The Conversation

One year ago a #MeToo tweet by Hollywood actor Alyssa Milano encouraged an outpouring of women using the hashtag to talk about experiences of sexual harassment or assault. What followed were allegations against high profile figures in entertainment, the media and politics with many of the accused denying any wrongdoing. Kim Chakanetsa brings together two women who have made public allegations of sexual abuse in countries where that's highly unusual, to find out if the ripples of #MeToo are being felt beyond Hollywood and the West? Tatia Samkharadze is a Georgian TV journalist and actor who successfully sued her former boss, Shalva Ramishvili, for discrimination after her claim of sexual harassment in January 2018. It was viewed as a landmark case because there is currently no law against sexual harassment in Georgia. Shalva was ordered to pay her nearly 800 US dollars in moral damages, though he denied the claim and is appealing the ruling. Since Tatia made her allegations, she says people have told her that his behaviour wasn't a problem or that it was her fault, and she has been bullied online. She says because she spoke out she has been unable to find work as a journalist. She believes Me Too was a blessing for her and her case. She now campaigns for women's rights. Shiori Ito is a Japanese freelance journalist. In April 2015, she alleged that she had been raped by Noriyuki Yamaguchi, a high-profile Japanese journalist, at a Tokyo Hotel. He strongly denies the allegations and after a lengthy investigation, prosecutors dropped the case against him, citing insufficient evidence. In May 2017, Shiori took the unusual move of going public with her claims to try to change how Japan treats allegations of sexual assault, legally and socially. Shiori says after she went public she received many threats and even had to leave her home in a disguise. She says the Me Too movement is slowly helping to shift attitudes towards sexual abuse in Japan. L: Shiori Ito (credit: Hanna Aqvilin) R: Tatia Samkharadze (credit: Ekaterine Kadagishvili) Produced by Sarah Kendal