Gesamtlänge aller Episoden: 11 days 20 hours 33 minutes
Brandon and Dan met during a creative writing class at Brigham Young University, and Brandon went on to get a Master's Degree in the field. Howard has no formal training in the field. This begs the question... do creative writing classes help?
Howard takes the moderatorial lead on this episode in which he, Brandon, and Dan are joined by Rob Wells for a discussion of marketing. - What is marketing? What's the difference between marketing and PR? What's the difference between a marketing man...
Rob Wells joins the Writing Excuses crew for a second 'cast, this time dealing with fight scenes. We talk about good blocking versus a bad blow-by-blow, and cover a few of the factors that may dictate the right style of description for that wicked-coo...
"Branding," not "Brandon," just so we're clear. Brand-ING. - We open with the definition of "branding," talking about what it is, and (just as importantly) what it is not. With that out of the way we forge ahead and talk about author brands,
We took Writing Excuses on the road last month for "Life, The Universe, and Everything," the symposium on Science Fiction and Fantasy at Brigham Young University. The Guests of Honor were Tracy and Laura Hickman,
Tracy Hickman joins us again at "Life, The Universe, and Everything," and in this episode we let Brandon ask him random questions while Dan and Howard chime in with comments that hopefully don't detract from the discussion. -
Nancy Fulda fills in for Dan for this week's episode (he was sick, she was in town, huzzah!) but she's more than just "filling in." She's FEATURED. Nancy is the assistant editor for Jim Baen's Universe, and as such is probably the one who rejected your...
Nancy Fulda, assistant editor at Baen's Universe and editor-in-chief and founder of Anthology Builder, joins us again while Dan Wells is out celebrating his birthday. We discuss the rise of digital SF magazines,
As a writer you obviously know how to read. But being a writer changes how you read, and what you read, and even why you read. Do you read more, or less as a writer? How do you read so that your reading doesn't interfere with writing?
Last week we talked about reading critically, reading as writers. This week we decided to apply that critical reading skill to Watchmen, the Hugo award-winning graphic novel by Alan Moore, illustrated by Dave Gibbons and colorist John Higgins.