Gesamtlänge aller Episoden: 5 days 7 hours 8 minutes
Ben Gibbard has spent so much time at the head of various bands —Death Cab for Cutie, The Postal Service, All-Time Quarterback — that it's easy to forget how well his sweetly brainy songs work in a solo acoustic setting. His melodies are sturdy enough to withstand skeletal arrangements, and though his persona is unassuming by nature, he remains a charismatic and charming live performer...
Watching Flaco Jimenez play his button accordion is like looking back in time. His grandfather started playing an accordion in cantinas and family parties along the Texas/Mexican border around the late 1800s. Then Flaco's dad, Santiago Jimenez Sr., carried on the family tradition when he released his first record in 1936...
Sometimes, it's hard to know what constitutes a band. Billy Corgan wrote and sang all the songs for The Smashing Pumkpins and still records under the name, even though the other original members are long gone. Same deal with James Mercer and The Shins. Jason Lytle, on the other hand, spent nearly 15 years leading Grandaddy, dissolved the group in 2006 and decided to continue as a solo artist, even though he wrote, sang and recorded Grandaddy's songs almost entirely on his own...
by STEPHEN THOMPSON Passion Pit's Michael Angelakos is a fussy sonic craftsman: A keyboardist and singer who started out working solo on his laptop, he now makes fizzily catchy electro-pop that orbits around monster hooks. He's not, in other words, the first musician you'd associate with a stripped-down performance behind NPR Music's Tiny Desk, where Technicolor production tends to give way to unfiltered voices and bare instrumental essentials...
by BOB BOILEN Lord Huron is a band for just about anyone: The rich harmonies are welcoming, the lyrics relatable and the live performances thrilling. The group started out as a solo project for singer Ben Schneider, but is now a full assortment of terrific musicians, all based in Los Angeles...
by Stephen Thompson Bringing blues music to the Top 40 isn't easy: Only a handful of musicians have done it in the 30 years Robert Cray has spent winning awards, selling millions of records and otherwise kicking around on the national stage. But Cray has, crossing over from blues-club stages to arenas with the double-platinum 1986 album Strong Persuader and its single "Smoking Gun," and has continued to stick around as one of the most reliably gifted and accessible guitarists around...
by Bob Boilen Spirit Family Reunion was my favorite find at this year's Newport Folk Festival. The group makes music I'd call "new old-timey," but which its members call "open-door gospel" — gospel music that's not tied to any particular religious denomination. You'll hear fiddle, banjo, guitar and washboard, all gathered around a single microphone in an old-style tradition. An unsigned band living in Brooklyn, Spirit Family Reunion makes music filled with joy, perfect for a Tiny Desk Concert...
by Bob Boilen We first met Kat Edmonson nearly four years ago, when All Songs Considered put out a challenge to songwriters on the eve of Barack Obama's inauguration. We asked musicians around the country to capture the moment in song, and Edmonson, a native of Texas, wrote and sent us "Be the Change." It was clearly the best song we received, and she sang it with a unique voice and wonderful phrasing — so spot on...
by Bob Boilen There just aren't many bands like Antibalas. These are jazz players making dance music: Their music is big and fun, and their guiding spirit is Fela Kuti, the brilliant big-band leader and Nigerian Afrobeat pioneer. Afrobeat is a musical style featuring nearly endless songs, mixing funk and jazz, grooves and riffs, with the rhythm carried by not only the drums, but everyone. Everyone — horn players, bass players, guitarists — plays rhythm in Afrobeat music...
by Felix Contreras At NPR Music, we get stacks of CDs in the mail, as well as countless links to music streams, from bands trying to stand out and get some attention. It's safe to say that we all share similar previewing procedures: At some point, we just sit and listen. What are we listening for? I can't speak for the others, but I'm constantly in search of music I haven't heard, but which sounds as if it's been in my life forever...