You Can’t Make This Up

From Where She Stands: The OITNB Podcast is a new show that connects the storylines from Orange Is The New Black with the stories of real women whose lives have been impacted by prison. Hosted by Piper Kerman (author of the book "Orange In The New Black: My Year In A Woman's Prison"), each episode will feature an exclusive interview with a cast member from OITNB and will dive into the real stories from women navigating the prison system in America. Subscribe now so you don't miss an episode.

The original series "Unbelievable" follows two policewomen (Toni Collette and Merritt Wever) trying to capture a serial rapist, and one girl (Kaitlyn Dever) who may, or may not, be a victim. It just depends on who you believe...

In Steven Soderbergh's new film, "The Laundromat" he explores the world of offshore banking and the international crises caused by the Panama Papers. Screenwriter Scott Z. Burns, and journalist Jake Bernstein sit down with Soderbergh to talk tax evasion, casting Meryl Streep and to look at how they took a real-life scandal and adapted it into a feature film.

This month, we have a documentary film following Bikram Choudhury, the man who popularized yoga in America. Returning hosts Kevin Flynn and Rebecca Lavoie speak with director Eva Orner and lawyer Micki Jafa-Bodden about the rise and fall of a yoga guru who preyed on the very women who trusted him.

We have hosts Kevin Flynn and Rebecca Lavoie (of the Crime Writers On...podcast) to speak directors Robert Kenner (Food Inc.) and Taki Oldham about their new series The Confession Killer. They'll be deep diving the story of Henry Lee Lucas, a man who confessed to hundreds of murders that spanned the country.

Don’t F**k With Cats: Hunting an Internet Killer, follows a team of armchair detectives searching for an anonymous cat killer before he can escalate to something worse. Crime Writers On… host Rebecca Lavoie talks with director Mark Lewis about the rise of online sleuths, his choice to show segments of the animal abuse videos, and whether the audience should also be complicit in the crimes of Luka Magnotta.