The Film Scorer Podcast features a wide array of long-form interviews with film composers, including up-and-comers, established veterans, and everybody in between. Hear first-hand from masters of the craft about the film scoring process, see behind-the-scenes, and learn all about the art of film and film music.
https://thefilmscorer.podbean.com
Gesamtlänge aller Episoden: 2 days 14 hours 5 minutes
episode 11: Emilie Levienaise-Farrouch
Composer Emilie Levienaise-Farrouch joins the show! Emilie's latest score is for the film All of Us Strangers, a sort of romance-fantasy-supernatural film that I found absolutely moving. As such, we primarily talk about her score for that film, inclu...
episode 12: Tom Schraeder
Composer Tom Schraeder joins me for my first-ever in-person interview. Tom and I broke the ice by chatting for about an hour in my kitchen before heading downstairs and hitting record, and I think the comfort really shows up here. Tom has scored a n...
episode 13: Andrew Scott Bell Spills Blood and Honey
Last year's Winnie-the-Pooh: Blood and Honey drew a pretty divisive reception, but my favorite part, Andrew Scott Bell's score, rose above all the noise and discord. With Winnie-the-Pooh: Blood and Honey 2 about to release, Andrew joins me on The Fi...
episode 14: An Interview with Mike Post
Five-time Grammy winner Mike Post joins The Film Scorer podcast! A lot of you will probably be familiar with Mike already, who boasts one of the most impressive tv resumes of all time. For those of you that aren't, Mike's responsible for the two-not...
episode 15: An Interview with Gareth Coker
To celebrate his first full-length tv series score, Gareth Coker joins The Film Scorer podcast! You video game fans in particular may know Gareth from his work scoring games like Ori, Ark, and Halo Infinite, but Gareth hasn't stopped there. Given th...
episode 16: Eiko Ishibashi Scores 'Evil Does Not Exist'
Fresh off of scoring Evil Does Not Exist, composer Eiko Ishibashi joins The Film Scorer podcast! Evil Does Not Exist is Eiko's second collaboration with acclaimed director Ryusuke Hamaguchi, and the film itself actually stemmed from Eiko approaching ...