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The Locker-Room Election
Donald Trump’s gross behavior towards women has been self-evident for years. Even The Donald himself, seen in this Howard Stern video from 2006, agrees that Donald Trump can be called a sexual predator. So how do we explain the shocked (shocked!) reaction to the non-revelation of the Billy Bush bus tape?
Perhaps an answer can be gleaned from an entirely separate incident. It’s October 1971 and William Friedkin’s The French Connection is playing to a packed, all African-American audience in a movie theater in Harlem. Up on the screen, Gene Hackman’s character, Popeye Doyle, turns to his partner and mutters, “Never trust a [N word].” The audience erupts — in cheers.
Why? Because finally, African-Americans were hearing the language they had always known was being said by NYC cops in real-life behind closed doors.
Jill Soloway, the creative force behind Transparent, writing in Time magazine this week describes a similar reaction to watching the bus video: “I was thrilled because it was finally out in public. What men say behind closed doors. Currently renamed as locker-room talk.”
One big takeaway: Language matters.
This week on Open Source we’re unpacking the gender politics operating behind the scenes in the Locker-Room Election.
Eileen Myles wants to take Trump’s defensive words at face value: let’s talk about what “locker room banter” actually is, another hidden domain for patriarchy.
And Felix Biederman, creator of the centrist pundit parody Carl Diggler and co-host of the brilliantly vulgar Chapo Trap House podcast, helps us turn the corner into a conversation about language and the fine line between what different generations find forgivable and unforgivable in speech. Plus, Labor of Love author Moira Weigel, political philosopher Rafia Zakaria, and Atlantic contributor Caitlin Flanagan join us live in studio to flesh out what we’re really talking about when we talk about Trump’s words.
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