Likewise with the Anglo-Scottish composer William Wordsworth (1908–88), great-great-grandnephew of the poet, with whom I occasionally exchanged letters and phone calls in the pre-e-mail late 1970s and early 1980s: I never could have predicted that his reputation might be restored by a series of Toccata Classics albums of his orchestral music, and I confess to an inordinate degree of pleasure in having helped right that injustice. Wordsworth’s piano music, too, was poorly known before now, none of it recorded since a handful of pieces appeared on LP 60 years ago – though his epic Piano Sonata is a work of major importance. The first-ever complete recording, on this release, reveals an honest, unfussy approach to the keyboard akin to that of two other major symphonists, Sibelius and Rubbra: like them, Wordsworth’s primary concern seems to have been the expression of deep feeling – which makes the gentle story-telling of his miniatures for children all the more surprising. The pianist is that stalwart defender of Scottish piano composers, Christopher Guild – who grew up just a few miles along the Moray Firth from Wordsworth’s Highland home overlooking Glen Feshie in the Cairngorms.
Tracks
Piano Sonata in D Minor, Op. 13 (1938-39) (27:04)
Three Pieces for Piano* (10:35)
Cheesecombe Suite, Op. 27 (1945) (13:18)
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This album is broadcast with the permission of Sean Dacy from Rosebrook Media.