Why We Theater

Tony Award winner J.T. Rogers, experts Aziz Abu Sarah (National Geographic Explorer, TED Fellow, peace-builder) and Libby Lenkinski (New Israel Fund) and host Ruthie Fierberg discuss the approach to peace in the context of Rogers’ play and HBO film Oslo, how things have changed since Oslo (the play and the event it dramatizes that led to the Oslo Peace Accords), possible solutions, and, most importantly, how to ease the suffering of Israelis and Palestinians now.

Disney’s animated movie RAYA AND THE LAST DRAGON (starring Awkwafina, Kelly Marie Tran, and more) resonates deeply on the themes we discussed last week in our episode “OSLO and the Israeli-Palestinian Conflict,” inspired by Broadway’s Tony Award-winning Best Play OSLO (now also an HBO film).

Powerhouse theatre-writing duo Matt Gould and Griffin Matthews join us to talk about their moving and personal musical, Witness Uganda (previously known as Invisible Thread when it premiered Off-Broadway at Second Stage Theatre).

Beloved medical drama THE GOOD DOCTOR has a lot to teach us. Beyond its premise—following the evolution of Dr. Shaun Murphy, a physician on the autism spectrum, and the hospital and its employees around him—and beyond its weekly case, the ABC television series also demonstrates the use of the strengths model in foreign aid. Expert Ana Jiménez-Bautista taught us the definition and importance of the strengths model in last week’s episode “Witness Uganda and Ethical Foreign Aid...

Eating disorders affect 29 million Americans (9 percent of the population). Every 52 minutes, someone in the U.S. dies as a direct result of their eating disorder. Guided by Domenica Feraud’s rapturous play RINSE, REPEAT, this week we delve into eating disorders: anorexia nervosa, bulimia nervosa, binge eating disorder, orthorexia, and every eating disorder on the spectrum.

Harriet Brown’s memoir Brave Girl Eating: A Family’s Struggle With Anorexia is a must-read for anyone looking to better understand eating disorders after last week’s episode “RINSE, REPEAT and Eating Disorders.”

Host Ruthie Fierberg recommends the most thought-provoking and moving pieces of New York theatre she’s seen to date. These plays and musicals bring to life issues in our society, which make them ripe for discussion. Each is further proof of why we theater. Some of these shows may become full episodes in the future. Some of them relate to past episodes. All of them will appeal to your taste if you love Why We Theater...

Interstate, a new musical by Kit Yan and Melissa Li, follows two Asian-American artists (one a lesbian and one a trans man) as they embark on a U.S. tour with their band Queer Malady. Meanwhile, trans teen Henry discovers QM’s music and finds his story in theirs...

Authenticity was the heart of our last episode “INTERSTATE and Authentic Trans, Queer, and Asian-American Representation.” Our discussion included artists Kit Yan and Melissa Lee and experts AC Dumlao of the Transgender Legal Defense and Education Fund and Sheena Brevig of the Center for Scholars and Storytellers...

Today we welcome artist Nadira Simone, who wrote the breath-stealing new play The Killing of Kings. The drama weaves a tapestry of Black families in America dealing with mass incarceration and police brutality, grappling with Black Lives Matter, and surviving racism. Simone achieves this by homing in on the King family, as patriarch Patrick King returns home from a second stint in prison...