Gesamtlänge aller Episoden: 11 days 10 hours 14 minutes
Errol Flynn arrived in Hollywood in 1934 and almost immediately became a massive star, his swashbuckler-persona propelling many of the decades biggest action hits. But his dashing good looks and life-of-the-party personality masked a shady past.
She was the raven-haired beauty whose lily white persona was forged by supporting roles in Gone With the Wind and several Errol Flynn swashbucklers. He was the real-life swashbuckler whose directorial debut, The Maltese Falcon, was an enormous success.
Today’s episode tells the secret, forgotten, and highly disputed story of the making of Marilyn Monroe, arguably the most potent Hollywood sex symbol of all time.
Stunning singer/actress Lena Horne was the first black performer to be given the full glamour girl star-making treatment. But as the years went on and her studio failed to make much use of her, Horne started feeling like a token — and she...
One of the most glamorous stars of the 1930s -- and also one of the first androgynous sex symbols -- Marlene Dietrich was a German actress turned major Hollywood star, one who essentially became the USO's female Bob Hope.
The Citizen Kane boy wonder's second wife was the former Margarita Cansino -- a dancer-turned-actress whose Hispanic heritage Hollywood went to great lengths to obscure.
The luminous star of a number of key film noirs and melodramas of the 1940s, Gene Tierney's personal life was highly dramatic and heartbreakingly tragic.
Hedy Lamarr was a pioneer in more ways than one, including, but not limited to, scandalous movie sex scenes, radio control technology, breast implants, frivolous lawsuits, and celebrity shoplifting.
The queen of screwball comedies married the king of Hollywood in 1939, but Lombard's 1942 death in a plane crash on the way home from a trip to sell war bonds drove Gable into a physical and emotional breakdown, and eventually the Army.
In the first installment of 'Star Wars' (about the experiences of stars during wartime, not Chewbacca or Mos Eisley), Karina Longworth looks at Bette Davis and the Hollywood Canteen.