Gesamtlänge aller Episoden: 6 days 3 hours 5 minutes
Matt is back! And just in time to talk about the modern western crime drama WILD HORSES, written directed by Robert Duvall. The movie is bad and boring, so a lot of time is spent discussing other topics, such as: nu-metal, the VOD film market, and our pitch for a low-budget action drama film called Delivery.
This week, Josh travels back to World War I in what might be the lowest-grossing movie of his career: The Ottoman Lieutenant. But other than this boring movie, we cover such important topics as: which host is the Gollum of the group, the MTV Movie Awards Matrix Reloaded parody, the exact definitions of holocaust and genocide. Plus: more about our pitch for Patriot Pictures.
After weeks and months of frustration and disappointment, Patrick, Jake and Matt FINALLY arrive at the movie they’ve been waiting almost a year for. It’s time for OH LUCY! the best film Josh has made in a long, long time. Beyond an in-depth discussion of the film, they also find time to discuss the Merovingian from the Matrix sequels, a potential Riddick decalog, hot takes on binge watching, the band Everclear, PLUS a drinking game for this podcast!
After months filled with twists and turns, ups and downs, this week the podcast finally reaches the end of Josh Hartnett’s filmography…or at least his most recent movie. Patrick, Jake, and Matt hit the slopes to discuss the snowboarding survival drama 6 BELOW, and with it enter new territory: the recent phenomenon of the faith-based film. They explore this, as well as topics like whether the show Entourage was ever good, the return of Penny Dreadful, and the recent film FUN MOM DINNER.
It’s the penultimate episode of We Heart Hartnett! This week, Patrick, Jake and Matt, having watched all of Josh’s feature films, dig deeper, discussing his short films, TV appearances, and even his TV commercials. It’s the final level of obsessive Hartnett analysis, taking this podcast further than probably anyone wanted.
It’s the final episode of We Heart Hartnett (for now), so that means it’s time for Big P and the Brothers T to finally answer the most important questions: what are Josh’s best and worst movies? What sort of films do we want to see him in? What did we learn from this whole weird experience. And…does Jake know what sort of music the Max Rebo Band plays?
It's the triumphant return of WE HEART HARTNETT! It's also a return to Josh's late-career output with the very boring She's Missing, written and directed by Alexandra Mcguiness. A young woman named Heidi goes searching for her friend Jane, who appears to have become embroiled in a peyote cult led by Josh. This sounds cool and is not. We think it's, like, a commentary of some sort? Listen and decide for yourself!
It's Josh round 2 with Inherit The Viper, notable for being the first movie of his we've seen in the theaters since the naughty aughties. Our boy plays Kip Conley, one of 3 remaining members of the Conley clan, with some reservations about inheriting his criminal father's "business" as a local dealer in painkillers to a ravaged post-industrial town. It's a competent little thriller about the opioid crisis with a sometimes hack script and an unclear point of view...
We're doing another cheeky switch-em-up and putting on our other hat as We Heart Hartnett to cover Josh's latest: Most Wanted (2020), a journalism thriller with twin timelines, based on a true story (with some dramatization ;-)) directed by Daniel Roby...
Retaining our previous form as WHH, we venture into "The Valley of the Gods" by Lech Majewski, respected Polish director and video artist the boys have absolutely no priors with. And so, as if from the void, comes this strange art film that Pat and Jake found pleasantly surprising, Matt not so much. Josh plays John Ecas, a frustrated copywriter and would-be novelist freshly cuckolded by his wife's hang gliding instructor and in the midst of an existential meltdown...