Gesamtlänge aller Episoden: 11 days 21 hours 2 minutes
Marie Brennan joins us again, this time to help us field your questions about middles. Here are the questions we collected from the various social media feeds: How do you maintain interest without having something explode every other chapter?
Are we making progress? How do we communicate that to the reader?
Words take time to read, but that's not the same amount of time that the words communicate...
Marie Brennan joins us again, this time for a discussion about writing combat. She's studied fencing, combat choreography, and is *this close* to having a black belt in shotokan karate, bringing a valuable perspective to the discussion. Also,
We wrap up this month's discussion of pacing with a Q&A. Here are the questions we pulled out of the virtual hat (read: Twitter) for answering during the episode: What are some early indications of a pacing problem?
Charlie N. Holmberg, who was recently signed by Amazon's 47 North imprint, joined us in front of a live audience it Sasquan (the 73rd World Science Fiction Convention) to talk about breaking in to the industry. Brandon and Dan broke in a decade ago,
We've talked about plot twists before. This episode covers the way in which the type of plot twist is dependent on, or signaled by, the context of the story. Getting plot twists right may mean surprising the reader,
This month's wildcard episode comes to you from the 2015 GenCon Indy Writers' Symposium, where Dan and Howard had the opportunity to interview Susan J. Morris and Marc Tassin. Susan is one of the finest moderators the symposium has ever seen,
Our second installment for the Master Class's month of context covers the way dialog between characters may change meaning depending upon the context you create for them. This context may be the setting or genre,
Kevin J. Anderson joined us at Sasquan/WorldCon 73 to take questions about plot twists. Here are the questions that came in from our live audience: Genre Twists: good, bad, or ugly? Can you compare and contrast a good plot twist with a bad one?