Gesamtlänge aller Episoden: 4 days 1 hour 58 minutes
John and Drew look at the results of SAG-AFTRA’s Strike Authorization Vote and the DGA’s tentative deal with the AMPTP, and what they mean for writers on strike. Links: Find more about the 2023 WGA negotiations John...
Find more about the 2023 WGA negotiations John on , and Scriptnotes is produced by Drew Marquardt Email us at ask@johnaugust.com You can download the episode .
is the co-host of the European Screenwriters Podcast Find more about the 2023 WGA negotiations John on , and Scriptnotes is produced by Drew Marquardt Email us at ask@johnaugust.com You can download the...
by Katie Kilkenny and Xennia Hamilton for The Hollywood Reporter Find more about the 2023 WGA negotiations John on , and Scriptnotes is produced by Drew Marquardt Email us at ask@johnaugust.com You can download...
With that hot summer sun comes new picketing hours from the WGA. John and Drew take a look at the new schedule and answer a listener question about YouTube content. Links: Find more about the 2023 WGA negotiations John...
by Dave Hayes for Variety Find more about the 2023 WGA negotiations John on , and Scriptnotes is produced by Drew Marquardt Email us at ask@johnaugust.com You can download the episode .
SAG-AFTRA, the union that represents all the film and television actors in the US, has announced that their members are going on strike. John and Drew look at what that means, what to expect, and how it will impact the ongoing writers strike. Links: ...
On the first day of the the SAG-AFTRA strike, actors and writers on the picket lines tell us why this strike is so important to them and what advice they have for first-time picketers. Featuring Jim Rash and SAG-AFTRA negotiating committee members...
John and Drew take a look at SAG-AFTRA’s summary of negotiations to see what was asked for, what was offered, and what writers need to know. They also share insights on SAG-AFTRA’s new captain system. Links: on Twitter Find more...
John has opinions on the AMPTP’s new assertion that the studios are bearing all the risk when it comes to making a movie or a series, and therefore should be receiving all the reward. Links: by Claire Atkinson for The Ankler Find more...