Open Source with Christopher Lydon

Open Source is the world’s longest-running podcast. Christopher Lydon circles the big ideas in culture, the arts and politics with the smartest people in the world. It’s the kind of curious, critical, high-energy conversation we’re all missing nowadays. Be part of the action: leave a voice message to be played on the air; get in touch over Facebook or Twitter; or email us – info@radioopensource.org with show ideas, advice, requests and high-quality criticism.

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George Saunders in the Afterlife


The story master George Saunders is widely revered as the nicest guy in the writing game, but it’s sweeter and deeper than that. I met him in the Boston Public Library the other day to gab about his spooky transcendental first novel — about Abraham Lincoln in limbo with the son that died in the White House; immediately I was reminded of what Maxim Gorki noticed about Anton Chekhov, a Saunders idol: “In Anton Chekhov’s presence,” Gorki said, “every one involuntarily felt in himself a desire to be simpler, more truthful, more one’s self…”

And so it went for us with George Saunders. He’s famous for writing: “Stay open, forever, so open it hurts,” and he talks that way about everything – about his and his wife’s version of Tibetan Buddhism, for example; about his very complicated feelings inside Trump campaign rallies; about the notion he teaches that “if death is in the room,” as it is in throughout his new novel, the writing and the reading get pretty interesting. The book in question is titled Lincoln in the Bardo – using the Tibetan word for a mysterious space underground for lost souls after death, but not quite dead. He gave me a feeling it’s a zone we all might well get to know better.

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 February 28, 2017  31m