The Ensemblist

This week, I wanted to share with you an extra-special conversation from my friends over at The Spark File podcast. Now, if you haven’t heard of The Spark File podcast, I want you to open up your podcast app and and subscribe to them right now. The Spark File is hosted by Susan Blackwell and Laura Camien - two bad ass bitches with gobs of experience in the theatre space who are obsessed with sparking creativity and inspiration in others...

Earlier this year, I had the opportunity to bring together five of the most experienced and storied ensemble actors working on Broadway today before a live audience at BroadwayCon. We talked about the shows they originated and the characters they’ve created, but also the disappointments they’ve felt when a show closed...

Hannah Florence is no stranger to Broadway with four Mainstem musicals to her credit. However, she’s also no stranger to closing Broadway musicals as she was part of the final companies of all four: Scandalous, Gigi, Paramour and, most recently, My Fair Lady...

Since making his Broadway debut in the original company of Newsies, Michael Fatica has gone on to perform in five additional Broadway musicals in the last three years, including originating the role of Chubby Man in Groundhog Day. In addition to performing in the national tour of Matilda The Musical, he also spent a chunk of last summer setting the show’s international company in South Africa. Last week, he finished a run as Phil Spector, Sid the Censor and others in Broadway’s The Cher Show...

Chloe Campbell made a name for herself performing in London in four West End musicals. Since making a leap across the pond, she performed in the Chicago company of Hamilton and the national tour of In The Heights. Her Broadway credits include the short-lived Tuck Everlasting and the just-closed production of King Kong. Here’s our conversation...

Closing shows are just part of the big, beautiful cycle of musical theatre. And yet sometimes those closings are so sudden that they defy explanation. Such was the case last fall with the North American tour of Bat Out of Hell - The Musical. While playing its opening stint in Toronto, the show’s producers announced that the multi-city run would shutter its doors before even reaching its second city. Left in the lurch were dozens of performers, including this week’s guest Emilie Battle...