Gesamtlänge aller Episoden: 1 day 10 hours 12 minutes
Ashley Gorley has a literal bajillion hits. He’s also got a thriving publishing company in Tape Room Music.
What is stealing anyway? In the songwriting world, there are a million ways it can happen.
Emily Weisband (“Thy Will” Hillary Scott, “Boy With Luv” BTS, “Can’t Break Up Now” Old Dominion & Megan Moroney) is one of those people who just billows talent.
So, you just scored your first hit song! Time to buy a boat, a big house and that Rolex you’ve been eyeing, right? Not so fast.
Joe Ragosta scored his first big hit (“Need A Favor” Jellyroll) just a few weeks before this episode was recorded.
Laura, Tracy and Kevin expand on the idea that even if you have a publishing deal, you're still very much the sole proprietor of your own business.
Kelly Archer (“Sleep Without You” Brett Young, “Wild As Her” Corey Kent, “Somebody Else Will” Justin Moore) explains what it’s like to write songs in Nashville before and after becoming a U.S. Citizen. Tricky!
This episode highlights one of the easiest ways to ruin what could otherwise be a really fun and fulfilling career choice: expectations.
Jordan Schmidt ("wait in the truck" HARDY & Lainey Wilson, "God's Country" Blake Shelton, "What Ifs” Kane Brown) talks to Laura and Tracy about his journey from producing rock bands in Minnesota, to getting in on the ground floor of Florida Georgia Line’s publishing company, Tree Vibez Music, all the way to writing smashes for Jason Aldean, Blake Shelton and Kane Brown
Laura, Tracy and Kevin kick off Season 2 by diving head first where we left off in season one: publishing deals.