multitudes of theories and insights which she shares in this eye-opening episode. German-born Laura learned English by listening to Bob, which gave her sharper ears than most. Dozens of songs ar
Writer and musician Richard Strange insists “If you don’t want to be Bob Dylan, you shouldn’t be writing songs”. He takes us on a journey that starts in his Brixton comprehensive (“I was always bunking off, going to art galleries and the haunted, dingy So